Author: Marla Frazee
Publisher: Simon and Schuster
ISBN: 1442497459
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
Whimsical and touching images tell the story of an unexpected friendship and the revelations it inspires in this moving, wordless picture book from two-time Caldecott Honor medalist Marla Frazee. A baby clown is separated from his family when he accidentally bounces off their circus train and lands in a lonely farmer’s vast, empty field. The farmer reluctantly rescues the little clown, and over the course of one day together, the two of them make some surprising discoveries about themselves—and about life! Sweet, funny, and moving, this wordless picture book from a master of the form and the creator of The Boss Baby speaks volumes and will delight story lovers of all ages.
The Farmer and the Clown
Author: Marla Frazee
Publisher: Simon and Schuster
ISBN: 1442497459
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
Whimsical and touching images tell the story of an unexpected friendship and the revelations it inspires in this moving, wordless picture book from two-time Caldecott Honor medalist Marla Frazee. A baby clown is separated from his family when he accidentally bounces off their circus train and lands in a lonely farmer’s vast, empty field. The farmer reluctantly rescues the little clown, and over the course of one day together, the two of them make some surprising discoveries about themselves—and about life! Sweet, funny, and moving, this wordless picture book from a master of the form and the creator of The Boss Baby speaks volumes and will delight story lovers of all ages.
Publisher: Simon and Schuster
ISBN: 1442497459
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
Whimsical and touching images tell the story of an unexpected friendship and the revelations it inspires in this moving, wordless picture book from two-time Caldecott Honor medalist Marla Frazee. A baby clown is separated from his family when he accidentally bounces off their circus train and lands in a lonely farmer’s vast, empty field. The farmer reluctantly rescues the little clown, and over the course of one day together, the two of them make some surprising discoveries about themselves—and about life! Sweet, funny, and moving, this wordless picture book from a master of the form and the creator of The Boss Baby speaks volumes and will delight story lovers of all ages.
Poets, Heroes, and their Dragons (2 vols)
Author: James R. Russell
Publisher: BRILL
ISBN: 900446073X
Category : History
Languages : en
Pages : 1629
Book Description
The present volume is a collection of articles published by Professor James R. Russell of Harvard University, in various journals over the past decades.
Publisher: BRILL
ISBN: 900446073X
Category : History
Languages : en
Pages : 1629
Book Description
The present volume is a collection of articles published by Professor James R. Russell of Harvard University, in various journals over the past decades.
The King and the Clown in South Indian Myth and Poetry
Author: David Dean Shulman
Publisher: Princeton University Press
ISBN: 1400857759
Category : History
Languages : en
Pages : 465
Book Description
The author discusses the tragi-comic aspect of Chola kingship in relation to other Indian expressions of comedy, such as the Vidiisaka of Sanskrit drama, folk tales of the jester Tenali Rama, and clowns of the South Indian shadow-puppet theaters. The symbolism of the king emerges as part of a wider range of major symbolic figures--Brahmins, courtesans, and the tragic" bandits and warrior-heroes. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400857759
Category : History
Languages : en
Pages : 465
Book Description
The author discusses the tragi-comic aspect of Chola kingship in relation to other Indian expressions of comedy, such as the Vidiisaka of Sanskrit drama, folk tales of the jester Tenali Rama, and clowns of the South Indian shadow-puppet theaters. The symbolism of the king emerges as part of a wider range of major symbolic figures--Brahmins, courtesans, and the tragic" bandits and warrior-heroes. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A Poet Hero
Author: Marie Bothmer (Gräfin von)
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
Book Description
Hero and Leander
Author: Christopher Marlowe
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
Book Description
The Poets and Poetry of America
Author: Edgar Allan Poe
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 116
Book Description
The Pursuit of Myth in the Poetry of Frank O'Hara, Ted Berrigan and John Forbes
Author: Duncan Hose
Publisher: Springer Nature
ISBN: 3030948412
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
The Pursuit of Myth in the Poetry of Frank O'Hara, Ted Berrigan and John Forbes traces a tradition of revolutionary self-mythologising in the lives and works of Frank O’Hara, Ted Berrigan and John Forbes, as a significant trefoil in twentieth-century English language poetry. All three had untimely deaths, excited a collective homage, and developed cult followings that reverberate today. This book tracks the transmission of the poem as charm, the poet as charmer, and the reinstitution of troubadour erotics as a kind of social poetics. Starting with Orpheus, the book refreshes the myth of the poet as mythmaker, examining how myths of “self” and “nation” are regenerated for the twenty-first century and how persons-as-myths are made in community through coteries of artists and beyond. Duncan Bruce Hose’s critical vocabulary, with its nucleus of mythos, searches the edges of phenomenal enquiry, closing in on the work of “glamour”, “aura”, “charm”, “possession”, “phantasm”, the “daemonic”, and the logic of haunting in the continuing being of these three poets as “charismatic animals”.
