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Author: Tullia D'Aragona
Publisher: Iter Press
ISBN: 9780772721549
Category : Poetry
Languages : en
Pages : 0
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Book Description
Hairston has constructed a full personal, cultural and literary biography for d’Aragona, using newly discovered letters, archival material of other kinds, and contemporary theory about gender in women’s writing. Footnotes establish the intricacy of Tullia’s intellectual networks and her courting of intellectuals in rhyme. Hairston includes poems written to d’Aragona, including Girolamo Muzio’s long pastoral, Tirrhenia. She addresses with tact the question of how sexual Tullia’s relationships were with her various interlocutors. At times, as she says, one just can’t know, but that the issue is much less important than the poems themselves. I agree wholeheartedly. This is the editor Tullia has been waiting for: an indefatigable researcher, a creative biographer, and a precise and appreciative literary critic. —Ann Rosalind Jones Esther Cloudman Dunn Professor of Comparative Literature, Smith College The figure of Tullia d’Aragona has long fascinated readers as the prototype of the “honest courtesan”, a woman who successfully exploited her physical and intellectual charms to win the adoration and respect of the Italian cultural elite. With Julia Hairston’s richly annotated edition of her collected verse, the product of more than a decade of scholarship, d’Aragona finally comes into focus also as poet. She emerges in this volume as one of the most distinctive protagonists in a key transitional moment in Italian literary history, when the aristocratic tradition of Petrarchist lyric began to be reshaped and democratized by its encounter with print. —Virginia Cox Professor of Italian, New York University
Author: Tullia D'Aragona
Publisher: Iter Press
ISBN: 9780772721549
Category : Poetry
Languages : en
Pages : 0
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Book Description
Hairston has constructed a full personal, cultural and literary biography for d’Aragona, using newly discovered letters, archival material of other kinds, and contemporary theory about gender in women’s writing. Footnotes establish the intricacy of Tullia’s intellectual networks and her courting of intellectuals in rhyme. Hairston includes poems written to d’Aragona, including Girolamo Muzio’s long pastoral, Tirrhenia. She addresses with tact the question of how sexual Tullia’s relationships were with her various interlocutors. At times, as she says, one just can’t know, but that the issue is much less important than the poems themselves. I agree wholeheartedly. This is the editor Tullia has been waiting for: an indefatigable researcher, a creative biographer, and a precise and appreciative literary critic. —Ann Rosalind Jones Esther Cloudman Dunn Professor of Comparative Literature, Smith College The figure of Tullia d’Aragona has long fascinated readers as the prototype of the “honest courtesan”, a woman who successfully exploited her physical and intellectual charms to win the adoration and respect of the Italian cultural elite. With Julia Hairston’s richly annotated edition of her collected verse, the product of more than a decade of scholarship, d’Aragona finally comes into focus also as poet. She emerges in this volume as one of the most distinctive protagonists in a key transitional moment in Italian literary history, when the aristocratic tradition of Petrarchist lyric began to be reshaped and democratized by its encounter with print. —Virginia Cox Professor of Italian, New York University
Author: Tullia d'Aragona
Publisher: University of Chicago Press
ISBN: 0226136361
Category : Social Science
Languages : en
Pages : 120
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Book Description
Celebrated as a courtesan and poet, and as a woman of great intelligence and wit, Tullia d'Aragona (1510–56) entered the debate about the morality of love that engaged the best and most famous male intellects of sixteenth-century Italy. First published in Venice in 1547, but never before published in English, Dialogue on the Infinity of Love casts a woman rather than a man as the main disputant on the ethics of love. Sexually liberated and financially independent, Tullia d'Aragona dared to argue that the only moral form of love between woman and man is one that recognizes both the sensual and the spiritual needs of humankind. Declaring sexual drives to be fundamentally irrepressible and blameless, she challenged the Platonic and religious orthodoxy of her time, which condemned all forms of sensual experience, denied the rationality of women, and relegated femininity to the realm of physicality and sin. Human beings, she argued, consist of body and soul, sense and intellect, and honorable love must be based on this real nature. By exposing the intrinsic misogyny of prevailing theories of love, Aragona vindicates all women, proposing a morality of love that restores them to intellectual and sexual parity with men. Through Aragona's sharp reasoning, her sense of irony and humor, and her renowned linguistic skill, a rare picture unfolds of an intelligent and thoughtful woman fighting sixteenth-century stereotypes of women and sexuality.
