Author: Arlo Bates
Publisher:
ISBN: 9783337777111
Category :
Languages : en
Pages : 156

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Author: Arlo Bates
Publisher:
ISBN:
Category : Digital images
Languages : en
Pages : 164

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Author: John Ashbery
Publisher: Penguin
ISBN: 0140586687
Category : Poetry
Languages : en
Pages : 98

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John Ashbery’s most renowned collection of poetry -- Winner of The Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award First released in 1975, Self-Portrait in a Convex Mirror is today regarded as one of the most important collections of poetry published in the last fifty years. Not only in the title poem, which the critic John Russell called “one of the finest long poems of our period,” but throughout the entire volume, Ashbery reaffirms the poetic power that made him an outstanding figure in contemporary literature. These are poems “of breathtaking freshness and adventure in which dazzling orchestrations of language open up whole areas of consciousness no other American poet as ever begun to explore” (The New York Times).

Author: Nikki Grimes
Publisher: Penguin
ISBN: 0425289761
Category : Young Adult Nonfiction
Languages : en
Pages : 193

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The beloved and award-winning novel now available in a new format with a great new cover! When Wesley Boone writes a poem for his high school English class, some of his classmates clamor to read their poems aloud too. Soon they're having weekly poetry sessions and, one by one, the eighteen students are opening up and taking on the risky challenge of self-revelation. There's Lupe Alvarin, desperate to have a baby so she will feel loved. Raynard Patterson, hiding a secret behind his silence. Porscha Johnson, needing an outlet for her anger after her mother OD's. Through the poetry they share and narratives in which they reveal their most intimate thoughts about themselves and one another, their words and lives show what lies beneath the skin, behind the eyes, beyond the masquerade.

Author: Mary Jacobus
Publisher: University of Chicago Press
ISBN: 0226390667
Category : Art
Languages : en
Pages : 232

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Here, Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, W.G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, and sleep in their work.

Author: Pete McLaughlin
Publisher: Wellstone Books
ISBN: 9780960061556
Category : Humor
Languages : en
Pages : 140

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Part standup comedy, part painfully revealing self-exploration, this is a tender, heartbreaking, hilarious book of poems about the male condition in the 21st Century. These are poems to read and reread and then to read aloud to friends. Even nonplussed strangers will smile knowingly after being ushered into Pete McLaughlin's world, laughing at his manic, self-deprecating take on the grim horror of waking up to find yourself a divorced middle-aged dude living by yourself with a cat, one given to fits of projectile vomiting. The poems range from a riff on the yearning of an "Angry Prius" who just wants to get out in the fast lane, one time, and drive all-out "mercilessly tailgating all comers, / even senior citizens," to the revelations of "Middle Age," about being picked up by a woman in her sixties who "plays teasing, exploratory footsie beneath the tablecloth/her unblinking green-light eyes/locked mercilessly onto mine/she winks knowingly, her big toe somehow in my pocket now."

Author: Arlo Bates
Publisher: Forgotten Books
ISBN: 9780483432482
Category : Poetry
Languages : en
Pages : 158

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Excerpt from The Poet and His Self The Poet Speaks: Since a lie that soothes is better Than a truth that bites and stings; Since the manacled wretch in fetter Is happier dreaming of wings; Let us make the whole world our debtor; Go to; let us sing smooth things! Since fate has trapped us and caged us, Why should we beat at the bars? When cares of the earth have engaged us, Why need we long for the stars? When the old wounds have enraged us, Why should we risk fresh scars? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: James Oppenheim
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 284

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Author: Maggie Smith
Publisher: Tupelo Press
ISBN: 1946482420
Category : Poetry
Languages : en
Pages : 96

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Featuring “Good Bones”—called “Official Poem of 2016” by the BBC/Public Radio International. Maggie Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they've just opened, knowing nothing of the characters or plot. These are poems that stare down darkness while cultivating and sustaining possibility, poems that have a sense of moral gravitas, personal urgency, and the ability to address a larger world. Maggie Smith's previous books are The Well Speaks of Its Own Poison (Tupelo, 2015), Lamp of the Body (Red Hen, 2005), and three prize-winning chapbooks: Disasterology (Dream Horse, 2016), The List of Dangers (Kent State, 2010), and Nesting Dolls (Pudding House, 2005). Her poem “Good Bones” has gone viral—tweeted and translated across the world, featured on the TV drama Madam Secretary, and called the “Official Poem of 2016” by the BBC/Public Radio International, earning news coverage in the New York Times, Washington Post, Slate, the Guardian, and beyond. Maggie Smith was named the 2016 Ohio Poet of the Year. “Smith's voice is clear and unmistakable as she unravels the universe, pulls at a loose thread and lets the whole thing tumble around us, sometimes beautiful, sometimes achingly hard. Truthful, tender, and unafraid of the dark....”—Ada Limón “As if lost in the soft, bewitching world of fairy tale, Maggie Smith conceives and brings forth this metaphysical Baedeker, a guidebook for mother and child to lead each other into a hopeful present. Smith's poems affirm the virtues of humanity: compassion, empathy, and the ability to comfort one another when darkness falls. 'There is a light,' she tells us, 'and the light is good.'”—D. A. Powell “Good Bones is an extraordinary book. Maggie Smith demonstrates what happens when an abundance of heart and intelligence meets the hands of a master craftsperson, reminding us again that the world, for a true poet, is blessedly inexhaustible.”—Erin Belieu

Author: Laura Quinney
Publisher: Harvard University Press
ISBN: 9780674035249
Category : Biography & Autobiography
Languages : en
Pages : 224

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Book Description
It has been clear from the beginning that William Blake was both a political radical and a radical psychologist. In William Blake on Self and Soul, Laura Quinney uses her sensitive, surprising readings of the poet to reveal his innovative ideas about the experience of subjectivity.Blake’s central topic, Quinney shows us, is a contemporary one: the discomfiture of being a self or subject. The greater the insecurity of the “I” Blake believed, the more it tries to swell into a false but mighty “Selfhood.” And the larger the Selfhood bulks, the lonelier it grows. But why is that so? How is the illusion of “Selfhood” created? What damage does it do? How can one break its hold? These questions lead Blake to some of his most original thinking.Quinney contends that Blake’s hostility toward empiricism and Enlightenment philosophy is based on a penetrating psychological critique: Blake demonstrates that the demystifying science of empiricism deepens the self’s incoherence to itself. Though Blake formulates a therapy for the bewilderment of the self, as he goes on he perceives greater and greater obstacles to the remaking of subjectivity. By showing us this progression, Quinney shows us a Blake for our time.