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Author: Alliance Poets World-Wide
Publisher: Lulu.com
ISBN: 1329403800
Category : Poetry
Languages : en
Pages : 162
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Book Description
This the seventh book in this remarkable "Power within a Poem" Series is another great addition for all poetry lovers to be inspired by as the contents really do portray the power of the pen changing the Poet's words into colourful pictures in mind that arrive from a vast range of themes such as love, life, humour, nature in all forms to please and delight everyone of all ages that reads
Author: Alliance Poets World-Wide
Publisher: Lulu.com
ISBN: 1329403800
Category : Poetry
Languages : en
Pages : 162
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Book Description
This the seventh book in this remarkable "Power within a Poem" Series is another great addition for all poetry lovers to be inspired by as the contents really do portray the power of the pen changing the Poet's words into colourful pictures in mind that arrive from a vast range of themes such as love, life, humour, nature in all forms to please and delight everyone of all ages that reads
Author: Alliance Poets
Publisher: Lulu.com
ISBN: 1312149515
Category : Poetry
Languages : en
Pages : 163
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Book Description
This is the fourth book in the Alliance Poets "Power Within a Poem" series... where poems are created from a weekly challenge starter poem, thus creating much wonderful diverse poetry for all ages to enjoy...
Author: Alliance Poets World-Wide
Publisher: Lulu.com
ISBN: 1291047816
Category : Poetry
Languages : en
Pages : 224
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Book Description
A most wonderful poetry book featuring Erich J Goller the P.F.P. challenge master at the Writers & Poetry alliance plus eighteen other poetry members that includes some of the most published well known poets of today...Within the books pages you will see a starter poem that the poets have been challenged to create another one from, with new title, rhyming or not with no more than 20 chosen words. The inspired variety is immense and as you read the pages you will certainly be impressed at the poets efforts and the poetry so diverse created from the one in challenge...
Author: Guillermo Galán Vioque
Publisher: BRILL
ISBN: 9004350977
Category : Literary Criticism
Languages : en
Pages : 616
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Book Description
This volume is the first comprehensive commentary on the seventh book of Martial's epigrams. The introduction discusses the date of publication of Martial’s books, the themes of the epigrams of book seven as well as the transmission of the text. The autor pays special attention to the adulation of Domitian in book seven, the satirization of lawyers, legacy-hunters, parasites and dinner-guests, and hetero- and homosexuality. The commentary, preceded by a revised edition of Shackleton Bailey’s Teubner edition (1990), focuses on literary, linguistic and metrical matters. Thematic relationships with other books of Martial and other Greek and Latin literature are highlighted. Attention is also paid to the use of recurrent motifs, obscene language, puns, double meanings and proper names.
Author: Daniel G Donoghue
Publisher: Boydell & Brewer
ISBN: 1843847116
Category : Literary Criticism
Languages : en
Pages : 378
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Book Description
New and exciting scholarship on medieval and early modern English culture in all its diversity. This book honours James Simpson, an enormously influential figure in English literary studies. Known for championing once-neglected writers such as Gower, Hoccleve, and Lydgate, Simpson has also pioneered the field of Trans-Reformation studies, dismantling the barrier between the medieval and early modern periods. He has written powerfully about the history of freedoms, the relationship between literary and intellectual history, and about the category of the literary itself in all its urgency. Inspired by Simpson's interventions, the essays collected here deal with texts and topics from the eighth to the seventeenth centuries. Langland's Piers Plowman and Chaucer's Physician's Tale and Troilus and Criseyde rub shoulders with Old English riddles, Saint Erkenwald, The Digby Lyrics, Lydgate's Dietary, and Lodge's Robert the Devil. Revisionist studies of two much-debated genres - allegory and romance - join forces with chapters on neglected physical features of early books, line-fillers and catchwords, as well as studies of iconoclasm and the histories of enemy love. The volume begins with a piece by the honorand himself, on recognition in literary texts.th chapters on neglected physical features of early books, line-fillers and catchwords, as well as studies of iconoclasm and the histories of enemy love. The volume begins with a piece by the honorand himself, on recognition in literary texts.th chapters on neglected physical features of early books, line-fillers and catchwords, as well as studies of iconoclasm and the histories of enemy love. The volume begins with a piece by the honorand himself, on recognition in literary texts.th chapters on neglected physical features of early books, line-fillers and catchwords, as well as studies of iconoclasm and the histories of enemy love. The volume begins with a piece by the honorand himself, on recognition in literary texts.
Author: Richard Janko
Publisher: OUP Oxford
ISBN: 0199572070
Category : Literary Criticism
Languages : en
Pages : 664
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Book Description
An edition, with Greek text, translation, and scholarly commentary, of Books 3 and 4 of the On Poems by the Epicurean philosopher and poet Philodemus of Gadara (1st century BC). Philodemus's work offers unique insights into ancient literary criticism, from Aristotle to Horace.
