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Author: Paul Smethurst
Publisher: Rodopi
ISBN: 9789042015135
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
The Postmodern Chronotope is an innovative interdisciplinary study of the contemporary. It will be of special interest to anyone interested in relations between postmodernism, geography and contemporary fiction. Some claim that postmodernism questions history and historical bases to culture; some say it is about loss of affect, loss of depth models, and superficiality; others claim it follows from the conditions of post-industrial society; and others cite commodification of place, Disneyfication, simulation and post-tourist spectacle as evidence that postmodernism is wedded to late capitalism. Whatever postmodernism is, or turns out to have been, it is bound up in rethinking and reworking space and time, and Paul Smethurst's intervention here is to introduce the postmodern chronotope as a term through which these spatial and temporal shifts might be apprehended. The postmodern chronotope constitutes a postmodern world-view and postmodern way of seeing. In a sense it is the natural successor to a modernist way of seeing defined through cubism, montage and relativity. The book is arranged as follows: - Part 1 is an interdisciplinary study casting a wide net across a range of cultural, social and scientific activity, from chaos theory to cinema, from architecture to performance art, from IT to tourism. - Part 2 offers original readings of a selection of postmodern novels, including Graham Swift's Waterland and Out of this World, Peter Ackroyd's Hawksmoor and First Light, Alasdair Gray's Lanark, J. M. Coetzee's Foe, Marina Warner's Indigo, Caryl Phillips' Cambridge, and Don DeLillo's The Names and Ratner's Star.
Author: Paul Smethurst
Publisher: Rodopi
ISBN: 9789042015135
Category : Literary Criticism
Languages : en
Pages : 354
Get Book Here
Book Description
The Postmodern Chronotope is an innovative interdisciplinary study of the contemporary. It will be of special interest to anyone interested in relations between postmodernism, geography and contemporary fiction. Some claim that postmodernism questions history and historical bases to culture; some say it is about loss of affect, loss of depth models, and superficiality; others claim it follows from the conditions of post-industrial society; and others cite commodification of place, Disneyfication, simulation and post-tourist spectacle as evidence that postmodernism is wedded to late capitalism. Whatever postmodernism is, or turns out to have been, it is bound up in rethinking and reworking space and time, and Paul Smethurst's intervention here is to introduce the postmodern chronotope as a term through which these spatial and temporal shifts might be apprehended. The postmodern chronotope constitutes a postmodern world-view and postmodern way of seeing. In a sense it is the natural successor to a modernist way of seeing defined through cubism, montage and relativity. The book is arranged as follows: - Part 1 is an interdisciplinary study casting a wide net across a range of cultural, social and scientific activity, from chaos theory to cinema, from architecture to performance art, from IT to tourism. - Part 2 offers original readings of a selection of postmodern novels, including Graham Swift's Waterland and Out of this World, Peter Ackroyd's Hawksmoor and First Light, Alasdair Gray's Lanark, J. M. Coetzee's Foe, Marina Warner's Indigo, Caryl Phillips' Cambridge, and Don DeLillo's The Names and Ratner's Star.
Author: Petra Eckhard
Publisher: LIT Verlag Münster
ISBN: 364350201X
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
In Landscapes of Postmodernity, a group of young scholars link key concepts of postmodern thought to our present everyday experience in which we change our identities on a regular basis. While many of the essays look at less conventional modes of aesthetic representation - computer games, graphic novels, telenovelas, queer and animated films - others analyze more canonical works following less conventional approaches. Either way, the cultural and literary cartographies presented in this book allow America to be conceived as polymorphous or transnational, celebrating a new American self that is aware and proud of its non-Anglo-Saxon origins.
Author: Brian J. McAllister
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
ABSTRACT: This study addresses two works of fiction--Samuel Beckett's Malone Dies and J.M. Coetzee's Foe--and is separated into two chapters. The first chapter analyzes the indeterminate nature of postmodern space within the two novels as related to M.M. Bakhtin's idea of the chronotope found in his work The Dialogic Imagination. The second chapter addresses the self-reflexive creation of this postmodern space within each novel's hypodiegetic narratives and discussions of narrative creation within each respective diegetic narratives. In each novel, characters as authors create or discuss "inner" narratives that reflect upon the way chronotopes are created in fiction and reveal problematic aspects of those chronotopes. This narrative creation produces what I call a "postmodern creative chronotope" that self-reflexively embraces indeterminacy at the same time that it critiques the elements that produce this indefinite relationship between time and space, a strategy that is especially postmodern. I contextualize the discussion by introducing theories of postmodernism, specifically those of Jean-Franc̜ois Lyotard and Linda Hutcheon. Lyotard's claim that postmodernism resists totalizing structures and Hutcheon's contention that it engages in a simultaneous complicity and critique inform the relationships between time and space in both Beckett's and Coetzee's text. Additionally, theories of postmodern space contribute to the more specific discussion of the postmodern chronotopes in both novels. Spatial theorists like Edward Soja and Henri Lefebvre, among others, have attempted to reassert issues of space in what has been an ontological and epistemological framework that has prioritized time. Their reassertion of spatiality reconnects the two halves of the spatio-temporal framework of the chronotope in narrative. Beckett and Coetzee employ similar indeterminate and self-reflexive chronotopal strategies in their novels. Coetzee, however, inserts a number of global/political issues into his self-reflexive discussion of chronotopal creation and definition.
