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Author: Giancarlo Maiorino
Publisher: Penn State Press
ISBN: 9780271023205
Category : Art
Languages : en
Pages : 188
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Book Description
In this companion to his The Cornucopian Mind and the Baroque Unity of the Arts, Maiorino examines the links between Renaissance and the modern versions of the Groteseque. In this interdisciplinary study, the term &"eccentricity&" refers to styles of playful extravagance. Maiorino focuses on the rhetorical figures of excess employed by a critic-historian (Giorgio Vasari), on the willful artificiality of a painter (Giuseppe Arcimboldo), and on the programmatic and interpretive commentary of a theorist (Gregorio Comanini). Maiorino draws subtle and persuasive connections between the images he discusses and the grotesque &"face&" of sixteenth-century poetics and rhetoric. He sets the mannerist and the grotesque against the philosophical seriousness of Renaissance humanism, interpreting them as a celebration of the ludic and fantastic possibilities of art itself. Aiming at pleasure rather than instruction, this art plays on the boundaries of the natural and the artificial, the credible and the impossible, taking delight in parody, excess, disjunction, and exaggeration.
Author: Giancarlo Maiorino
Publisher: Penn State Press
ISBN: 9780271023205
Category : Art
Languages : en
Pages : 188
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Book Description
In this companion to his The Cornucopian Mind and the Baroque Unity of the Arts, Maiorino examines the links between Renaissance and the modern versions of the Groteseque. In this interdisciplinary study, the term &"eccentricity&" refers to styles of playful extravagance. Maiorino focuses on the rhetorical figures of excess employed by a critic-historian (Giorgio Vasari), on the willful artificiality of a painter (Giuseppe Arcimboldo), and on the programmatic and interpretive commentary of a theorist (Gregorio Comanini). Maiorino draws subtle and persuasive connections between the images he discusses and the grotesque &"face&" of sixteenth-century poetics and rhetoric. He sets the mannerist and the grotesque against the philosophical seriousness of Renaissance humanism, interpreting them as a celebration of the ludic and fantastic possibilities of art itself. Aiming at pleasure rather than instruction, this art plays on the boundaries of the natural and the artificial, the credible and the impossible, taking delight in parody, excess, disjunction, and exaggeration.
Author: Tirza True Latimer
Publisher: Univ of California Press
ISBN: 0520288866
Category : Art
Languages : en
Pages : 196
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Book Description
What if we ascribe significance to aesthetic and social divergences rather than waving them aside as anomalous? What if we look closely at what does not appear central, or appears peripherally, or does not appear at all, viewing ellipses, outliers, absences, and outtakes as significant? Eccentric Modernisms places queer demands on art history, tracing the relational networks connecting cosmopolitan eccentrics who cultivated discrepant strains of modernism in America during the 1930s and 1940s. Building on the author’s earlier studies of Gertrude Stein and other lesbians who participated in transatlantic cultural exchanges between the world wars, this book moves in a different direction, focusing primarily on the gay men who formed Stein’s support network and whose careers, in turn, she helped to launch, including the neo-romantic painters Pavel Tchelitchew and writer-editor Charles Henri Ford. Eccentric Modernisms shows how these “eccentric modernists” bucked trends by working collectively, reveling in disciplinary promiscuity and sustaining creative affiliations across national and cultural boundaries.
Author: Victoria Carroll
Publisher: University of Pittsburgh Press
ISBN: 0822981815
Category : Science
Languages : en
Pages : 395
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Book Description
The concept of eccentricity was central to how people in the nineteenth century understood their world. This monograph is the first scholarly history of eccentricity. Carroll explores how discourses of eccentricity were established to make sense of individuals who did not seem to fit within an increasingly organized social and economic order. She focuses on the self-taught natural philosopher William Martin, the fossilist Thomas Hawkins and the taxidermist Charles Waterton.
Author: Thomas Tegg
Publisher:
ISBN:
Category : Eccentrics and eccentricities
Languages : en
Pages : 346
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Book Description
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Category : Characters and characteristics
Languages : en
Pages : 644
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Category :
Languages : en
Pages : 404
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Author: Bayle St. John
Publisher:
ISBN:
Category :
Languages : en
Pages : 922
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Book Description
A romantic novel.
Author: G. H. Wilson
Publisher:
ISBN:
Category : Abnormalities, Human
Languages : en
Pages : 408
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Book Description
Author: Miranda Rijks
Publisher: The History Press
ISBN: 0752472186
Category : Biography & Autobiography
Languages : en
Pages : 303
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Book Description
Julien Cahn, the son of a German Jewish émigré, was an enormously successful businessman who used his wealth to indulge his somewhat eclectic passions. He built his own cricket ground and put together what is still regarded as the finest private cricket team ever assembled (which he captained): it undertook world tours, beating national teams. He was master of three hunts. An accomplished amateur magician, he built a magnificent art deco theatre at his home, Stanford Hall, and was invited to perform at the London Palladium. He purchased Lord Byron's house, Newstead Abbey and donated it to the nation. There is even a suggestion that he assisted in mitigating the effects of Maundy Gregory's 'cash for honours' scandal. Told by his grand-daughter, this is the vivid picture of Britain in the 1930s, and of one of its most eccentric inhabitants.
Author: William Arthur Brown Lunn
Publisher:
ISBN:
Category : Fables, English
Languages : en
Pages : 180
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Book Description