Author: Hunter H. Gardner
Publisher: Oxford University Press
ISBN: 0192516361
Category : History
Languages : en
Pages : 348
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Book Description
Scientists, journalists, novelists, and filmmakers continue to generate narratives of contagion, stories shaped by a tradition of disease discourse that extends to early Greco-Roman literature. Lucretius, Vergil, and Ovid developed important conventions of the western plague narrative as a response to the breakdown of the Roman res publica in the mid-first century CE and the reconstitution of stabilized government under the Augustan Principate (31 BCE-14 CE): relying on the metaphoric relationship between the human body and the body politic, these authors used largely fictive representations of epidemic disease to address the collapse of the social order and suggest remedies for its recovery. Theorists such as Susan Sontag and René Girard have observed how the rhetoric of disease frequently signals social, psychological, or political pathologies, but their observations have rarely been applied to Latin literary practices. Pestilence and the Body Politic in Latin Literature explores how the origins and spread of outbreaks described by Roman writers enact a drama in which the concerns of the individual must be weighed against those of the collective, staged in an environment signalling both reversion to a pre-historic Golden Age and the devastation characteristic of a post-apocalyptic landscape. Such innovations in Latin literature have impacted representations as diverse as Carlo Coppola's paintings of a seventeenth-century outbreak of bubonic plague in Naples and Margaret Atwood's Maddaddam Trilogy. Understanding why Latin writers developed these tropes for articulating contagious disease and imbuing them with meaning for the collapse of the Roman body politic allows us to clarify what more recent disease discourses mean both for their creators and for the populations they afflict in contemporary media.
Author: Willard Spiegelman
Publisher: Oxford University Press, USA
ISBN: 0195093569
Category : Aesthetics, British
Languages : en
Pages : 234
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Book Description
Majestic Indolence examines the theme of indolence - in both its positive and negative forms - as it appears in the work of four canonical Romantic poets. Wordsworth's "wise passiveness", Coleridge's "dejection" and numbing torpor, Shelley's experiments with pastoral dolce far niente, and Keats's figures of "delicious diligent indolence" are treated as individual manifestations of a common theme. Spiegelman pursues the trope of indolence to its origins in the economic, medical, philosophical, psychological, religious, and literary discourses from the middle ages to the late eighteenth century. Offering an alternative to recent politically and ideologically motivated literary theory, Spiegelman looks closely at how the poems work. He argues for renewed appreciation of poetic style, literary formalism, and aesthetics as the best gauge to the Romantic treatment of nature and the sublime. The book concludes by examining the transformation of English Romanticism at the hands of two American heirs, Walt Whitman and Robert Frost.
Author: Jane Hedley
Publisher: Penn State Press
ISBN: 0271039949
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
English lyric poetry from Wyatt to Donne falls into three consecutive stylistic phases. Tottel's Miscellany presided over the first, making the lyrics of Wyatt and Surrey available for imitation by mid-century poets like Barnabe Googe, George Turberville, and George Gascoigne. The Shepheardes Calender and Sidney's Defense of Poesy ushered in the second, the Elizabethan or &"Golden&" phase of the 1580s and 1590s. In the third phase Donne and Jonson, reacting against the stylistic orientation of the Elizabethan poets, reconceived the status of &"poesy&" and resituated the lyric for a post-Elizabethan audience. Chapter 7 is shared between Donne and Jonson, post-Elizabethan writers who used metonymy to subvert the metaphoric stance of Elizabethan poetry. In a Postscript Hedley takes on the &"metaphysical conceit&" for a final demonstration of the explanatory power of Jakobson's theory of language. Professor Hedley uses the semiotic theory of Roman Jakobson to create stylistic profiles for each of these three phases of early Renaissance poetry. Along with the poetry itself she reexamines contemporary treatises, &"defenses,&" and &"notes of instruction&" to highlight key features of poetic practice. She proposes that early and mid-Tudor poetry is &"metonymic,&" that the collective orientation of the Elizabethan poets is &"metaphoric,&" and that Donne and Jonson bring metonymy to the fore once again. Chapter 1 sets out the essentials of Jakobson's theory. Hedley uses particular poems to show what is involved in claiming that a writer or a piece of writing has metaphoric or a metonymic basis. Chapter 2 explains how the metaphoric bias of Elizabethan poetry was produced, as &"poesy&" became part of England's national identity. This chapter broadens out beyond the lyric to include other modes of writing whose emergence belongs to an Elizabethan &"moment&" in the history of English literature. Beyond chapter 2, each chapter has a double purpose: to create stylistic profile for a single poetic generation and to highlight a particular aspect or feature of the poetry as an index of difference from one generation to the next. In the third chapter Hedley shows how Wyatt and Surrey used deixis metonymically to give their poems particular occasions. Chapter 4 explains how the metonymic bias of the mid-Tudor poets affected their use of metaphor, and highlights Gascoigne's appreciation of a metaphor as a social gambit or an instrument of moral suasion. Chapters 5 and 6 are centered in the Elizabethan period, but with perspectives into earlier and subsequent phases of metonymic writing. In chapter 5, a comprehensive discussion of the sonnet and the sonnet sequence shows how metaphoric writing cooperates with the &"poetic function&" of language. Chapter 6 deals with love poetry, as a social/political activity whose orientation differs radically from one generation of English Petrarchists to the next.
Author: Richard Gravil
Publisher: Lulu.com
ISBN: 1847603459
Category : Literary Criticism
Languages : en
Pages : 422
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Book Description
Wordsworth's Bardic Vocation, the most comprehensive critical study of the poet since the 1960s, presents the poet as balladist, sonneteer, minstrel, elegist, prophet of nature, and national bard. The book argues that Wordsworth's uniquely various oeuvre is unified by his sense of bardic vocation. Like Walt Whitman or the bards of Cumbria, Wordsworth sees himself as 'the people's remembrancer'. Like them, he sings of nature and endurance, laments the fallen, fosters national independence and liberty. His task is to reconcile in one society 'the living and the dead' and to nurture both 'the people' and 'the kind'. Review Comment: 'This erudite exposition, profligate with its ideas ... succeeds as few others have done in apprehending Wordsworth's career holistically, incorporating all its diversities and apparent inconsistencies into a unified vision. It justifies fully the notion proposed by Hughes and Heaney that he was England's last national poet.' - Duncan Wu, Review of English Studies
