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Author: Rick Sammon
Publisher:
ISBN: 9781688297340
Category :
Languages : en
Pages : 168
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Book Description
Unlike Rick Sammon's 39 other best-selling and photo-rich books, Photo Therapy Motivation and Wisdom - Discovering the Power of Pictures, has no photographs between the covers. Yet, Rick feels as though it is his most important work. He trusts this book will make you think - hard - about your photography, and about how using your brain, the best photo "accessory," will help you become a better photographer. Or as stated by famed black-and-white landscape photographer Ansel Adams, "The single most important component of a camera is the twelve inches behind it." It's not that Rick is tired of having to "lug around a camera," as Lewis Hine said, it's just that he thinks the motivational and inspirational message of this book is better expressed without showing his own pictures. Rather, in reading the 35,000-word text, he'd like you to imagine your own pictures - and potential pictures - while he is describing a situation, process, technique, feeling or emotion. Chapters include: Emotional Intelligence for Photographers, Seeing vs. Looking, Creating Your Own Reality, It's Never Too Late to Be What You Might Have Been, Light and Color Therapy, Learning is Health, and What Does Your Photography Mean to You? The book also includes more than 20 "missions" that you can accept in your quest to expand your photographic horizons. This very personal book is filled with Rick's photo and life wisdom - wisdom he has gained by spending almost an entire lifetime - starting in the late 1950's with developing pictures in his parents' basement - involved in photography in many forms and fashions. You will find many inspirational quotes in this book. One of Rick's favorites: "When you are through changing, you are through." - Bruce Barton
Author: Rick Sammon
Publisher:
ISBN: 9781688297340
Category :
Languages : en
Pages : 168
Get Book Here
Book Description
Unlike Rick Sammon's 39 other best-selling and photo-rich books, Photo Therapy Motivation and Wisdom - Discovering the Power of Pictures, has no photographs between the covers. Yet, Rick feels as though it is his most important work. He trusts this book will make you think - hard - about your photography, and about how using your brain, the best photo "accessory," will help you become a better photographer. Or as stated by famed black-and-white landscape photographer Ansel Adams, "The single most important component of a camera is the twelve inches behind it." It's not that Rick is tired of having to "lug around a camera," as Lewis Hine said, it's just that he thinks the motivational and inspirational message of this book is better expressed without showing his own pictures. Rather, in reading the 35,000-word text, he'd like you to imagine your own pictures - and potential pictures - while he is describing a situation, process, technique, feeling or emotion. Chapters include: Emotional Intelligence for Photographers, Seeing vs. Looking, Creating Your Own Reality, It's Never Too Late to Be What You Might Have Been, Light and Color Therapy, Learning is Health, and What Does Your Photography Mean to You? The book also includes more than 20 "missions" that you can accept in your quest to expand your photographic horizons. This very personal book is filled with Rick's photo and life wisdom - wisdom he has gained by spending almost an entire lifetime - starting in the late 1950's with developing pictures in his parents' basement - involved in photography in many forms and fashions. You will find many inspirational quotes in this book. One of Rick's favorites: "When you are through changing, you are through." - Bruce Barton
Author: Charlotte Kim Boed
Publisher: Charlotte Kim Boed
ISBN: 879721793X
Category : Photography
Languages : en
Pages : 65
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Book Description
If you want creative freedom and personal development, then this is the book for you. "The Power of Photo", how to find your creative voice is for photography lovers and enthusiasts around the world. You can use this book for education, business, research, fun, entertainment, personal development, inspiration, hobby, and so on. This book is for beginners as well as advanced photographers. It is the ultimate 6-step method that guides you in finding your own creative voice. It can unlock your creative potential and realize your personal photo dreams. This book contains essential photo exercises, creative inspiration, and personal development. The author, photographer and art historian Charlotte Kim Boed's mission is to empower you to find your personal photo voice and activate your creativity. Charlotte says: "I want to inspire you to work creatively with your photography and to find your personal photo voice as photographer. I am interested in "creativity", as it brings a lot of joy and pleasure in my life. I want to share my working experience with you. I think that creative photography can enrich your life, as well as fun and enjoyment goes hand in hand with creativity". Working for over 25-years with photo creativity, she says: "When we are born, everybody is born with creativity. As we get older, we seem to lose and forget our creativity. Find home again and enjoy yourself, Charlotte suggests". See more about Charlotte and the creative photo school at: www.kimplusphoto.com
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 022624590X
Category : Art
Languages : en
Pages : 419
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Book Description
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
Author: Margaret Olin
Publisher: University of Chicago Press
ISBN: 0226626466
Category : History
Languages : en
Pages : 288
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Book Description
Photography does more than simply represent the world. It acts in the world, connecting people to form relationships and shaping relationships to create communities. In this beautiful book, Margaret Olin explores photography’s ability to “touch” us through a series of essays that shed new light on photography’s role in the world. Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities, analyzing how photography affects the way people handle cataclysmic events like 9/11. Along the way, she shows us James VanDerZee’s Harlem funeral portraits, dusts off Roland Barthes’s family album, takes us into Walker Evans and James Agee’s photo-text Let Us Now Praise Famous Men, and logs onto online photo albums. With over one hundred illustrations, Touching Photographs is an insightful contribution to the theory of photography, visual studies, and art history.
Author: Donna Ferrato
Publisher: powerHouse Books
ISBN: 9781576879108
Category : Photography
Languages : en
Pages : 0
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Book Description
Photographer Donna Ferrato goes on a radical 50-year road trip across the USA as women fight for equality in the bedroom and the boardroom. Holy follows her journey from the sexual revolution of the '60s through the #metoo era of today. Holy is forged from one woman's outrage against a woman-hating world. May it anger you. Donna Ferrato's radical photographs show what women are capable of surviving. More than survive, Holy depicts women who prevail. Holy is an invitation to understand how it feels being held down by the patriarchy-what we are fighting for, what we are up against--and how we manage to maintain a sense of desire and appetite. Fighting for equality in the bedroom and the boardroom, Ferrato's journey follows the sexual revolution of the '60s through the #metoo era of today. Holy is a showcase of power. Donna's images reveal women's bodies in all their monstrous glory-even her own. May these photographs mobilize you, whether you are cis or trans, young or old, butch or femme. Human survival depends on women. Embrace your instincts, desires, brainpower, and strength. Embrace each other.
Author: Ariella Azoulay
Publisher: Princeton University Press
ISBN: 1935408372
Category : Photography
Languages : en
Pages : 586
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Book Description
In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph’s addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay’s leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.
Author: Brassaï
Publisher: University of Chicago Press
ISBN: 9780226071442
Category : Art
Languages : en
Pages : 182
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Book Description
"Drawing on his own experience as a photographer and author, Brassai discovers a neglected aspect of Proust's interests, offering us a fascinating study of the role of photography both in Proust's oeuvre and in early-twentieth-century culture."--BOOK JACKET.
Author: Susan Sontag
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 224
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Book Description
Author: Josh Ellenbogen
Publisher: Penn State Press
ISBN: 0271052597
Category : Photography
Languages : en
Pages : 281
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Book Description
"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 9780226532325
Category : Art
Languages : en
Pages : 466
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Book Description
What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.