Publisher: Springer Nature
ISBN: 3030948412
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
The Pursuit of Myth in the Poetry of Frank O'Hara, Ted Berrigan and John Forbes traces a tradition of revolutionary self-mythologising in the lives and works of Frank O’Hara, Ted Berrigan and John Forbes, as a significant trefoil in twentieth-century English language poetry. All three had untimely deaths, excited a collective homage, and developed cult followings that reverberate today. This book tracks the transmission of the poem as charm, the poet as charmer, and the reinstitution of troubadour erotics as a kind of social poetics. Starting with Orpheus, the book refreshes the myth of the poet as mythmaker, examining how myths of “self” and “nation” are regenerated for the twenty-first century and how persons-as-myths are made in community through coteries of artists and beyond. Duncan Bruce Hose’s critical vocabulary, with its nucleus of mythos, searches the edges of phenomenal enquiry, closing in on the work of “glamour”, “aura”, “charm”, “possession”, “phantasm”, the “daemonic”, and the logic of haunting in the continuing being of these three poets as “charismatic animals”.
Desperate Storytelling
Author: Roger B. Salomon
Publisher: University of Georgia Press
ISBN: 0820332623
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
Desperate Storytelling demonstrates how writers from Byron to Saul Bellow have embraced Cervantes's vision of the artist as creative exile, born to tell tales of valor and nobility yet doomed to recognize the world's banal reality. Forced to portray adventure in a reductive voice, these writers have immersed heroism in madness and narrative in mockery. Their fictions reflect an awareness of life's absurdities, yet a refusal to forsake the ideal. Reassessing the post-Romantic literary consciousness, Roger B. Salomon explores the many permutations of the mock-heroic mode, the complex aesthetic instrument brought into being by Cervantes, one by which a writer takes on a dual role as both nostalgic creator and ironic critic. The mock hero is almost by definition an outdated one, aligning his deepest emotional attachments to dead mythologies and forgotten codes of ethics; he is an alienated figure in a landscape hostile to the possibility of any kind of attainment. Just as Don Quixote's noble madness in an ignoble age invites both sympathy and derision, so later incarnations of the mock hero immerse the reader in a dialogue between the real and a faded ideal, between the sensible and the admirable. Describing a literary mode that joins heroic endeavor with its deflating results, Desperate Storytelling traces the adventures of literature's misplaced heroes from Nabokov's Berlin to Saul Bellow's Chicago, from James Joyce's Dublin to Mark Twain's Mississippi.
Publisher: University of Georgia Press
ISBN: 0820332623
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
Desperate Storytelling demonstrates how writers from Byron to Saul Bellow have embraced Cervantes's vision of the artist as creative exile, born to tell tales of valor and nobility yet doomed to recognize the world's banal reality. Forced to portray adventure in a reductive voice, these writers have immersed heroism in madness and narrative in mockery. Their fictions reflect an awareness of life's absurdities, yet a refusal to forsake the ideal. Reassessing the post-Romantic literary consciousness, Roger B. Salomon explores the many permutations of the mock-heroic mode, the complex aesthetic instrument brought into being by Cervantes, one by which a writer takes on a dual role as both nostalgic creator and ironic critic. The mock hero is almost by definition an outdated one, aligning his deepest emotional attachments to dead mythologies and forgotten codes of ethics; he is an alienated figure in a landscape hostile to the possibility of any kind of attainment. Just as Don Quixote's noble madness in an ignoble age invites both sympathy and derision, so later incarnations of the mock hero immerse the reader in a dialogue between the real and a faded ideal, between the sensible and the admirable. Describing a literary mode that joins heroic endeavor with its deflating results, Desperate Storytelling traces the adventures of literature's misplaced heroes from Nabokov's Berlin to Saul Bellow's Chicago, from James Joyce's Dublin to Mark Twain's Mississippi.
Ode Consciousness
Author: Robert G. Eisenhauer
Publisher: Peter Lang
ISBN: 9781433107337
Category : Language Arts & Disciplines
Languages : en
Pages : 282
Book Description
Ode Consciousness examines a preeminent literary form in its three-thousand-year history, navigating between philosophy and literature, offering cross-cultural perspectives on a poetic logic informed by polar intensities of sensuous cognition. Making a double incision on the corpus, Robert Eisenhauer interprets works by Henry Vaughan and the modernist Frank O'Hara, foregrounding the text, but also the text(-ile) message, and the dialogical weave of enunciation. The ancient Chinese ode, translated by Karlgren and estranged by Pound, anchors sentience in the flora and fauna of physical nature, and the I Jing or Book of Changes offers insights on poetry, psychoanalysis, and aleatoriness per se. The rise of the ode in the West is contemporary with that of a philosophical discourse concerning clarity and obscurity of thought. While Milton widens the esoteric scope, Lovelace concretizes ode consciousness through the image of a frozen grasshopper («green ice»), whose non-longevity is contrasted with the human capacity for survival through friendship. Translating the «Polish Horace» (Sarbiewski), Coleridge prepares the ground for the lyricism of Keats and Shelley, raising the neural stakes through passages of lingering, delay, and intoxication. A negative capability inclusive of desire as well as nihilation inhabits Jalal al-Din Rumi and the Arabic qasida. Affliction, a key concept for the Baroque, is discussed in the context of film noir, while Hegel's privileging in the Aesthetics of Schiller's «Song of the Bell» is seen as part of a larger attempt to censure the radical re-Pindarization and revolutionary retexting of the ode, most notably in Klopstock and Hölderlin. The author analyzes the role played by impersonality in Yeats's attempt to recrystallize Keatsian and Confucian sensibility through «annotated seeing» and the opening of windows of clairvoyant perception. Eisenhauer also suggests parallels between O'Hara's autumnal glimpses of New York City at the height of modernism and Keatsian sensibility. Ode Consciousness concludes by examining the return of the repressed in the graphic novels of Osamu Tezuka, thereby enriching our understanding of the ode's perennial relevance.
