Author: Fidel Fajardo-Acosta
Publisher: Studies in Medieval Literature
ISBN: 9781666926934
Category :
Languages : en
Pages : 0
Book Description
An edition and study of the poetry of the first of the medieval European troubadours, this book claims William's songs are cornerstones of the modern western mind and culture, but also reveal the deep-seated problems and instability of structures built on a foundation of love and freedom of desires.
The Poetry of the Medieval Troubadour, William IX of Aquitaine
Author: Fidel Fajardo-Acosta
Publisher: Studies in Medieval Literature
ISBN: 9781666926934
Category :
Languages : en
Pages : 0
Book Description
An edition and study of the poetry of the first of the medieval European troubadours, this book claims William's songs are cornerstones of the modern western mind and culture, but also reveal the deep-seated problems and instability of structures built on a foundation of love and freedom of desires.
Publisher: Studies in Medieval Literature
ISBN: 9781666926934
Category :
Languages : en
Pages : 0
Book Description
An edition and study of the poetry of the first of the medieval European troubadours, this book claims William's songs are cornerstones of the modern western mind and culture, but also reveal the deep-seated problems and instability of structures built on a foundation of love and freedom of desires.
The Poetry of the Medieval Troubadour, William IX of Aquitaine
Author: Fidel Fajardo-Acosta
Publisher: Rowman & Littlefield
ISBN: 1666926949
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
An edition and study of the poetry of the first of the medieval European troubadours, this book claims William’s songs are cornerstones of the modern western mind and culture, but also reveal the deep-seated problems and instability of structures built on a foundation of love and freedom of desires.
Publisher: Rowman & Littlefield
ISBN: 1666926949
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
An edition and study of the poetry of the first of the medieval European troubadours, this book claims William’s songs are cornerstones of the modern western mind and culture, but also reveal the deep-seated problems and instability of structures built on a foundation of love and freedom of desires.
Troubadour Poems from the South of France
Author: William Doremus Paden
Publisher: DS Brewer
ISBN: 9781843841296
Category : Provençal poetry
Languages : en
Pages : 310
Book Description
Publisher: DS Brewer
ISBN: 9781843841296
Category : Provençal poetry
Languages : en
Pages : 310
Book Description
The Troubadours
Author: Simon Gaunt
Publisher: Cambridge University Press
ISBN: 1316582620
Category : Literary Criticism
Languages : en
Pages : 346
Book Description
The dazzling culture of the troubadours - the virtuosity of their songs, the subtlety of their exploration of love, and the glamorous international careers some troubadours enjoyed - fascinated contemporaries and had a lasting influence on European life and literature. Apart from the refined love songs for which the troubadours are renowned, the tradition includes political and satirical poetry, devotional lyrics and bawdy or zany poems. It is also in the troubadour song-books that the only substantial collection of medieval lyrics by women is preserved. This book offers a general introduction to the troubadours. Its sixteen newly-commissioned essays, written by leading scholars from Britain, the US, France, Italy and Spain, trace the historical development and setting of troubadour song, engage with the main trends in troubadour criticism, and examine the reception of troubadour poetry. Appendices offer an invaluable guide to the troubadours, to technical vocabulary, to research tools and to surviving manuscripts.
Publisher: Cambridge University Press
ISBN: 1316582620
Category : Literary Criticism
Languages : en
Pages : 346
Book Description
The dazzling culture of the troubadours - the virtuosity of their songs, the subtlety of their exploration of love, and the glamorous international careers some troubadours enjoyed - fascinated contemporaries and had a lasting influence on European life and literature. Apart from the refined love songs for which the troubadours are renowned, the tradition includes political and satirical poetry, devotional lyrics and bawdy or zany poems. It is also in the troubadour song-books that the only substantial collection of medieval lyrics by women is preserved. This book offers a general introduction to the troubadours. Its sixteen newly-commissioned essays, written by leading scholars from Britain, the US, France, Italy and Spain, trace the historical development and setting of troubadour song, engage with the main trends in troubadour criticism, and examine the reception of troubadour poetry. Appendices offer an invaluable guide to the troubadours, to technical vocabulary, to research tools and to surviving manuscripts.
