Author: Ana Fernandes
Publisher: Cambridge Scholars Publishing
ISBN: 1443875945
Category : Fiction
Languages : en
Pages : 250
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Book Description
Although positivism dismissed myths as childish fancy, bound to be superseded by reason, there has been a continuous reappraisal of the power of myths since the 19th century. Once viewed as primitive and unreliable accounts and an inadequate and distorted form of knowledge, myths came to be perceived as exemplary narratives, consisting of rich and complex symbolic constructs that carry meaning and a connection to reality. Myths then came to be regarded as a privileged expression of the human soul and of its possibly submerged and unconscious abysses and dramas. Rather than inherently obscure and elusive to a rational grasp, mythical narratives would therefore be driven by logical reasoning, giving shape to a particular worldview of life and humankind. The enduring power of mythical narrative is attested to by its very plasticity, subject to multiple recreations informed by changing concerns and insights. Mythical narratives have thus attracted the interest of various disciplines, from ethnology and history to philosophy, literature, sociology, politics, the history of religions and art history. This interdisciplinary volume studies how myths are inscribed and recycled within both individual and collective heritage, and examines the personal and political implications of multifaceted engagement with myths as one of the forms through which societies try to make sense of their perplexities.
Author: Robert William Billings
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 138
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Book Description
Author: Robert William Billings
Publisher:
ISBN:
Category : Architecture, Gothic
Languages : en
Pages : 138
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Book Description
Author: Robert William Billings
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 136
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Book Description
Author: David P. Billington
Publisher: Princeton University Press
ISBN: 0691242402
Category : Technology & Engineering
Languages : en
Pages : 304
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Book Description
Power, Speed, and Form is the first accessible account of the engineering behind eight breakthrough innovations that transformed American life from 1876 to 1939—the telephone, electric power, oil refining, the automobile, the airplane, radio, the long-span steel bridge, and building with reinforced concrete. Beginning with Thomas Edison's system to generate and distribute electric power, the authors explain the Bell telephone, the oil refining processes of William Burton and Eugene Houdry, Henry Ford's Model T car and the response by General Motors, the Wright brothers' airplane, radio innovations from Marconi to Armstrong, Othmar Ammann's George Washington Bridge, the reinforced concrete structures of John Eastwood and Anton Tedesko, and in the 1930s, the Chrysler Airflow car and the Douglas DC-3 airplane. These innovations used simple numerical ideas, which the Billingtons integrate with short narrative accounts of each breakthrough—a unique and effective way to introduce engineering and how engineers think. The book shows how the best engineering exemplifies efficiency, economy and, where possible, elegance. With Power, Speed, and Form, educators, first-year engineering students, liberal arts students, and general readers now have, for the first time in one volume, an accessible and readable history of engineering achievements that were vital to America's development and that are still the foundations of modern life.
Author: Randy Duncan
Publisher: A&C Black
ISBN: 082642936X
Category : Literary Criticism
Languages : en
Pages : 714
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Book Description
Offers undergraduate students with an understanding of the comics medium and its communication potential. This book deals with comic books and graphic novels. It focuses on comic books because in their longer form they have the potential for complexity of expression.
Author: Dan Beer
Publisher: Routledge
ISBN: 1351198017
Category : Literary Criticism
Languages : en
Pages : 175
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Book Description
"This is a study of the French philosopher and historian Michel Foucault's 1976 work ""La Volonte de Savoir"". Dan Beer aims to uncover a network of ideas and linguistic patterns beneath the surface of the text. Through close textual analysis he addresses the issue of language and its effects on the world we inhabit. The book covers a range of references from the forgotten narratives of 19th-century European psychiatry, examining the scope of confessional literature, to the heated debates that surround Foucault's language and ideas."
