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Author: David R. Davies
Publisher: Bloomsbury Publishing USA
ISBN: 0313086141
Category : Language Arts & Disciplines
Languages : en
Pages : 201
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Book Description
On the surface, the American newspaper industry appears to have changed little from 1945 to 1965, remaining both healthy and prosperous. The number of newspapers in 1965 was about the same as in 1945, while during the twenty-year period advertising revenues increased substantially despite new competition from television. Just as in 1945, the vast majority of newspapers went to press with improved but old-fashioned letterpress methods in 1965. And newspaper reporters still professed a strong, if now somewhat shaken, faith in the federal government at the end of the twenty years. But the surface appearance of both stability and profitability obscured profound change. In the two decades after World War II, the business of newspaper publishing changed significantly in myriad ways. By 1965, editors and publishers had recognized the extent of these changes and were beginning to adjust. Each of the changes was significant of its own accord, and the range of challenges throughout the period combined to transform newspapers and the nation they served by 1965. This transformation was evident, to varying degrees, in newspapers' content, their production methods, their economic position within the overall media marketplace, and their relationship with government. Newspapers - some more than others - made strides to keep up with and overcome some of these challenges. But in each of these areas, newspapers as a group were slow to respond to the problems facing journalism.
Author: David R. Davies
Publisher: Bloomsbury Publishing USA
ISBN: 0313086141
Category : Language Arts & Disciplines
Languages : en
Pages : 201
Get Book Here
Book Description
On the surface, the American newspaper industry appears to have changed little from 1945 to 1965, remaining both healthy and prosperous. The number of newspapers in 1965 was about the same as in 1945, while during the twenty-year period advertising revenues increased substantially despite new competition from television. Just as in 1945, the vast majority of newspapers went to press with improved but old-fashioned letterpress methods in 1965. And newspaper reporters still professed a strong, if now somewhat shaken, faith in the federal government at the end of the twenty years. But the surface appearance of both stability and profitability obscured profound change. In the two decades after World War II, the business of newspaper publishing changed significantly in myriad ways. By 1965, editors and publishers had recognized the extent of these changes and were beginning to adjust. Each of the changes was significant of its own accord, and the range of challenges throughout the period combined to transform newspapers and the nation they served by 1965. This transformation was evident, to varying degrees, in newspapers' content, their production methods, their economic position within the overall media marketplace, and their relationship with government. Newspapers - some more than others - made strides to keep up with and overcome some of these challenges. But in each of these areas, newspapers as a group were slow to respond to the problems facing journalism.
Author: Diane Winston
Publisher: University of Chicago Press
ISBN: 0226824527
Category : History
Languages : en
Pages : 267
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Book Description
A provocative new history of how the news media facilitated the Reagan Revolution and the rise of the religious Right. After two years in the White House, an aging and increasingly unpopular Ronald Reagan looked like a one-term president, but in 1983 something changed. Reagan spoke of his embattled agenda as a spiritual rather than a political project and cast his vision for limited government and market economics as the natural outworking of religious conviction. The news media broadcast this message with enthusiasm, and white evangelicals rallied to the president’s cause. With their support, Reagan won reelection and continued to dismantle the welfare state, unraveling a political consensus that stood for half a century. In Righting the American Dream, Diane Winston reveals how support for Reagan emerged from a new religious vision of American identity circulating in the popular press. Through four key events—the “evil empire” speech, AIDS outbreak, invasion of Grenada, and rise in American poverty rates—Winston shows that many journalists uncritically adopted Reagan’s religious rhetoric and ultimately mainstreamed otherwise unpopular evangelical ideas about individual responsibility. The result is a provocative new account of how Reagan together with the press turned America to the right and initiated a social revolution that continues today.
Author: Sam Lebovic
Publisher: Harvard University Press
ISBN: 0674969596
Category : History
Languages : en
Pages : 183
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Book Description
Does America have a free press? Many who answer yes appeal to First Amendment protections that shield the press from government censorship. But in this comprehensive history of American press freedom as it has existed in theory, law, and practice, Sam Lebovic shows that, on its own, the right of free speech has been insufficient to guarantee a free press. Lebovic recovers a vision of press freedom, prevalent in the mid-twentieth century, based on the idea of unfettered public access to accurate information. This “right to the news” responded to persistent worries about the quality and diversity of the information circulating in the nation’s news. Yet as the meaning of press freedom was contested in various arenas—Supreme Court cases on government censorship, efforts to regulate the corporate newspaper industry, the drafting of state secrecy and freedom of information laws, the unionization of journalists, and the rise of the New Journalism—Americans chose to define freedom of the press as nothing more than the right to publish without government censorship. The idea of a public right to all the news and information was abandoned, and is today largely forgotten. Free Speech and Unfree News compels us to reexamine assumptions about what freedom of the press means in a democratic society—and helps us make better sense of the crises that beset the press in an age of aggressive corporate consolidation in media industries, an increasingly secretive national security state, and the daily newspaper’s continued decline.
