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Author: James Gates Percival
Publisher:
ISBN:
Category :
Languages : en
Pages : 494
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Book Description
Author: James Gates Percival
Publisher:
ISBN:
Category :
Languages : en
Pages : 494
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Book Description
Author: J.G. Percival
Publisher:
ISBN:
Category :
Languages : en
Pages : 540
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Book Description
Author: James Gates Percival
Publisher:
ISBN:
Category :
Languages : en
Pages : 530
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Book Description
Author: James Gates Percival
Publisher:
ISBN:
Category :
Languages : en
Pages : 480
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Book Description
Author: James Gates Percival
Publisher:
ISBN:
Category :
Languages : en
Pages : 402
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Book Description
Author: Henry Eduard Legler
Publisher:
ISBN:
Category : Poets, American
Languages : en
Pages : 76
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Book Description
Author: Karen L. Kilcup
Publisher: University of Michigan Press
ISBN: 0472126016
Category : Literary Criticism
Languages : en
Pages : 426
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Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Author: James Gates Percival
Publisher: Scholarly Pub Office Univ of
ISBN: 9781418113070
Category : History
Languages : en
Pages : 528
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Book Description
Author: Kathleen L. Housley
Publisher: Wesleyan University Press
ISBN: 0819500291
Category : Biography & Autobiography
Languages : en
Pages : 225
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Book Description
Stone Breaker is an in-depth, accessible biography of a true American polymath, James Gates Percival. A poet, linguist, and unstable savant Percival was also a brilliant geologist who walked thousands of miles crisscrossing first Connecticut and then Wisconsin to lay the foundation for the work of generations of Earth scientists. Exploring the confluences of literature, art, and geology, Kathleen L. Housley reveals how one of most famous poets of the 1820's became a renowned geologist with his groundbreaking 1843 work Report on the Geology of the State of Connecticut. The book includes historic photographs and paintings of the Connecticut landscape.
Author:
Publisher:
ISBN:
Category : North American review
Languages : en
Pages : 620
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Book Description
Vols. 227-230, no. 2 include: Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.