Author: Petra Eckhard
Publisher: transcript Verlag
ISBN: 3839418410
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
Using the theoretical frameworks of Freud, Todorov, and Bahktin, this book explores how American writers of the late 20th century have translated the psychoanalytical concept of »the uncanny« into their novelistic discourses. The two texts under scrutiny - Paul Auster's »City of Glass« and Toni Morrison's »Jazz« - show that the uncanny has developed into a crucial trope to delineate personal and collective fears that are often grounded on the postmodern disruption of spatio-temporal continuities and coherences.
Author: Nele Bemong
Publisher: Academia PressScientific Pub
ISBN: 9789038215631
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
This collection of essays is the first international study exclusively dedicated to Bakhtin's theory of the literary chronotope
Author: Ari J. Adipurwawidjana
Publisher: Cambridge Scholars Publishing
ISBN: 1443809381
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
This collection of essays, comprised of research first presented at the seventh annual Louisiana Conference on Literature, Language, and Culture, explores one of the most pervasive, vexing, and alluring concepts in the Humanities, that of place. Including essays which encompass a broad range of research fields and methodologies, from Geography to Cybernetics, it presents a cross-section of approaches aimed revealing the complex cultural machinations behind what once may have seemed a static, one-dimensional topic. Investigations into the function of place as a force in contemporary culture inevitably reveal a long history of the interplay between place and cultural product, between 'context' and 'text'. Just as traditional cultures mythologize sacred spaces, so too has Western culture sanctified its own places through its literature. Imagined places such as Faulker’s Yoknapatawpha or Joyce’s Dublin become the focus of conferences and festivals; authors’ homes, birthplaces, and gravesites are transformed into sites of pilgrimage; locales created for television shows and movies become actual businesses catering to a public for whom the line between fantasy and reality is increasingly blurred; and persisting through the great cultural shifts of the past two hundred years is the popular and romantic notion that words, performances, narratives, and even national identities are always in some way an expression of the places in which they are created and set. With the idea of place foregrounded in so much contemporary discourse, this collection promises to enter into an already lively debate and one which, due to its relevance to where we live and how we make sense of our own “places” within them, does not show any signs of flagging.
Author: G.P. Lainsbury
Publisher: Routledge
ISBN: 020349802X
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Arguing that, despite having worked primarily in "minor" genres, Raymond Carver merits consideration as a major American writer, The Carver Chronotype reveals Carver's pivotal role in American minimalist fiction. It contextualizes Carver's work in terms of the time and place of its construction and represention to reveal it as fiction that transcends the lower middle class North American relity that it documents.
Author: Paul Scott Derrick
Publisher: Cambridge Scholars Publishing
ISBN: 1527521982
Category : Poetry
Languages : en
Pages : 186
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Book Description
Poet Richard Berengarten has published over 25 books including poetry, translations and criticism since his first collection, The Easter Rising, appeared in 1968. His poetry has been translated into more than 90 languages. His book-length poem The Manager was first published in 2001. This original and innovative work received high praise from reviewers at the time and has since then seen two more editions in 2008 and 2011 with various revisions by the author. His complex, entertaining book engages with issues such as the Modernist heritage, Postmodernist experimentation, gender relations and the problem of contemporary spiritual emptiness. Recognized as a seminal work of the late 20th century, this book-length poem employs a little-used poetic form the verset or verse paragraph. This volume brings together original essays on The Manager by nine internationally-known poets, critics and academics. It is aimed primarily at a scholarly audience—teachers, researchers and students of contemporary poetry written in English. While the essays are specialized, they are at the same time clearly-written and avoid academic jargon. Their argumentative transparence will therefore also make them available to a more general readership interested in contemporary poetry and the broader cultural issues that it entails. This book will serve for many as an introduction to a figure who is arguably one of the most significant poets writing in English today.
Author:
Publisher:
ISBN:
Category : Literature, Modern
Languages : en
Pages : 354
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Book Description
Author: Martin Horstkotte
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 226
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Book Description
This study looks at the complex relationship between postmodernism and the fantastic in contemporary British fiction and shows that a new type of the fantastic arises in postmodernism. Arguing against interpretations that view postmodernism as inherently fantastic, it seeks to define the postmodern fantastic as a narrative mode that is influenced by certain traits both of the traditional fantastic and of literary postmodernism but does not simply conflate both. In the first theoretical part, a number of theories of the fantastic and of postmodernism are used to set the fantastic apart from other non-mimetic forms of literature and to create a model of the postmodern fantastic that postulates the totalisation of the fantastic in postmodernism. In the second part of this study, this model is applied to a number of contemporary British texts which are particularly susceptible to this form of the fantastic due to several characteristics such as their muted kind of postmodernism and their frequent construction of parallel worlds. The analysis of these texts focuses on four thematic fields of the postmodern fantastic: the figure of the other as defined by Bernhard Waldenfels, time and history, text and textuality and the development of the Todorovian pure fantastic. Finally, the question of the death of the fantastic in postmodernism is examined.
