The Politics and Aesthetics of "New Negro" Literature PDF Download
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Author: Cary D. Wintz
Publisher: Taylor & Francis
ISBN: 9780815322139
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
Author: Cary D. Wintz
Publisher: Taylor & Francis
ISBN: 9780815322139
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
Author: Eric King Watts
Publisher: University of Alabama Press
ISBN: 081731766X
Category : History
Languages : en
Pages : 257
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Book Description
Hearing the Hurt is an examination of how the New Negro movement, also known as the Harlem Renaissance, provoked and sustained public discourse and deliberation about black culture and identity in the early twentieth century. Borrowing its title from a W. E. B. Du Bois essay, Hearing the Hurt explores the nature of rhetorical invention, performance, and mutation by focusing on the multifaceted issues brought forth in the New Negro movement, which Watts treats as a rhetorical struggle over what it means to be properly black and at the same time properly American. Who determines the meaning of blackness? How should African Americans fit in with American public culture? In what way should black communities and families be structured? The New Negro movement animated dynamic tension among diverse characterizations of African American civil rights, intellectual life, and well-being, and thus it provides a fascinating and complex stage on which to study how ideologies clash with each other to become accepted universally. Watts, conceptualizing the artistic culture of the time as directly affected by the New Negro public discourse, maps this rhetorical struggle onto the realm of aesthetics and discusses some key incarnations of New Negro rhetoric in select speeches, essays, and novels.
Author: Alain Locke
Publisher: Penguin
ISBN: 014313521X
Category : Literary Collections
Languages : en
Pages : 481
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Book Description
Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imagination A Penguin Classic For months, the philosopher Alain Locke wrestled with the idea of the Negro as America's most vexing problem. He asked how shall Negroes think of themselves as he considered the new crop of poets, novelists, and short story writers who, in 1924, wrote about their experiences as Black people in America. He did not want to frame Harlem and Black writing as yet another protest against racism, nor did he want to focus on the sociological perspective on the "Negro problem" and Harlem as a site of crime, poverty, and dysfunction. He wanted to find new language and a new way for Black people to think of themselves. The essays and articles collected in this volume, by Locke's Pulitzer Prize–winning biographer, are the result of that new attitude and the struggle to instill the New Negro aesthetics, as Stewart calls it here, into the mind of the twentieth century. To be a New Negro poet, novelist, actor, musician, dancer, or filmmaker was to commit oneself to an arc of self-discovery of what and who the Negro was—would be—without fear that one would disappoint the white or Black bystander. In committing to that path, Locke asserted, one would uncover a "being-in-the-world" that was rich and bountiful in its creative possibilities, if Black people could turn off the noise of racism and see themselves for who they really are: a world of creative people who have transformed, powerfully and perpetually, the culture of wherever history or social forces landed them.
Author: Mark A. Sanders
Publisher: University of Georgia Press
ISBN: 9780820320502
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
Sterling A. Brown’s poetry and aesthetics are central to a proper understanding of African American art and politics of the early twentieth century. This study redefines the relationship between modernism and the New Negro era in light of Brown’s uniquely hybrid poetry and vision of a heterodox, pluralist modernism. Brown, also a folklorist and critic, saw the Harlem Renaissance and modernism as interactive rather than mutually exclusive and perceived the New Negro era as the dawning of African American modernity. Reading Brown’s three collections of poetry in light of their respective historical contexts, Sanders examines the ways in which Brown reconfigured black being and created alternative conceptual space for African Americans amid the prevailing racial discourses of American culture. Brown’s poetics call for revised conceptions of the Harlem Renaissance, black identity, artistic expression, and modernity that recognize the range, depth, and complexity of African American life.
Author: Alain Locke
Publisher: Courier Dover Publications
ISBN: 0486849163
Category : Literary Collections
Languages : en
Pages : 450
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Book Description
Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries.
Author: Maryemma Graham
Publisher: Cambridge University Press
ISBN: 0521872170
Category : Literary Criticism
Languages : en
Pages : 861
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Book Description
A major new history of the literary traditions, oral and print, of African-descended peoples in the United States.
Author: Rachel Farebrother
Publisher: Cambridge University Press
ISBN: 1108640508
Category : Literary Criticism
Languages : en
Pages : 453
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Book Description
The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms – from the roman à clef and the bildungsroman, to dance and book illustrations – this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'.
Author: Davarian L. Baldwin
Publisher:
ISBN: 9780816677399
Category : HISTORY
Languages : en
Pages : 0
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Book Description
In this volume, the Harlem Renaissance "escapes from New York" into its proper global context, recovering the broader New Negro experience as social movements, popular cultures, and public behavior spanned the globe. Highlighting how New Negroes and their allies already lived, the book stresses the need for scholarship to catch up with the historical reality of the New Negro experience.
Author: Abby Arthur Johnson
Publisher: Amherst : University of Massachusetts Press
ISBN: 9780870234026
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
A detailed work that weaves the histories of different magazines and their various strands of black political thought in this century, proving the claim that black magazines, in providing outlets for black writers and recording their concerns, are therefore historical documents in their own right.
Author: Josef Sorett
Publisher: Oxford University Press
ISBN: 0199844933
Category : History
Languages : en
Pages : 313
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Book Description
While many of the most significant black intellectual movements of the second half of the twentieth century have been perceived as secular, Josef Sorett demonstrates in this book that religion was actually a fertile, fluid and formidable force within these movements. Spirit in the Dark examines how African American literary visions were animated and organized by religion and spirituality, from the New Negro Renaissance of the 1920s to the Black Arts movement of the 1960s.
