Antonio and Piero Del Pollaiuolo PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Antonio and Piero Del Pollaiuolo PDF full book. Access full book title Antonio and Piero Del Pollaiuolo by Andrea Di Lorenzo. Download full books in PDF and EPUB format.
Author: Andrea Di Lorenzo
Publisher:
ISBN: 9788857224749
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
"Focuses on the distinct personalities of the Pollaiuolo brothers, among the greatest figures of the fifteenth-century Florentine art scene. A thorough review of their works as well as of documents and scholarly literature provides the reader with a new, more carefully defined assessment of Antonio, who used a full range of techniques to express his boundless creativity, and of Piero, a painter of great elegance, who was highly sensitive to the art of the Low Countries"--Jacket.
Author: Andrea Di Lorenzo
Publisher:
ISBN: 9788857224749
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
"Focuses on the distinct personalities of the Pollaiuolo brothers, among the greatest figures of the fifteenth-century Florentine art scene. A thorough review of their works as well as of documents and scholarly literature provides the reader with a new, more carefully defined assessment of Antonio, who used a full range of techniques to express his boundless creativity, and of Piero, a painter of great elegance, who was highly sensitive to the art of the Low Countries"--Jacket.
Author: Alison Wright
Publisher: Yale University Press
ISBN: 0300106254
Category : Art
Languages : en
Pages : 596
Get Book Here
Book Description
Painters, draftsmen, goldsmiths, sculptors, and designers, the Pollaiuolo brothers of fifteenth-century Florence produced some of the most beautiful works of the Italian Renaissance.
Author: Leopold David Ettlinger
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : en
Pages : 206
Get Book Here
Book Description
This book contains a historical and stylistic appraisal of the work of Florentine Quattrocento artists Antionio and Piero Pollaiuolo.
Author: Francis Ames-Lewis
Publisher: Yale University Press
ISBN: 9780300092950
Category : Art
Languages : en
Pages : 340
Get Book Here
Book Description
At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of "artist." This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality. Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and Dürer, as well as many other less well known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Get Book Here
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Rembrandt Duits
Publisher: Pindar Press
ISBN: 1915837006
Category : Art
Languages : en
Pages : 507
Get Book Here
Book Description
Rembrandt Duits completed his PhD at the University of Utrecht , and works at the Photographic Collection of the Warburg Institute, where he also teaches Renaissance material culture. His thesis, Gold Brocade and Renaissance Painting, won the Karel van Mander Prijs for the best publication on art between 1500 and 1800. Gold Brocade and Renaissance Painting discusses the representation of Italian Renaissance patterned silks in paintings from Italy and the Southern Netherlands , from the 14th to the 16th century. It is the first study to approach this subject from the perspective of material culture, attempting to answer such questions as why the subject of luxury textiles gained so great a popularity in Renaissance painting, how artists catered for an audience that desired to have gold brocades depicted but did not always possess the financial means to own the actual fabrics, and what the skills artists developed in this field contributed to the rising social status of the medium of painting. The material culture of the grand courts at which real gold brocade played an essential role in the display of wealth and status is compared to that of the socially ambitious but less affluent middle class for whom paintings were often the only affordable substitute for courtly splendour. Thus, the book also addresses the problem of the distinction between fact and fiction, imagination and reality in the account of contemporary social history presented in paintings.
Author: SallyJ. Cornelison
Publisher: Routledge
ISBN: 1351575651
Category : Art
Languages : en
Pages : 387
Get Book Here
Book Description
Tracing the history of St. Antoninus' cult and burial from the time of his death in 1459 until his remains were moved to their final resting place in 1589, this interdisciplinary study demonstrates that the saint's relic cult was a key element of Florence's sacred cityscape. The works of art created in his honor, as well as the rituals practiced at his fifteenth- and sixteenth-century places of burial, advertised Antoninus' saintly power and persona to the people who depended upon his intercessory abilities to negotiate life's challenges. Drawing on a rich variety of contemporary visual, literary, and archival sources, this volume explores the ways in which shifting political, familial, and ecclesiastical aims and agendas shaped the ways in which St. Antoninus' holiness was broadcast to those who visited his burial church. Author Sally Cornelison foregrounds the visual splendor of the St. Antoninus Chapel, which was designed, built, and decorated by Medici court artist Giambologna and his collaborators between 1579 and 1591. Her research sheds new light on the artist, whose secular and mythological sculptures have received far more scholarly attention than his religious works. Cornelison draws on social and religious history, patronage and gender studies, and art historical and anthropological inquiries into the functions and meanings of images, relics, and ritual performance, to interpret how they activated St. Antoninus' burial sites and defined them in ways that held multivalent meanings for a broad audience of viewers and devotees. Among the objects for which she provides visual and contextual analyses are a banner from the saint's first tomb, early printed and painted images, and the sculptures, frescoes, panel paintings, and embroidered textiles made for the present St. Antoninus Chapel.
Author: Arpad Szakolczai
Publisher: Routledge
ISBN: 1134194498
Category : Religion
Languages : en
Pages : 704
Get Book Here
Book Description
This book offers a sociological analysis of the Renaissance, focusing on the concept of grace, and the unity that exists between its various meanings: theological, anthropological (gift-giving, Mauss; and sociability, Simmel), and aesthetical (beauty and gracefulness). Since the seminal work of Max Weber rooted capitalism, and thus the modern world, in the Protestant ethic, interest in the Renaissance among social scientists has been minimal. However, this book argues that the heart of the European tradition lies in a series of renascences, going back to Minoan Crete and its rebirth in classical Greek civilisation, during an earlier global age. The Renaissance forged a novel unity between the Judaic-prophetic and Minoan-Athenian traditions, renewing grace in all its aspects and thus revitalising Europe. This attempt tragically failed and the modern world is the outcome of this explosion. All this has vital contemporary relevance, as the classical European tradition is still a unique source suggesting a way out of the spiralling logic of globalisation.
Author: Kia Vahland
Publisher: Black Dog & Leventhal
ISBN: 0762496428
Category : Art
Languages : en
Pages : 463
Get Book Here
Book Description
This new biographical look at Leonardo da Vinci explores the Renaissance master's groundbreaking portrayal of women which forever changed the way the female form is depicted. Leonardo da Vinci was a revolutionary thinker, artist, and inventor who has been written about and celebrated for centuries. Lesser known, however, is his revolutionary and empowering portrayal of the modern female centuries before the first women's liberation movements. Before da Vinci, portraits of women in Italy were still, impersonal, and mostly shown in profile. Leonardo pushed the boundaries of female depiction having several of his female subjects, including his Mona Lisa, gaze at the viewer, giving them an authority which was withheld from women at the time. Art historian and journalist Kia Vahland recounts Leonardo's entire life from April 15, 1452, as a child born out of wedlock in Vinci up through his death on May 2, 1519, in the French castle of von Cloux. Included throughout are 80 sketches and paintings showcasing Leonardo's approach to the female form (including anatomical sketches of birth) and other artwork as well as examples from other artists from the 15th and 16th centuries. Vahland explains how artists like Raphael, Giorgione, and the young Titan were influenced by da Vinci's women while Michelangelo, da Vinci's main rival, created masculine images of woman that counters Leonardo's depictions.
Author: Martin Kemp
Publisher: Oxford University Press
ISBN: 019920778X
Category : Art
Languages : en
Pages : 429
Get Book Here
Book Description
A masterly account of the genius of Leonardo da Vinci and his vision of the world, generously illustrated throughout, presenting a fully integrated picture of Leonardo's art, science, and thought.