Songbook
Author: Marisa Galvez
Publisher: University of Chicago Press
ISBN: 0226280527
Category : Language Arts & Disciplines
Languages : en
Pages : 298
Book Description
How medieval songbooks were composed in collaboration with the community—and across languages and societies: “Eloquent…clearly argued.”—Times Literary Supplement Today we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category poetry: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever.
Publisher: University of Chicago Press
ISBN: 0226280527
Category : Language Arts & Disciplines
Languages : en
Pages : 298
Book Description
How medieval songbooks were composed in collaboration with the community—and across languages and societies: “Eloquent…clearly argued.”—Times Literary Supplement Today we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category poetry: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever.
Troubadours and Love
Author: L. T. Topsfield
Publisher: Cambridge University Press
ISBN: 9780521205962
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
The first known troubadour, Guilhem IX of Aquitaine, VII Count of Poitou, was a versatile man who fought against the Moors in Spain, lost an army on his way to the First Crusade, and for a time, like his great-grandson Richard Cœur de Lion, possessed more land and power in France than the king himself. His poetry reflects the hatred of convention and love of the unexpected that marks his life. In its easy swing between self-mockery and seriousness, idealised love and bawdy laughter, it introduces into troubadour poetry a sense of conflict which, after Guilhem's death in 1127, found a different and wider expression in an opposition between the metaphysical poetry of troubadours who sang with 'dark', 'rich' words and the love songs of poets who composed in a clear, 'easy' style on the single plane of their courtly experience. Dr Topsfield examines the work of a number of the greatest troubadours from the viewpoint of their attitudes to love.
Publisher: Cambridge University Press
ISBN: 9780521205962
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
The first known troubadour, Guilhem IX of Aquitaine, VII Count of Poitou, was a versatile man who fought against the Moors in Spain, lost an army on his way to the First Crusade, and for a time, like his great-grandson Richard Cœur de Lion, possessed more land and power in France than the king himself. His poetry reflects the hatred of convention and love of the unexpected that marks his life. In its easy swing between self-mockery and seriousness, idealised love and bawdy laughter, it introduces into troubadour poetry a sense of conflict which, after Guilhem's death in 1127, found a different and wider expression in an opposition between the metaphysical poetry of troubadours who sang with 'dark', 'rich' words and the love songs of poets who composed in a clear, 'easy' style on the single plane of their courtly experience. Dr Topsfield examines the work of a number of the greatest troubadours from the viewpoint of their attitudes to love.
Proensa
Author: George Economou
Publisher: New York Review of Books
ISBN: 168137031X
Category : Poetry
Languages : en
Pages : 353
Book Description
It was out of medieval Provence—Proensa—that the ethos of courtly love emerged, and it was in the poetry of the Provençal troubadours that it found its perfect expression. Their poetry was also a central inspiration for Dante and his Italian contemporaries, propagators of the modern vernacular lyric, and seven centuries later it was no less important to the modernist Ezra Pound. These poems, a source to which poetry has returned again and again in search of renewal, are subtle, startling, earthy, erotic, and supremely musical. The poet Paul Blackburn studied and translated the troubadours for twenty years, and the result of that long commitment is Proensa, an anthology of thirty poets of the eleventh through thirteenth centuries, which has since established itself not only as a powerful and faithful work of translation but as a work of poetry in its own right. Blackburn’s Proensa, George Economou writes, “will take its place among Gavin Douglas’ Aeneid, Golding’s Metamorphoses, the Homer of Chapman, Pope, and Lattimore, Waley’s Japanese, and Pound’s Chinese, Italian, and Old English.”