Author: Laura Anna Stortoni
Publisher:
ISBN: 9780934977432
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
This dual-language collection presents the rich flowering of women's poetry during the Italian Renaissance: from the love lyrics of famous courtly ladies of Venice and Rome to the deeply moral and spiritual poets of the age. It includes biographies of 19 poets and over 80 selected poems in the original Italian with facing English verse translation. Poets include: Laura Battiferri Ammannati, Chiara Matraini, Isabella Andreini, Lucrezia Tornabuoni de' Medici, Vittoria Colonna, Isabella di Morra, Tullia d'Aragona, Aurelia Petrucci, Lucia Bertani Dell'Oro, Antonia Giannotti Pulci, Leonora Ravira Falletti, Camilla Scarampa, Moderata Fonte, Gaspara Stampa, Veronica Franco, Laura Bacio Terracina, Veronica Gmbara, Barbara Bentivoglio Strozzi Torelli, Olimpia Malipiera. Dual-language poetry. Introduction, biographies, notes, bibliographies, first-line index.
Author: Reinier Leushuis
Publisher: BRILL
ISBN: 9004343717
Category : History
Languages : en
Pages : 339
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Book Description
Re-evaluating the dialogue’s place in the literary landscape of the Italian and French Renaissance, Speaking of Love presents the love dialogue at the intersection of a revival of the form and the period’s philosophies of love and desire. Between 1540 and 1580, authors such as Speroni, Tullia d’Aragona, the Venetian poligrafi, Tyard, Le Caron, Pasquier, Taillemont, Marguerite de Navarre, and Louise Labé, feature interlocutors not only deliberating on love but imitating the experience of love in their dynamics of speaking. These love dialogues allow early modern ideologies and discourses of love to be imitated by the reader and rival lyric poetry in conveying amorous experience, validating dialogue as an authentic literary form rather than a tool of philosophical thinking.
Author: Brian Richardson
Publisher: Cambridge University Press
ISBN: 1108477690
Category : Language Arts & Disciplines
Languages : en
Pages : 299
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Book Description
The first comprehensive guide to women's promotion and use of textual culture, in manuscript and print, in Renaissance Italy.
Author: Janet Levarie Smarr
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639658
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Studies of the city, and of women's experiences of the city, have focused primarily on modern times, especially as modernism was defined in large part by urban life. Italy, however, has a long history of urban-centered culture, and women have been a vocal part of that culture since the Renaissance. This volume, therefore, looks at the art and literature of both earlier and more modern periods to investigate the meanings of the city for Italian women, the intensely gendered meanings (for both sexes) of those city spaces that excluded women, and the conditions that permitted a limited permeability of gendered boundaries. Two aspects to the combination of "women" and "city" are salient to these investigations. One involves their metaphorical relationship. Urbs, citta, ville -- the words for city tend to be grammatically feminine, and a long tradition of representation associates the city. with a woman. Women, especially writers, could exploit, modify, or resist the prevailing uses of such metaphors. The second aspect of connection involves social realities. What was or is the relation of the (female) city with the real women who inhabit it? What kind of site has it provided for women seeking a satisfying life for themselves? How has art and literature, by men and by women, represented the relationship of female persons or characters to urban spaces?
