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Author: Laura Pagnotta
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 88
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Book Description
This is the first English language monograph on Bartolomeo Veneto (c. 14801531), who worked in Northern Italy in an area bounded by Venice and Milan. The art made in this region is characterized by an intensity and richness arising from the various artistic personalities that enlivened the period and the vitality of exchanges that linked artists from widely separated cultural areas. An analysis of Bartolomeo's works allows one to observe the vivid atmosphere of the period. Specializing in portraiture, he moved often to satisfy the demands of his clientele in the small and large courts in the Veneto, Emilia, and the Lombardy regions of the Po Valley. Over the course of his career, from his earliest dated painting in 1502 until his death, presumably in 1531, he produced a remarkable body of work. Characteristic of Bartolomeo Veneto is an interest in a refined rendering of details, particularly of clothing, and the inclusion of symbolic elements. This symbolism-understandable by only a select few-refers to the moral, philosophical, or even political ideals of the person depicted and reflects the cultivated society of the clients for whom the artist worked. Of particular interest are his portraits and works that fall midway between conventional portraiture and representations of a symbolic, mythological, or religious nature. On the one hand, he was able to synthesize diverse stylistic tendencies. On the other, he was able to capture nuances of his subjects' personalities. Despite the remarkable quality of many of his paintings, he was not mentioned by historical sources, and he remains one of the least-studied and most mysterious of the 16-century Italian painters. He was rediscovered in the middle of the 19th century, when several of his signed and dated paintings were acquired by European museums.
Author: Laura Pagnotta
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 88
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Book Description
This is the first English language monograph on Bartolomeo Veneto (c. 14801531), who worked in Northern Italy in an area bounded by Venice and Milan. The art made in this region is characterized by an intensity and richness arising from the various artistic personalities that enlivened the period and the vitality of exchanges that linked artists from widely separated cultural areas. An analysis of Bartolomeo's works allows one to observe the vivid atmosphere of the period. Specializing in portraiture, he moved often to satisfy the demands of his clientele in the small and large courts in the Veneto, Emilia, and the Lombardy regions of the Po Valley. Over the course of his career, from his earliest dated painting in 1502 until his death, presumably in 1531, he produced a remarkable body of work. Characteristic of Bartolomeo Veneto is an interest in a refined rendering of details, particularly of clothing, and the inclusion of symbolic elements. This symbolism-understandable by only a select few-refers to the moral, philosophical, or even political ideals of the person depicted and reflects the cultivated society of the clients for whom the artist worked. Of particular interest are his portraits and works that fall midway between conventional portraiture and representations of a symbolic, mythological, or religious nature. On the one hand, he was able to synthesize diverse stylistic tendencies. On the other, he was able to capture nuances of his subjects' personalities. Despite the remarkable quality of many of his paintings, he was not mentioned by historical sources, and he remains one of the least-studied and most mysterious of the 16-century Italian painters. He was rediscovered in the middle of the 19th century, when several of his signed and dated paintings were acquired by European museums.
Author: John Pope-Hennessy
Publisher: Princeton University Press
ISBN: 0691252122
Category : Art
Languages : en
Pages : 384
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Book Description
A major account of Renaissance portraiture by one of the twentieth century’s most eminent art historians In this book, John Pope-Hennessy provides an unprecedented look at two centuries of experiment in portraiture during the Renaissance. Pope-Hennessy shows how the Renaissance cult of individuality brought with it a demand that the features of the individual be perpetuated, a concept first manifested in the portraits that fill the great Florentine fresco cycles and led, later in the fifteenth century, to the creation of the independent portrait by such artists as Sandro Botticelli, Antonio del Pollaiuolo, Giovanni Bellini, and Antonello da Messina. Pope-Hennessy goes on to describe the process by which Titian and the great artists of the High Renaissance transformed the portrait from a record of appearance into an analysis of character.
Author: David Alan Brown
Publisher: Yale University Press
ISBN: 9780300116779
Category : Art
Languages : en
Pages : 364
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Book Description
Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.
Author: Paola Tinagli
Publisher: Manchester University Press
ISBN: 9780719040542
Category : Art
Languages : en
Pages : 226
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Book Description
This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.