Publisher: New York Review of Books
ISBN: 168137031X
Category : Poetry
Languages : en
Pages : 353
Book Description
It was out of medieval Provence—Proensa—that the ethos of courtly love emerged, and it was in the poetry of the Provençal troubadours that it found its perfect expression. Their poetry was also a central inspiration for Dante and his Italian contemporaries, propagators of the modern vernacular lyric, and seven centuries later it was no less important to the modernist Ezra Pound. These poems, a source to which poetry has returned again and again in search of renewal, are subtle, startling, earthy, erotic, and supremely musical. The poet Paul Blackburn studied and translated the troubadours for twenty years, and the result of that long commitment is Proensa, an anthology of thirty poets of the eleventh through thirteenth centuries, which has since established itself not only as a powerful and faithful work of translation but as a work of poetry in its own right. Blackburn’s Proensa, George Economou writes, “will take its place among Gavin Douglas’ Aeneid, Golding’s Metamorphoses, the Homer of Chapman, Pope, and Lattimore, Waley’s Japanese, and Pound’s Chinese, Italian, and Old English.”
The Routledge Companion to Iberian Studies
Author: Javier Muñoz-Basols
Publisher: Taylor & Francis
ISBN: 1317487311
Category : Foreign Language Study
Languages : en
Pages : 744
Book Description
This book provides a comprehensive, state-of-the-art account of the field, reaffirming Iberian Studies as a dynamic and evolving discipline offering promising areas of future research. It is an essential tool for research in Iberian Studies.
Publisher: Taylor & Francis
ISBN: 1317487311
Category : Foreign Language Study
Languages : en
Pages : 744
Book Description
This book provides a comprehensive, state-of-the-art account of the field, reaffirming Iberian Studies as a dynamic and evolving discipline offering promising areas of future research. It is an essential tool for research in Iberian Studies.
Medieval Europe 395-1270 AD
Author: Gabriel Monod
Publisher: Jovian Press
ISBN: 1537806440
Category : History
Languages : en
Pages : 317
Book Description
At the end of the fourth century the Roman Empire still comprised the entire basin of the Mediterranean. In Europe its continental limits were the Rhine and the Danube; in Asia, an undefined frontier, modified constantly by wars with the Armenians and Persians, followed the eastern slope of the Pontus Euxinus (Black Sea) to the foot of the Caucasus Mountains and extended into Armenia around Lake Van, thence in an almost straight line to the Red Sea, crossing the Tigris below Tigranocerta, and the Euphrates at its junction with the Chaboras at Circesium. On the south, Egypt up to and beyond the first cataract, and the northern slope of Africa, with Cyrenaica, Tripolitania, and Mauritania, belonged to Rome, which possessed in the valley of the Nile and in the modern Tunis the wheat granaries that supplied the hungry people of the two capitals. On the west the Atlantic Ocean formed the horizon of the ancients, who imagined beyond it the mysterious land of the blessed ones. On the north the island of Britannia belonged to the Empire, with the exception of the mountainous region of Caledonia, which retained its independence, as did Hibernia, or Ireland...
Publisher: Jovian Press
ISBN: 1537806440
Category : History
Languages : en
Pages : 317
Book Description
At the end of the fourth century the Roman Empire still comprised the entire basin of the Mediterranean. In Europe its continental limits were the Rhine and the Danube; in Asia, an undefined frontier, modified constantly by wars with the Armenians and Persians, followed the eastern slope of the Pontus Euxinus (Black Sea) to the foot of the Caucasus Mountains and extended into Armenia around Lake Van, thence in an almost straight line to the Red Sea, crossing the Tigris below Tigranocerta, and the Euphrates at its junction with the Chaboras at Circesium. On the south, Egypt up to and beyond the first cataract, and the northern slope of Africa, with Cyrenaica, Tripolitania, and Mauritania, belonged to Rome, which possessed in the valley of the Nile and in the modern Tunis the wheat granaries that supplied the hungry people of the two capitals. On the west the Atlantic Ocean formed the horizon of the ancients, who imagined beyond it the mysterious land of the blessed ones. On the north the island of Britannia belonged to the Empire, with the exception of the mountainous region of Caledonia, which retained its independence, as did Hibernia, or Ireland...
The New Cambridge Medieval History: c. 1024-c. 1198. Pt. 1 and 2
Author: Rosamond McKitterick
Publisher: Cambridge University Press
ISBN: 9780521414104
Category :
Languages : en
Pages : 990
Book Description
Publisher: Cambridge University Press
ISBN: 9780521414104
Category :
Languages : en
Pages : 990
Book Description