Author: Veronica Franco
Publisher: University of Chicago Press
ISBN: 0226259854
Category : Poetry
Languages : en
Pages : 327
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Book Description
Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. This collection captures the frank eroticism and impressive eloquence that set her apart from the chaste, silent woman prescribed by Renaissance gender ideology. As an "honored courtesan", Franco made her living by arranging to have sexual relations, for a high fee, with the elite of Venice and the many travelers—merchants, ambassadors, even kings—who passed through the city. Courtesans needed to be beautiful, sophisticated in their dress and manners, and elegant, cultivated conversationalists. Exempt from many of the social and educational restrictions placed on women of the Venetian patrician class, Franco used her position to recast "virtue" as "intellectual integrity," offering wit and refinement in return for patronage and a place in public life. Franco became a writer by allying herself with distinguished men at the center of her city's culture, particularly in the informal meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator. Through Venier's protection and her own determination, Franco published work in which she defended her fellow courtesans, speaking out against their mistreatment by men and criticizing the subordination of women in general. Venier also provided literary counsel when she responded to insulting attacks written by the male Venetian poet Maffio Venier. Franco's insight into the power conflicts between men and women and her awareness of the threat she posed to her male contemporaries make her life and work pertinent today.
Author: Abigail Brundin
Publisher: BRILL
ISBN: 9004322337
Category : History
Languages : en
Pages : 583
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Book Description
Vittoria Colonna (1490-1547) was the genre-defining secular woman writer of Renaissance Italy, whose literary model helped to establish a decorous and wholly assimilated voice for women within the field of Italian literature. The Companion to Vittoria Colonna brings together an international and interdisciplinary group of leading scholars to assess Colonna’s contribution, both as a writer, a role model, and a contributor to important religious debates of the era. This book, while amply fulfilling the remit of providing a useful and comprehensive handbook to meet the needs of students and scholars at earlier and advanced levels, aims in addition to do more than this, by drawing into a single volume for the first time scholarship from across disciplines in which Vittoria Colonna’s influence has been felt, including literary criticism, religious history, history of art and music. Contributors are: Abigail Brundin, Stephen Bowd, Emidio Campi, Eleonora Carinci, Adriana Chemello, Virginia Cox, Tatiana Crivelli, Maria Forcellino, Gaudenz Freuler, Anne Piéjus, Diana Robin, Helena Sanson, and Maria Serena Sapegno.
Author: Julie Campbell
Publisher: Routledge
ISBN: 135115382X
Category : Literary Criticism
Languages : en
Pages : 372
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A comparative analysis, this study examines the interactions of early modern male and female writers within the context of literary circles. In particular, Campbell examines how the querelle des femmes as a discursive rhetorical tradition of praise and blame influenced perceptions of well-educated women who were part of literary circles in Italy, France, and England from approximately 1530 to 1650. To gain a better sense of how querelle language and issues were used for or against learned women writers, Campbell aligns selected works by female and male writers, pairing them to analyze how the woman writer responds, deflects, or rewrites the male writer's ideological script on women. She focuses first on the courtesan Tullia d'Aragona's response in her Dialogo della infinità di amore to Sperone Speroni's Dialogo di amore, and contrasts the actress/writer Isabella Andreini's pastoral La Mirtilla with Torquato Tasso's Aminta. She then discusses the influence of Italian actresses upon the manners and mores of French women of the Valois court, especially focusing on performative aspects of French women's participation in court and salon rituals. To that end, she examines the influential salon of the aristocratic, learned Claude-Catherine de Clermont, duchesse de Retz, who encouraged the writing of positive querelle rhetoric in the form of Petrarchan, Neoplatonic encomiastic poetry to buttress her reputation and that of her female friends. Next, Campbell reads Louise Lab D‘t de Folie et d'Amour against Pontus de Tyard's Solitaire premier to illustrate the tensions between a traditional and nontraditional querelle stance. She then discusses Continental influence upon English writers in the context of the Sidney circle in England. Moving to the closet dramas of the Sidney circle, Campbell examines the solidarity these writers demonstrated with nontraditional stances on querelle issues, and, finally, she explores how three generations of English literary circles con
Author: Irma B. Jaffe
Publisher: Fordham Univ Press
ISBN: 9780823221806
Category : Italian poetry
Languages : en
Pages : 484
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Book Description