Author: Joe Street
Publisher: University Press of Florida
ISBN: 0813065941
Category : History
Languages : en
Pages : 243
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Book Description
The Shadow of Selma evaluates the 1965 civil rights campaign in Selma, Alabama, the historical memory of the campaign’s marches, and the continuing relevance of and challenges to the Voting Rights Act. The contributors present Selma not just as a keystone event but, much like Ferguson today, as a transformative place: a supposedly unimportant location that became the focal point of epochal historical events. By shifting the focus from leaders like Martin Luther King Jr. to the thousands of unheralded people who crossed the Edmund Pettus Bridge—and the networks that undergirded and opposed them—this innovative volume considers the campaign’s long-term impact and its place in history. The volume recalls the historical currents that surrounded Selma, discussing grassroots activism, the role of President Lyndon B. Johnson during the struggle for the Voting Rights Act, and the political reaction to Selma at home and abroad. Using Ava DuVernay's 2014 Hollywood film as a stepping stone, the editors bring together various essays that address the ways media—from television and newspaper coverage to "race beat" journalism—represented and reconfigured Selma. The contributors underline the power of misrepresentation in shaping popular memory and in fueling a redemptive narrative that glosses over ongoing racial problems. Finally, the volume traces the fifty-year legacy of the Voting Rights Act. It reveals the many subtle and overt methods by which opponents of racial equality attempted to undo the act’s provisions, with a particular focus on the 2013 Shelby County v. Holder decision that eliminated sections of the act designed to prevent discrimination. Taken together, the essays urge readers not to be blind to forms of discrimination and injustice that continue to shape inequalities in the United States. They remind us that while today's obstacles to racial equality may look different from a literacy test or a grimfaced Alabama state trooper, they are no less real. Contributors: Alma Jean Billingslea Brown | Ben Houston | Peter Ling | Mark McLay | Tony Badger | Clive Webb | Aniko Bodroghkozy | Mark Walmsley | George Lewis | Megan Hunt | Devin Fergus | Barbara Harris Combs | Lynn Mie Itagaki
Author: Jon Marshall
Publisher: Northwestern University Press
ISBN: 0810127199
Category : Juvenile Nonfiction
Languages : en
Pages : 338
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Book Description
The result of painstaking research and scholarship, Watergate's Legacy and the Press is ultimately a tribute to the irrepressible investigative impulse in American journalism and the crucial public service provided by investigative reporters. --Book Jacket.
Author: James Brian McPherson
Publisher: Bloomsbury Publishing USA
ISBN: 0313083983
Category : Language Arts & Disciplines
Languages : en
Pages : 256
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Book Description
McPherson captures the best and worst aspects of American journalism since 1965. The press has evolved into a conglomeration of entities, that today can be described as pervasive, entertaining, and justifiably mistrusted. In some ways, today's press offers the best journalism Americans have ever seen. In other ways, the modern news media fall short of the ideals held by most of those who care about journalism, and far short of the promise they once seemed to offer in terms of helping create an enlightened democracy. Neither a paean to the press nor an exercise in media bashing, this book finds much to criticize and to praise about recent American journalism, while illustrating that traditional journalistic values have diminished in importance — not just for many of those who control the media, but also for the media consumers who most need good journalism. Chapters are devoted to various themes that include social unrest, the influence of entertainment values, technological shifts, media consolidation and corporatization, issues of content versus context, new kinds of news media, and why the 1970s may have been the high point of American journalism. Events and issues given extra attention include the rise of television news (and later CNN), the Civil Rights Movement and other race-related issues, the Women's Movement, various forms of alternative journalism, wars in Vietnam and Iraq, investigative journalism, the World Trade Center attacks, the Clinton/Lewinsky scandal, the 2000 and 2004 presidential campaigns and elections, civic journalism, and journalism scandals.
