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Author: Derek E. T. Nicholson
Publisher: Manchester University Press
ISBN: 9780719006142
Category : Biography & Autobiography
Languages : en
Pages : 194
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Book Description
Author: Derek E. T. Nicholson
Publisher: Manchester University Press
ISBN: 9780719006142
Category : Biography & Autobiography
Languages : en
Pages : 194
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Book Description
Author: Theodore Evergates
Publisher: University of Pennsylvania Press
ISBN: 0812200616
Category : History
Languages : en
Pages : 283
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Book Description
Were aristocratic women in medieval France little more than appendages to patrilineal families, valued as objects of exchange and necessary only for the production of male heirs? Such was the view proposed by the great French historian Georges Duby more than three decades ago and still widely accepted. In Aristocratic Women in Medieval France another model is put forth: women of the landholding elite—from countesses down to the wives of ordinary knights—had considerable rights, and exercised surprising power. The authors of the volume offer five case studies of women from the mid-eleventh through the thirteenth centuries, and from regions as diverse as Blois-Chartres, Champagne, Flanders, and Occitania. They show not only the diversity of life experiences these women enjoyed but the range of social and political roles open to them. The ecclesiastical and secular sources they mine confirm that women were regarded as full members of both their natal and affinal families, were never excluded from inheriting and controlling property, and did not have their share of family property limited to dowries. Women across France exchanged oaths for fiefs and assumed responsibilities for enfeoffed knights. As feudal lords, they settled disputes involving vassals, fortified castles, and even led troops into battle. Aristocratic Women in Medieval France clearly shows that it is no longer possible to depict well-born women as powerless in medieval society. Demonstrating the importance of aristocratic women in a period during which they have been too long assumed to have lacked influence, it forces us to reframe our understanding of the high Middle Ages.
Author: Barbara Newman
Publisher: University of Pennsylvania Press
ISBN: 0812299930
Category : Literary Criticism
Languages : en
Pages : 385
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How, Barbara Newman asks, did the myth of the separable heart take such a firm hold in the Middle Ages, from lovers exchanging hearts with one another to mystics exchanging hearts with Jesus? What special traits gave both saints and demoniacs their ability to read minds? Why were mothers who died in childbirth buried in unconsecrated ground? Each of these phenomena, as diverse as they are, offers evidence for a distinctive medieval idea of the person in sharp contrast to that of the modern "subject" of "individual." Starting from the premise that the medieval self was more permeable than its modern counterpart, Newman explores the ways in which the self's porous boundaries admitted openness to penetration by divine and demonic spirits and even by other human beings. She takes up the idea of "coinherence," a state familiarly expressed in the amorous and devotional formula "I in you and you in me," to consider the theory and practice of exchanging the self with others in five relational contexts of increasing intimacy. Moving from the outside in, her chapters deal with charismatic teachers and their students, mind-reading saints and their penitents, lovers trading hearts, pregnant mothers who metaphorically and literally carry their children within, and women and men in the throes of demonic obsession. In a provocative conclusion, she sketches some of the far-reaching consequences of this type of personhood by drawing on comparative work in cultural history, literary criticism, anthropology, psychology, and ethics. The Permeable Self offers medievalists new insight into the appeal and dangers of the erotics of pedagogy; the remarkable influence of courtly romance conventions on hagiography and mysticism; and the unexpected ways that pregnancy—often devalued in mothers—could be positively ascribed to men, virgins, and God. The half-forgotten but vital idea of coinherence is of relevance far beyond medieval studies, however, as Newman shows how it reverberates in such puzzling phenomena as telepathy, the experience of heart transplant recipients who develop relationships with their deceased donors, the phenomenon of psychoanalytic transference, even the continuities between ideas of demonic possession and contemporary understandings of obsessive-compulsive disorder. In The Permeable Self Barbara Newman once again confirms her status as one of our most brilliant and thought-provoking interpreters of the Middle Ages.
