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Author: Bryan Collins
Publisher: Bryan Collins
ISBN:
Category : Self-Help
Languages : en
Pages : 125
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Book Description
Author: Bryan Collins
Publisher: Bryan Collins
ISBN:
Category : Self-Help
Languages : en
Pages : 125
Get Book Here
Book Description
Author: Bryan Collins
Publisher: Bryan Collins
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 120
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Book Description
Author: Ed Catmull
Publisher: Random House
ISBN: 0679644504
Category : Business & Economics
Languages : en
Pages : 367
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Book Description
The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.
Author: David H. Cropley
Publisher: Cambridge University Press
ISBN: 1139490079
Category : Psychology
Languages : en
Pages : 409
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Book Description
With few exceptions, scholarship on creativity has focused on its positive aspects while largely ignoring its dark side. This includes not only creativity deliberately aimed at hurting others, such as crime or terrorism, or at gaining unfair advantages, but also the accidental negative side effects of well-intentioned acts. This book brings together essays written by experts from various fields (psychology, criminal justice, sociology, engineering, education, history, and design) and with different interests (personality development, mental health, deviant behavior, law enforcement, and counter-terrorism) to illustrate the nature of negative creativity, examine its variants, call attention to its dangers, and draw conclusions about how to prevent it or protect society from its effects.
Author: Bryan Collins
Publisher: Bryan Collins
ISBN:
Category : Self-Help
Languages : en
Pages : 125
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Book Description
Is there a hidden, powerful secret to becoming more creative and finding success with your work? Did creative masters like Wolfgang Amadeus Mozart and Henri Matisse possess an abundance of talent the rest of us can only dream of? This book is the third in a three-part series about the Power of Creativity for new writers, musicians, filmmakers, artists. It’s for anyone who has a great idea (or even just a little one) but they’re finding it difficult to act on their idea, do deep work and finish their most important creative projects. In this book, you will discover these strategies: ˃˃˃ 1. Immerse Yourself in Your Work There’s a mindset successful creative people adopt too. Call it flow, call it a fugue, call it total immersion: I’ll show you how creative masters turn on and off this mindset at will and how you can do the same. ˃˃˃ 2. Seek Out Solitude Extroverts thrive when working in the company of others, but many writers, musicians, painters and artists do their best work alone. So how can you create alone and still feel positive about your work and the self? ˃˃˃ 3. Be Obsessed It takes a level of focus and even obsession to see a creative project (like writing a book or composing an album) from beginning to end. If you’re alarmed, know that obsession is something you can embrace rather than fear”with the right approach. ˃˃˃ 4. Root Out Perfectionism Like a Weed Perfectionism is a nasty weed that could be choking the life out of your ideas. I’ll guide you through the types of perfectionism to watch out for” and then root them out. ˃˃˃ 5. Practice Your Craft Deliberately What is deliberate practice? It’s not enough to just practice writing, drawing or painting every day. You must be smart about the techniques you use for learning, practicing and problem solving. ˃˃˃ 6. Cut the Cord For every creative person, there comes a time when you must focus on what’s important, commit to doing the work” and cut the rope. In this personal story, I explain what this looks like ˃˃˃ 7. Fall Forwards Making messy mistakes is part of the creative process. The trick is to getting positive results is to test your ideas sooner and learn from your mistakes. If you want to discover how to conquer procrastination, finish your work and find success, download a sample or buy now.
Author: C. Diane Ealy
Publisher: Beyond Words Publishing Company
ISBN: 9781885223067
Category : Body, Mind & Spirit
Languages : en
Pages : 261
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Book Description
Describes the holistic creative practice while explaining how it can particularly benefit women, describes how female creative processes differ from those of men, and offers exercises on developing and focusing creativity. Original. Tour. IP.
Author: Matthew A. Cronin
Publisher: Stanford University Press
ISBN: 1503605515
Category : Business & Economics
Languages : en
Pages : 370
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Book Description
Creativity has long been thought of as a personal trait, a gift bestowed on some and unachievable by others. While we laud the products of creativity, the stories behind them are often abridged to the elusive "aha!" moment, the result of a momentary stroke of genius. In The Craft of Creativity Matthew A. Cronin and Jeffrey Loewenstein present a new way to understand how we innovate. They emphasize the importance of the journey and reveal the limitations of focusing on outcomes. Drawing on a wide range of scholarship, their own research, and interviews with professionals and learners who employ creativity in the arts, engineering, business, and more, Cronin and Loewenstein argue that creativity is a cognitive process that hinges on changing one's perspective. It's a skill that anyone can hone, and one that benefits from thinking with others and over time. Breaking new ground in the discussion about how we innovate, this book provides strategies that everyone can use to be more creative.