Author: Thomas R. Schmidt
Publisher: University of Missouri Press
ISBN: 0826274315
Category : Language Arts & Disciplines
Languages : en
Pages : 181
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Book Description
Between the 1970s and the 1990s American journalists began telling the news by telling stories. They borrowed narrative techniques, transforming sources into characters, events into plots, and their own work from stenography to anthropology. This was more than a change in style. It was a change in substance, a paradigmatic shift in terms of what constituted news and how it was being told. It was a turn toward narrative journalism and a new culture of news, propelled by the storytelling movement. Thomas Schmidt analyzes the expansion of narrative journalism and the corresponding institutional changes in the American newspaper industry in the last quarter of the twentieth century. In doing so, he offers the first institutionally situated history of narrative journalism’s evolution from the New Journalism of the 1960s to long-form literary journalism in the 1990s. Based on the analysis of primary sources, industry publications, and oral history interviews, this study traces how narrative techniques developed and spread through newsrooms, advanced by institutional initiatives and a growing network of practitioners, proponents, and writing coaches who mainstreamed the use of storytelling. Challenging the popular belief that it was only a few talented New York reporters (Tome Wolfe, Jimmy Breslin, Gay Talese, Joan Didion, and others) who revolutionized journalism by deciding to employ storytelling techniques in their writing, Schmidt shows that the evolution of narrative in late twentieth century American Journalism was more nuanced, more purposeful, and more institutionally based than the New Journalism myth suggests.
Author: Robert W. McChesney
Publisher: New Press, The
ISBN: 1595585486
Category : Social Science
Languages : en
Pages : 386
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Book Description
The sudden meltdown of the news media has sparked one of the liveliest debates in recent memory, with an outpouring of opinion and analysis crackling across journals, the blogosphere, and academic publications. Yet, until now, we have lacked a comprehensive and accessible introduction to this new and shifting terrain. In Will the Last Reporter Please Turn out the Lights, celebrated media analysts Robert W. McChesney and Victor Pickard have assembled thirty-two illuminating pieces on the crisis in journalism, revised and updated for this volume. Featuring some of today’s most incisive and influential commentators, this comprehensive collection contextualizes the predicament faced by the news media industry through a concise history of modern journalism, a hard-hitting analysis of the structural and financial causes of news media’s sudden collapse, and deeply informed proposals for how the vital role of journalism might be rescued from impending disaster. Sure to become the essential guide to the journalism crisis, Will the Last Reporter Please Turn out the Lights is both a primer on the news media today and a chronicle of a key historical moment in the transformation of the press.
Author: Oliver Elliott
Publisher: Springer
ISBN: 3319760238
Category : History
Languages : en
Pages : 257
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Book Description
During the Cold War, the United States enabled the rise of President Syngman Rhee’s repressive government in South Korea, and yet neither the American occupation nor Rhee’s growing authoritarianism ever became particularly controversial news stories in the United States. Could the press have done more to scrutinize American actions in Korea? Did journalists fail to act as an adequate check on American power? In the first archive-based account of how American journalism responded to one of the most significant stories in the history of American foreign relations, Oliver Elliott shows how a group of foreign correspondents, battling U.S. military authorities and pro-Rhee lobbyists, brought the issue of South Korean authoritarianism into the American political mainstream on the eve of the Korean War. However, when war came in June 1950, the press rapidly abandoned its scrutiny of South Korean democracy, marking a crucial moment of transition from the era of postwar idealism to the Cold War norm of American support for authoritarian allies.
Author: Doug Dibbern
Publisher: Bloomsbury Publishing
ISBN: 0857729918
Category : History
Languages : en
Pages : 209
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Book Description
The large literature about the politics of Hollywood in the period of McCarthy and the blacklist has largely overlooked political filmmaking during those agitated years. "Hollywood Riots" examines the most vibrant cycle of independently produced political films made while House Committee on Un-American Activities was investigating communists in the film industry. In doing so, it shifts the focus from the politics of Washington to the politics of Los Angeles and from the films of the Hollywood Ten to the more politically complex films of the progressive community at large. Dibbern shows how the movies produced by progressives at the end of the 1950s, including "The Lawless", "The Sound of Fury", "The Underworld", were the logical cinematic parallel to their political and journalistic advocacy fighting the conservative newspapers. In these films they were recasting political events from California's recent past as politically-engaged narratives that were inflected with their own fears of persecution." Hollywood Riots" re-views the work of notable directors like Joseph Losey and Cy Endfield, as well as introducing unheralded political screenwriters and directors such as Daniel Mainwaring, Jo Pagano, and Leo C. Popkin.