Author: Kathy M. Krause
Publisher: University Press of Florida
ISBN: 0813063906
Category : Literary Criticism
Languages : en
Pages : 189
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Book Description
"These innovative essays are outstanding because they examine well-known works and genres in new ways, and they revise and revitalize our thinking about them."-- Rupert T. Pickens, University of Kentucky These essays explore the various manifestations of the heroine in medieval French literature and her multiple relationships with discourse, both medieval and modern. From a discussion of 12th-century saints’ lives to an examination of 15th-century farce, they span the Middle Ages, both chronologically and generically. Focused yet considering a wide range of texts, they shine new light on the heroine and how she behaves, including how she herself uses discourse. Contents Introduction, by Kathy M. Krause Part I. Saintly Women: Hagiography, Miracle, and Epic 1. "Cume lur cumpaine et lur veisine": Women's Roles in Anglo-Norman Hagiography, by Duncan Robertson 2. Virgin, Saint, and Sinners: Women in Gautier de Coinci's Miracles de Nostre Dame, by Kathy M. Krause 3. Women’s Voices Raised in Prayer: On the "Epic Credo" in Adenet le Roi's Berte as grans pies, by David Wrisley Part II. Amorous Women: Romance and Lyric 4. Melusine's Double Binds: Foundation, Transgression, and the Genealogical Romance, by Ana Pairet 5. On Fenice’s Vain Attempts to Revise a Romantic Archetype and Chrétien’s Fabled Hostility to the Tristan Legend, by Joan Grimbert 6. The Lyric Lady in Narrative, by William D. Paden Part III. Dissenting Women: Lyric and Farce 7. "Fine Words on Closed Ears": Impertinent Women, Discordant Voices, Discourteous Words, by Nadine Bordessoule 8. Poetic Justice: The Revenge of La Guignarde in the Livre des Cent Ballades, by Sally Tartline Carden 9. Woman's Cry: Broken Language, Marital Disputes, and the Poetics of Medieval Farce, by Christopher Lucken Kathy M. Krause, assistant professor of French at the University of Missouri, Kansas City, is the author of articles in Le Moyen Age 102.2, Arizona Medieval and Renaissance Studies, and European Medieval Drama.
Author: William D. Paden
Publisher: University of Pennsylvania Press
ISBN: 1512805440
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
During the twelfth and thirteenth centuries, southern France witnessed first a burgeoning, then a decline in the poetry of women troubadours—trobairitz. These women stood both within and outside the troubadour tradition, so their work is interesting for social and literary-historical reasons as well as for its aesthetic merit. Many of their twenty-eight surviving poems are love songs in which the trobairitz expresses her desire with a freshness that places her in startling contrast with the speechless, unresponsive lady depicted in the poetry of male troubadours. The Voice of the Trobairitz includes eleven original studies by leading scholars in America and Europe. Approaching the trobairitz from varying perspectives, the authors ask such questions as: which poems are properly attributed to the women? Which poetic forms and techniques did they employ? Is there a distinctive feminine rhetoric in the poems, and do they attempt to mold the role offered them by the troubadours or do they subside into passivity? Paden's introduction describes the historical context of the trobairitz, and he includes a checklist of the poems, a meticulous bibliography, and an index. The Voice of the Trobairitz will be a valuable resource for all medieval scholars and students and for those interested in ' women's history.
Author: Simon Gaunt
Publisher: Oxford University Press, USA
ISBN: 0199272077
Category : Language Arts & Disciplines
Languages : en
Pages : 248
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Book Description
Examines the association of love and death in medieval French and Occitan courtly literature using an approach informed by Lacanian psychoanalysis and Jacques Derrida. Offers new readings of canonical authors and texts, including Bernart de Ventadorn, Jaufre Rudel, Chrétien de Troyes, Thomas's Tristan, the Prose Lancelot, the Tristan en prose, La Mort le roi Artu, Marie de France, Le Chastelaine de Vergy, Le Castelain deCouci, and Le Roman de la Rose.