Author: Eric Maisel
Publisher: Penguin
ISBN: 1440629064
Category : Self-Help
Languages : en
Pages : 308
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Book Description
Whatever you do, says Dr. Eric Maisel, creativity helps you do it better. Creativity encourages the artist to paint more frequently and authentically. It allows a busy executive to see her options more quickly, make changes more fluidly, and become more self-directing and confident. In this book, America's foremost expert on the psychological side of the creative process presents a complete one-year plan for increasing and unleashing your creativity. It includes two disucssions/exercises per week, and culminates in a guided project of your choice—from working on a current novel or symphony to planning a new home business or becoming a more effective supervisor.
Author:
Publisher: Academic Press
ISBN: 0123750385
Category : Psychology
Languages : en
Pages : 4322
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Book Description
The first edition of the successful Encyclopedia of Creativity served to establish the study of creativity is a field in itself. Now completely updated and revised in its second edition, coverage encompasses the definition of creativity, the development and expression of creativity across the lifespan, the environmental conditions that encourage or discourage creativity, creativity within specific disciplines like music, dance, film, art, literature, etc., the relationship of creativity and mental health, intelligence, and learning styles, and the process of being creative. This reference also appeals to a lay audience with articles specifically on the application of creativity to business settings. Available online via ScienceDirect and in limited print release. Named a 2012 Outstanding Academic Title by the American Library Association's Choice publication Serves as a compendium of reviews of a number of domain-specific areas, such as acting, dance, expressive arts, film, food, music, religion, science, sports, theater, and writing. Creativity and education are examined in articles about thought processes, such as developmental trends in creative abilities and potentials, the enhancement of creativity, intelligence, knowledge, play, prodigies, programs and courses, talent and teaching creativity. Cognitive aspects of creativity can be investigated in articles about altered and transitional states, analogies, attention, cognitive style, divergent thinking, flow and optimal experience, metacognition, metaphors, problem-finding, problem-solving, and remote associates. Covers business and organizational creativity in articles about advertising with art, creative visuals, business/management, creativity coaching, creativity exercises, entrepreneurship, group dynamics, innovation, leadership, organizational culture, organizational development, teams, and training, among others. Explicitly examines the complex interrelationship between society and creativity in articles about awards, conformity and conventionality, the creative sector and class of society, cultural diversity, the dark side of creativity, East vs. West, networking, social psychology, war, zeitgeist, and others. Personal and interpersonal creativity is discussed in articles relating to collaboration, family, life stages, mentors, networking, personal creativity and self-actualization. Focuses on scientific information about creativity, there are also articles that discuss brain and neuropsychology, concepts of creativity, definitions of creativity, expertise, longitudinal studies, researching art, artists and art audiences, research methods, phenomenology research and qualitative research. Online version contains an additional 26 biographies of famously creative people
Author: Edward O. Wilson
Publisher: Liveright Publishing
ISBN: 1631493191
Category : Science
Languages : en
Pages : 208
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Book Description
“Brimming with ideas. . . . The Origins of Creativity approach[es] creativity scientifically but sensitively, feeling its roots without pulling them out.”—Economist In a stirring exploration of human nature recalling his foundational work Consilience, Edward O. Wilson offers a “luminous” (Kirkus Reviews) reflection on the humanities and their integral relationship to science. Both endeavors, Wilson argues, have their roots in human creativity—the defining trait of our species. By studying fields as diverse as paleontology, evolution, and neurobiology, Wilson demonstrates that creative expression began not 10,000 years ago, as we have long assumed, but more than 100,000 years ago in the Paleolithic Age. A provocative investigation into what it means to be human, The Origins of Creativity reveals how the humanities have played an unexamined role in defining our species. With the eloquence, optimism, and pioneering inquiry we have come to expect from our leading biologist, Wilson proposes a transformational “Third Enlightenment” in which the blending of science and humanities will enable a deeper understanding of our human condition, and how it ultimately originated.
