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Author: James Longenbach
Publisher: Art Of
ISBN:
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
"Poetry is the sound of language organized in lines." James Longenbach opens The Art of the Poetic Line with that essential statement. Through a range of examples - from Shakespeare and Milton to Ashbery and Glück - Longenbach describes the function of line in metered, rhymed, syllabic, and free-verse poetry. That function is sonic, he argues, and our true experience of it can only be identified in relation to other elements in a poem. Syntax and the interaction of different kinds of line endings are primary to understanding line, as is the relationship of lineated poems to prose poetry. The Art of the Poetic Line is a vital new resource by one of America's most important critics and one of poetry's most engaging practitioners.
Author: James Longenbach
Publisher: Art Of
ISBN:
Category : Literary Criticism
Languages : en
Pages : 148
Get Book Here
Book Description
"Poetry is the sound of language organized in lines." James Longenbach opens The Art of the Poetic Line with that essential statement. Through a range of examples - from Shakespeare and Milton to Ashbery and Glück - Longenbach describes the function of line in metered, rhymed, syllabic, and free-verse poetry. That function is sonic, he argues, and our true experience of it can only be identified in relation to other elements in a poem. Syntax and the interaction of different kinds of line endings are primary to understanding line, as is the relationship of lineated poems to prose poetry. The Art of the Poetic Line is a vital new resource by one of America's most important critics and one of poetry's most engaging practitioners.
Author: Daniel Ross Reedy
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
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Book Description
Author: Tony Hoagland
Publisher: W. W. Norton & Company
ISBN: 1324002697
Category : Language Arts & Disciplines
Languages : en
Pages : 117
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Book Description
An award-winning poet, teacher, and “champion of poetry” (Neil Genzlinger, New York Times) demystifies the elusive element of voice. In this accessible and distilled craft guide, acclaimed poet Tony Hoagland approaches poetry through the frame of poetic voice, that mysterious connective element that binds the speaker and reader together. In short, essayistic chapters and an appendix of thirty stimulating exercises, The Art of Voice explores the myriad ways to create a distinctive poetic voice, including vernacular, authoritative statement, speech register, tone-shifting, and using secondary voices. “Rich with lively examples” (New York Times Book Review), The Art of Voice provides a compelling introduction to contemporary poetry and an invaluable guide for any practicing writer.
Author: Stephen Burt
Publisher: Harvard University Press
ISBN: 9780674048140
Category : Literary Criticism
Languages : en
Pages : 472
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Book Description
"Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts." "The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world." --Book Jacket.
Author: John G. Blair
Publisher: Princeton University Press
ISBN: 1400878470
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
Attempts to isolate and describe the characteristic poetic mode in which Auden has worked for more than thirty years. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Etel Adnan
Publisher: Post Apollo Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 68
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Book Description
Literary Nonfiction. JOURNEY TO MOUNT TAMALPAIS is an essay on Nature, Art, and the relationship between them. Highly original in both content and literary structure, it provides a new outlook on the importance of Nature as an element of thinking; one of the major works on the "spirit of place" in contemporary literature. This book is illustrated with 17 drawings by the author. "An enlightening journey for those who love the mountain, and for those who love Etel Adnan." Wendell Berry"
Author: James J. Y. Liu
Publisher: University of Chicago Press
ISBN: 0226486877
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
This concise introduction to Chinese poetry serves as a primer for English-speakers eager to expand their understanding and enjoyment of Chinese culture. James J. Y. Liu first examines the Chinese language as a medium of poetic expression and, contrary to the usual focus on the visual qualities of Chinese script, emphasizes the auditory effects of Chinese verse. He provides a succinct survey of Chinese poetry theory and concludes with his own view of poetry, based upon traditional Chinese concepts. "[This] books should be read by all those interested in Chinese poetry."—Achilles Fang, Poetry "[This is] a significant contribution to the understanding and appreciation of Chinese poetry, lucidly presented in a way that will attract a wide audience, and offering an original synthesis of Chinese and Western views that will stimulate and inspire students of poetry everywhere."—Hans H. Frankel, Harvard Journal of Asiatic Studies "This is a book which can be recommended without reservation to anyone who wants to explore the world of Chinese poetry in translation."—James R. Hightower, Journal of Asian Studies
Author: Anthony Hecht
Publisher: Princeton University Press
ISBN: 0691252815
Category : Art
Languages : en
Pages : 224
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Book Description
A magisterial exploration of poetry’s place in the fine arts by one of the twentieth century's leading poets In this book, eminent poet Anthony Hecht explores the art of poetry and its relationship to the other fine arts. While the problems he treats entail both philosophic and theoretical discussion, he never allows abstract speculation to overshadow his delight in the written texts that he introduces, or in the specific examples of painting and music to which he refers. After discussing literature’s links with painting and music, Hecht investigates the theme of paradise and wilderness, especially in Shakespeare’s The Tempest. He then turns to the question of public and private art, exploring the ways in which all the arts participate in balances between private and public modes of discourse, and between an exclusive or elitist role and the openly political. Beginning with a discussion of architecture as an illustration of a more general theme of discord and balance, the penultimate lecture probes the inner contradictions of works of art and our reactions to them, while the final piece concerns art and morality.