Author: David Hewson
Publisher: Canongate Books
ISBN: 1838858725
Category : Fiction
Languages : en
Pages : 279
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Book Description
A noble family, a legendary painting, a cursed palazzo. When Arnold Clover is recruited by Lizzie Hawker to help her look into her family inheritance, he cannot begin to guess the journey he is about to embark on. Lizzie's mother, an Italian countess, disappeared thirty years ago, presumed dead. Her father has just died and now the family home, a leaning palazzo in Dorsoduro that is full of secrets, has fallen to Lizzie. When her mother vanished so too did a priceless painting of Lucrezia Borgia - but it quickly becomes apparent that Lizzie and Arnold are not the only ones interested in finding it. The search for the lost Lucrezia quickly becomes a race through the secret history of Venice, one with potentially deadly consequences.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994204
Category : Mannerism (Art)
Languages : en
Pages : 189
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Book Description
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 512
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Book Description
Author: Stefan Klein
Publisher: ReadHowYouWant.com
ISBN: 145875913X
Category : Art
Languages : en
Pages : 390
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Book Description
Revered today as, perhaps, the greatest of Renaissance painters, Leonardo da Vinci was a scientist at heart. The artist who created the Mona Lisa also designed functioning robots and digital computers, constructed flying machines and built the first heart valve. His intuitive and ingenious approach - a new mode of thinking - linked highly diverse areas of inquiry in startling new ways and ushered in a new era. In Leonardo's Legacy, award-winning science journalist Stefan Klein deciphers the forgotten legacy of this universal genius and persuasively demonstrates that today we have much to learn from Leonardo's way of thinking. Klein sheds light on the mystery behind Leonardo's paintings, takes us through the many facets of his fascination with water, and explains the true significance of his dream of flying. It is a unique glimpse into the complex and brilliant mind of this inventor, scientist, and pioneer of a new world view, with profound consequences for our times.
Author: Anne Dubois
Publisher: Peeters Publishers
ISBN: 9789042917767
Category : Art
Languages : en
Pages : 344
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Book Description
Ces Actes du Colloque XV pour l'etude du dessin sous-jacent et de la technologie dans la peinture (Bruges, 11-13 septembre 2003), reunissent trente-six etudes traitant d'oeuvres d'art flamand, espagnol, portugais, italien et francais. Ces etudes sont suivies, comme dans les Actes precedents, d'une bibliographie de l'infrarouge.Depuis de nombreuses annees on sait que la peinture ancienne est constituee - outre d'oeuvres dites "originales" - de copies, de repliques et de pastiches, produites dans des ateliers actifs qui faisaient appel a des collaborations. Les bases sur lesquelles on avait fonde jadis les catalogues des maitres sont ebranlees. De nombreuses attributions doivent etre revues. Les auteurs du present volume ont porte leur effort dans ce sens, examinant d'un oeil critique le statut des peintures et les indices qui permettent de reconnaitre l'original de la copie. Certains auteurs traitent de procedes de copies, de l'usage de cartons, modeles et papiers perfores, mais egalement de couleurs, d'encres, d'enduits, de technique picturale ... D'autres auteurs tentent de preciser le nombre de collaborateurs dans les ateliers. D'autres encore s'interessent a une methode d'examen, comme la radiographie, pour l'exploiter afin de distinguer au mieux la main du maitre de celle du copiste.
Author: Galina I. Yermolenko
Publisher: Routledge
ISBN: 1317061179
Category : Literary Criticism
Languages : en
Pages : 361
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Book Description
This collection is the first book-length scholarly study of the pervasiveness and significance of Roxolana in the European imagination. Roxolana, or "Hurrem Sultan," was a sixteenth-century Ukrainian woman who made an unprecedented career from harem slave and concubine to legal wife and advisor of the Ottoman Sultan Suleiman the Magnificent (1520-1566). Her influence on Ottoman affairs generated legends in many a European country. The essays gathered here represent an interdisciplinary survey of her legacy; the contributors view Roxolana as a transnational figure that reflected the shifting European attitudes towards "the Other," and they investigate her image in a wide variety of sources, ranging from early modern historical chronicles, dramas and travel writings, to twentieth-century historical novels and plays. Also included are six European source texts featuring Roxolana, here translated into modern English for the first time. Importantly, this collection examines Roxolana from both Western and Eastern European perspectives; source material is taken from England, Italy, France, Spain, Germany, Turkey, Poland, and Ukraine. The volume is an important contribution to the study of early modern transnationalism, cross-cultural exchange, and notions of identity, the Self, and the Other.