Author: Laura Bartels Felleman
Publisher: Wipf and Stock Publishers
ISBN: 1610977785
Category : Religion
Languages : en
Pages : 119
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Book Description
In "Thoughts Upon Methodism," John Wesley shared his hopes and fears for the future of his religious movement. The article contains this well-known passage: "I am not afraid that the people called Methodists should ever cease to exist either in Europe or America. But I am afraid, lest they should only exist as a dead sect, having the form of religion without the power. And this undoubtedly will be the case, unless they hold fast both the doctrine, spirit, and discipline with which they first set out." The Form and Power of Religion unpacks this statement by explaining what Wesley meant by the form and power of religion, identifying what Methodist Doctrine, Spirit, and Discipline were according to Wesley, and discussing how these aspects of Methodism worked together to maintain the vitality of the Revival. The book concludes with an evaluation of Wesley's theory of Methodist Vitality, and discusses its viability as a basis for contemporary Church Vitality programs.
Author: Ezio Bassani
Publisher: Skira
ISBN:
Category : Art
Languages : en
Pages : 282
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Book Description
Many elements converge in the construction of a high-quality art collection, making it a fascinating, intellectual and emotional adventure, a journey of discovery and a labour of love. Formed over the course of thirty years by Udo Horstmann and his wife, the Horstmann collection is rather exceptional inasmuch as it offers a captivating vision of the variety of solutions adopted by black artists over the course of the centuries: nearly 120 extraordinary sculptures, figures, masks, household objects and weapons from Guinea-Bissau, Mali, Burkina Faso, Cote d'Ivoire, Ghana, Togo, Nigeria, Cameroon, Gabon, Congo, Angola, Zambia, Zimbabwe, South Africa, Swaziland, Mozambique, Kenya and Sudan. The origin of the artworks-- selected for their perfection transcending the mere utilitarian function-- touches all of the lands of the continent, including the southern and eastern lands rarely so authoritatively represented in other collections, and their execution covers an arc of time of several millennia. The presence of ancient works contributes to the demolition of the preconception that has weighed unfairly until recent years on African art, and that is the absence of evolution in the artistic creation of Black Africa, and therefore of any historic quality. This is a difficult negation to cancel if African sculpture is still often labeled as "primitive." Another meritorious quality of the Horstmanns lies in the fact that they chose the sculptures in their collection, not out of any generic passion for the exotic and neither for any abstract demand for representativity of ethnicity or significance or destination, but for their quality, for the enchantment of the "form," or better, ofthe "forms." Paging through the book, the reader will discover that the artistic creation, that is, the need to give "form" to the formless, is a common heritage of mankind, shared by the artists of Black Africa.
Author: Stephen Fredman
Publisher: University of Iowa Press
ISBN: 1587298597
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
By any measure—international reputation, influence upon fellow writers and later generations, number of books published, scholarly and critical attention—Robert Creeley (1926–2005) is a literary giant, an outstanding, irreplaceable poet. For many decades readers have remarked upon the almost harrowing emotional nakedness of Creeley’s writing. In the years since his death, it may be that the disappearance of the writer allows that nakedness to be observed more readily and without embarrassment. Written by the foremost critics of his poetry, Form, Power, and Person in Robert Creeley’s Life and Work is the first book to treat Creeley’s career as a whole. Masterfully edited by Stephen Fredman and Steve McCaffery, the essays in this collection have been gathered into three parts. Those in “Form” consider a variety of characteristic formal qualities that differentiate Creeley from his contemporaries. In “Power,” writers reflect on the pressure exerted by emotions, gender issues, and politics in Creeley’s life and work. In “Person,” Creeley’s unique artistic and psychological project of constructing a person—reflected in his correspondence, teaching, interviews, collaborations, and meditations on the concept of experience—is excavated. While engaging these three major topics, the authors remain, as Creeley does, intent upon the ways such issues appear in language, for Creeley’s nakedness is most conspicuously displayed in his intimate relationship with words. Contributors Charles Altieri Rachel Blau DuPlessis Stephen Fredman Benjamin Friedlander Alan Golding Michael Davidson Steve McCaffery Peter Middleton Marjorie Perloff Peter Quartermain Libbie Rifkin