Author: Andy Orchard
Publisher: Cambridge University Press
ISBN: 052145090X
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
Aldhelm of Malmesbury has been described as 'the first English man of letters'. He was the first Germanic author to compose extensively in Latin metrical verse, and his Latin works were amongst the most influential in Anglo-Saxon England. Aldhelm can also be considered the best-read of Anglo-Saxon poets, in both senses of the phrase: he read most and was most read. In this first book-length study of Aldhelm's poetic art Andy Orchard traces the sources and models for Aldhelm's idiosyncratic style, as well as the nature and extent of his influence on later Anglo-Latin verse. Aldhelm's innovations in Latin verse technique are emphasized, in particular his special debt to the specific techniques of Old English vernacular verse.
Author: Johanna Drucker
Publisher:
ISBN: 9781933959276
Category : Literature, Experimental
Languages : en
Pages : 0
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Book Description
Poetry. Art. Women's Studies. FABULAS FEMINAE contains two dozen profiles of famous women in a collaborative book project created by Susan Bee and Johanna Drucker. These two distinguished artists have combined their talents to produce a work that is contemporary in tone, a minor monumental tribute to a diverse gallery of heroic women from across history. The text was composed using a natural language-processing technique that samples a large corpus and compresses it algorithmically, mirroring the sampling techniques of collage practice in the visual images. Strikingly designed, with bold blocks of text that echo the graphic features in the imagery, the result is a fresh, engaging, and informative poetic work of historical and critical expression. Some day, one imagines, Susan Bee and Johanna Drucker will themselves appear as featured figures in a book like this one. For now, their revised martyrology presents a catalogue of some two-dozen new saints whose colorful lives appear in equally colorful spreads of condensed shaped text and eccentrically dispersed images. With their networked fields of iconic, schematic semiotics, these collaborations are fables of historiography itself. The result, predictably, is fabulous.--Craig Dworkin An homage to 25 legendary women through the centuries--from Susan B. Anthony to Susan Sontag, from Lizzie Borden to Lucille Ball--FABULAS FEMINAE is also a necessary intervention. When a famous life is over, the wild biography is often shaped to fit a tame narrative structure; Drucker and Bee use collage and algorithmic language processing to disrupt that pattern and make these lives wild again.--Jena Osmon This book is a wonderful mixture of the scholarly, the feminist, the playful, and the girlish about fabulous women from his(her)story--queens, notorious assassins, novelists, sharp-shooters, divas, vanguard painters, suffragettes, comedic redheads, eccentric poets, visionary nuns, songstresses, saviors of their people by two fabulous feminists, artists and fabulists Susan Bee and Johanna Drucker. It will appeal to and inspire readers of all ages. Bee's rich, sprightly, dense collages and Drucker's sculptural text design are as interesting as art as the algorithmically dissociated but completely comprehensible and thrilling text.--Mira Schor