Author: Linda Paterson
Publisher: Taylor & Francis
ISBN: 1000947572
Category : History
Languages : en
Pages : 228
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Book Description
Medieval Occitania, a geographical and linguistic area often referred to as 'the South of France', 'the South', 'the Midi', or more loosely 'Provence', was politically diverse but culturally coherent. It was here that the troubadours created Courtly Love and a new poetic language, which together were to affect the whole course of European literature and sensibilities. The essays made readily accessible in this collection reflect the author's many-sided interests in the troubadours and the society from which they sprang: the historical and cultural place of the women forming the ostensible objects of their desire, veneration, or anxieties; the extent to which French notions of chivalry penetrated the South; the nature and meaning of various elements of court culture; the precocious development of medical science in this region; its complex responses to the Crusades; and the question of Occitan identity. Mostly complementing her major publications (The World of the Troubadours, collaborative editions of the songs of the troubadour Marcabru, of the epic fragment the Canso d'Antioca, and of the medieval Occitan tensos and partimens), they provide either more detailed material than found its way into those works, or developments from them. 'Occitan literature and the Holy Land' anticipates a new project on responses to the Crusades in Occitan and Old French lyrics.
Author: William E. Burgwinkle
Publisher: Taylor & Francis
ISBN: 9780815328421
Category : Family & Relationships
Languages : en
Pages : 360
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Book Description
This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.
Author: Fredric L. Cheyette
Publisher: Cornell University Press
ISBN: 1501722557
Category : History
Languages : en
Pages : 495
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Book Description
Before France became France its territories included Occitania, roughly the present-day province of Languedoc. The city of Narbonne was a center of Occitanian commerce and culture during the eleventh and twelfth centuries. For most of the second half of the twelfth century, that city and its environs were ruled by a remarkable woman, Ermengard, who negotiated her city's way through a maze of everchanging dynastic alliances.Fredric L. Cheyette's masterful and beautifully illustrated book is a biography of an extraordinary warrior woman and of a unique, vulnerable, doomed society. Throughout her long reign, viscountess Ermengard roamed Occitania receiving oaths of fidelity, negotiating treaties, settling disputes among the lords of her lands, and camping with her armies before the walls of besieged cities. She was born into a world of politics and warfare, but from the Mediterranean to the North Sea her name echoed in songs that treated the arts of love.The land between the Rhone and the Pyrenees was a delicately balanced world in which honor, dispute, and the fragile communities of loyalty and family held a "stateless" society together. In Cheyette's prose there rises before us a world we had not imagined, in which women were powerful lords, moving back and forth across what we now call Spain, France, and Italy to play the harsh political games essential to the preservation of their realms. But the region was also fertile ground for religious practices deemed heretical by the Church. The attempt to eradicate them would spawn the Albigensian Crusade, which destroyed the cosmopolitan world of Ermengard and the troubadours—the world that lives again in this book.
Author: Gordon Braden
Publisher: Yale University Press
ISBN: 9780300076219
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The 366 lyrics of Petrarch's Canzoniere exert a unique influence in literary history. From the mid-fifteenth century to the early seventeenth, the poems are imitated in every major language of western Europe, and for a time they provide Renaissance Europe with an almost exclusive sense of what love poetry should be. In this stimulating look at the international phenomenon of Petrarch's poetry, Gordon Braden focuses on materials in languages other than English--Italian, French, and Spanish, with brief citations from Croatian and Cypriot Greek, among others. Braden closely examines Petrarch's theme of love for an impossible object of desire, a theme that captivated and inspired across centuries, societies, and languages. The book opens with a fresh interpretation of Petrarch's sequence, in which Braden defines the poet's innovations in the context of his predecessors, Dante and the troubadours. The author then examines how Petrarchan predispositions affect various strains of Renaissance literature: prose narrative, verse narrative, and, primarily, lyric poetry. In the final chapter, Braden turns to the poetry of Sor Juana Inés de la Cruz to demonstrate a sophisticated case of Petrarchism taken to one of its extremes within the walls of a convent in seventeenth-century Mexico.