Publisher: Peter Lang
ISBN: 9781433107337
Category : Language Arts & Disciplines
Languages : en
Pages : 282
Book Description
Ode Consciousness examines a preeminent literary form in its three-thousand-year history, navigating between philosophy and literature, offering cross-cultural perspectives on a poetic logic informed by polar intensities of sensuous cognition. Making a double incision on the corpus, Robert Eisenhauer interprets works by Henry Vaughan and the modernist Frank O'Hara, foregrounding the text, but also the text(-ile) message, and the dialogical weave of enunciation. The ancient Chinese ode, translated by Karlgren and estranged by Pound, anchors sentience in the flora and fauna of physical nature, and the I Jing or Book of Changes offers insights on poetry, psychoanalysis, and aleatoriness per se. The rise of the ode in the West is contemporary with that of a philosophical discourse concerning clarity and obscurity of thought. While Milton widens the esoteric scope, Lovelace concretizes ode consciousness through the image of a frozen grasshopper («green ice»), whose non-longevity is contrasted with the human capacity for survival through friendship. Translating the «Polish Horace» (Sarbiewski), Coleridge prepares the ground for the lyricism of Keats and Shelley, raising the neural stakes through passages of lingering, delay, and intoxication. A negative capability inclusive of desire as well as nihilation inhabits Jalal al-Din Rumi and the Arabic qasida. Affliction, a key concept for the Baroque, is discussed in the context of film noir, while Hegel's privileging in the Aesthetics of Schiller's «Song of the Bell» is seen as part of a larger attempt to censure the radical re-Pindarization and revolutionary retexting of the ode, most notably in Klopstock and Hölderlin. The author analyzes the role played by impersonality in Yeats's attempt to recrystallize Keatsian and Confucian sensibility through «annotated seeing» and the opening of windows of clairvoyant perception. Eisenhauer also suggests parallels between O'Hara's autumnal glimpses of New York City at the height of modernism and Keatsian sensibility. Ode Consciousness concludes by examining the return of the repressed in the graphic novels of Osamu Tezuka, thereby enriching our understanding of the ode's perennial relevance.
The New Red Negro
Author: James Edward Smethurst
Publisher: Oxford University Press
ISBN: 0195344200
Category : Literary Criticism
Languages : en
Pages : 301
Book Description
The New Red Negro surveys African-American poetry from the onset of the Depression to the early days of the Cold War. It considers the relationship between the thematic and formal choices of African-American poets and organized ideology from the proletarian early 1930s to the neo-modernist late 1940s. This study examines poetry by writers across the spectrum: canonical, less well-known, and virtually unknown. The ideology of the Communist Left as particularly expressed through cultural institutions of the literary Left significantly influenced the shape of African-American poetry in the 1930s and 40s, as well as the content. One result of this engagement of African-American writers with the organized Left was a pronounced tendency to regard the re-created folk or street voice as the authentic voice--and subject--of African-American poetry. Furthermore, a masculinist rhetoric was crucial to the re-creation of this folk voice. This unstable yoking of cultural nationalism, integrationism, and internationalism within a construct of class struggle helped to shape a new relationship of African-American poetry to vernacular African-American culture. This relationship included the representation of African-American working class and rural folk life and its cultural products ostensibly from the mass perspective. It also included the dissemination of urban forms of African-American popular culture, often resulting in mixed media high- low hybrids.
Publisher: Oxford University Press
ISBN: 0195344200
Category : Literary Criticism
Languages : en
Pages : 301
Book Description
The New Red Negro surveys African-American poetry from the onset of the Depression to the early days of the Cold War. It considers the relationship between the thematic and formal choices of African-American poets and organized ideology from the proletarian early 1930s to the neo-modernist late 1940s. This study examines poetry by writers across the spectrum: canonical, less well-known, and virtually unknown. The ideology of the Communist Left as particularly expressed through cultural institutions of the literary Left significantly influenced the shape of African-American poetry in the 1930s and 40s, as well as the content. One result of this engagement of African-American writers with the organized Left was a pronounced tendency to regard the re-created folk or street voice as the authentic voice--and subject--of African-American poetry. Furthermore, a masculinist rhetoric was crucial to the re-creation of this folk voice. This unstable yoking of cultural nationalism, integrationism, and internationalism within a construct of class struggle helped to shape a new relationship of African-American poetry to vernacular African-American culture. This relationship included the representation of African-American working class and rural folk life and its cultural products ostensibly from the mass perspective. It also included the dissemination of urban forms of African-American popular culture, often resulting in mixed media high- low hybrids.