Author: Jacques Offenbach
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
The Poachers (les Braconniers)
Author: Jacques Offenbach
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
Anarchism in France
Author: Reg Carr
Publisher: Manchester University Press
ISBN: 9780719006685
Category : Political Science
Languages : en
Pages : 216
Book Description
Publisher: Manchester University Press
ISBN: 9780719006685
Category : Political Science
Languages : en
Pages : 216
Book Description
Le Morvan [A District of France] Its Wild Sports, Vineyards and Forests with Legends, Antiquities, Rural and Local Sketches
Author: William Jesse
Publisher: Library of Alexandria
ISBN: 1465547134
Category : Fiction
Languages : en
Pages : 337
Book Description
Publisher: Library of Alexandria
ISBN: 1465547134
Category : Fiction
Languages : en
Pages : 337
Book Description
Opera for the People
Author: Katherine K. Preston
Publisher: Oxford University Press
ISBN: 0190690119
Category : Music
Languages : en
Pages : 649
Book Description
Opera for the People is an in-depth examination of a forgotten chapter in American social and cultural history: the love affair that middle-class Americans had with continental opera (translated into English) in the 1870s, 1880s, and 1890s. Author Katherine Preston reveals how-contrary to the existing historiography on the American musical culture of this period-English-language opera not only flourished in the United States during this time, but found its success significantly bolstered by the support of women impresarios, prima-donnas, managers, and philanthropists who provided financial backing to opera companies. This rich and compelling study details the lives and professional activities of several important players in American postbellum opera, including manager Effie Ober, philanthropist Jeannette Thurber, and performers/artistic directors Caroline Richings, Euphrosyne Parepa-Rosa, Clara Louise Kellogg, and "the people's prima donna" Emma Abbott. Drawing from an impressive range of primary sources, including contemporaneous music and theater periodicals, playbills, memoirs, librettos, scores, and reviews and commentary on the performances in digitized newspapers, Preston tells the story of how these and other women influenced the activities of some of the more than one hundred opera companies touring the United States during the second half of the 19th century, performing opera in English for a diverse range of audiences. Countering a pervasive and misguided historical understanding of opera reception in the United States-unduly influenced by modern attitudes about the genre as elite, exclusive, expensive, and of interest only to a niche market-Opera for the People demonstrates the important (and hitherto unsuspected) place of opera in the rich cornucopia of late-century American musical theatre, which would eventually lead to the emergence of American musical comedy.
Publisher: Oxford University Press
ISBN: 0190690119
Category : Music
Languages : en
Pages : 649
Book Description
Opera for the People is an in-depth examination of a forgotten chapter in American social and cultural history: the love affair that middle-class Americans had with continental opera (translated into English) in the 1870s, 1880s, and 1890s. Author Katherine Preston reveals how-contrary to the existing historiography on the American musical culture of this period-English-language opera not only flourished in the United States during this time, but found its success significantly bolstered by the support of women impresarios, prima-donnas, managers, and philanthropists who provided financial backing to opera companies. This rich and compelling study details the lives and professional activities of several important players in American postbellum opera, including manager Effie Ober, philanthropist Jeannette Thurber, and performers/artistic directors Caroline Richings, Euphrosyne Parepa-Rosa, Clara Louise Kellogg, and "the people's prima donna" Emma Abbott. Drawing from an impressive range of primary sources, including contemporaneous music and theater periodicals, playbills, memoirs, librettos, scores, and reviews and commentary on the performances in digitized newspapers, Preston tells the story of how these and other women influenced the activities of some of the more than one hundred opera companies touring the United States during the second half of the 19th century, performing opera in English for a diverse range of audiences. Countering a pervasive and misguided historical understanding of opera reception in the United States-unduly influenced by modern attitudes about the genre as elite, exclusive, expensive, and of interest only to a niche market-Opera for the People demonstrates the important (and hitherto unsuspected) place of opera in the rich cornucopia of late-century American musical theatre, which would eventually lead to the emergence of American musical comedy.
First Lessons in Conversational French Grammar ...
Author: Frédéric Julien
Publisher:
ISBN:
Category : French language
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category : French language
Languages : en
Pages : 136
Book Description
The Pot-King
Author: Jean-Pierre Warnier
Publisher: BRILL
ISBN: 9047422708
Category : Social Science
Languages : en
Pages : 335
Book Description
The king of Mankon, in the western highlands of Cameroon, is an agricultural engineer by training, a businessman, and a prominent politician on the national stage. He partakes in the “return of the kings” in the forefront of an African public space. This book analyses the principles of the sacred kingship which lie at the core of the king’s different roles. While showing that the king’s body acts as a container of bodily substances transformed into unifying ancestral life-essence by appropriate means, and bestowed upon its subjects, it develops an innovative approach to bodily and material cultures as an essential component of the technologies of power. In so doing, it departs significantly from previous approaches to sacred kingship.
Publisher: BRILL
ISBN: 9047422708
Category : Social Science
Languages : en
Pages : 335
Book Description
The king of Mankon, in the western highlands of Cameroon, is an agricultural engineer by training, a businessman, and a prominent politician on the national stage. He partakes in the “return of the kings” in the forefront of an African public space. This book analyses the principles of the sacred kingship which lie at the core of the king’s different roles. While showing that the king’s body acts as a container of bodily substances transformed into unifying ancestral life-essence by appropriate means, and bestowed upon its subjects, it develops an innovative approach to bodily and material cultures as an essential component of the technologies of power. In so doing, it departs significantly from previous approaches to sacred kingship.
The Linguist
Author:
Publisher:
ISBN:
Category : French language
Languages : en
Pages : 434
Book Description
Publisher:
ISBN:
Category : French language
Languages : en
Pages : 434
Book Description
Gallery of British Artists
Author: G. Hamilton
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 420
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 420
Book Description
The French Humourists
Author: Walter Besant
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 468
Book Description
From Rodin to Giacometti
Author:
Publisher: BRILL
ISBN: 9004484078
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
This book is a collection of papers delivered at an international conference in September 1996 at the Scottish National Gallery of Modern Art during a major Giacometti retrospective. The contributors are leading curators, art historians and literature specialists. While the relationship between nineteenth- and twentieth-century painters and writers has been the subject of intense interest in recent years, the parallel relationship between sculptors and writers has been largely neglected. These essays seek to redress the balance by looking at a variety of ways in which the conventional barriers between writing and sculpting were broken down by such pioneering figures as Rodin, Degas, Bourdelle, Valéry, Apollinaire, Reverdy, Breton, Bataille, Arp, Picasso and Giacometti. Among the topics discussed are: the many personal and professional contacts, dual artistic talent, 'Ecrits d'artistes', ekphrasis, sculpture as object, the sculptorly representation of the poet, the poetic representation of the sculptor, sculpture as metaphor, proprioception and mental images. Fully illustrated throughout, this book offers new perspectives on familiar masterpieces like Rodin's Gates of Hell, but also opens up less well known subjects like Valéry's sculpture and Breton's Object-Poems. Above all it makes a provocative and original contribution to Word and Image studies.
Publisher: BRILL
ISBN: 9004484078
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
This book is a collection of papers delivered at an international conference in September 1996 at the Scottish National Gallery of Modern Art during a major Giacometti retrospective. The contributors are leading curators, art historians and literature specialists. While the relationship between nineteenth- and twentieth-century painters and writers has been the subject of intense interest in recent years, the parallel relationship between sculptors and writers has been largely neglected. These essays seek to redress the balance by looking at a variety of ways in which the conventional barriers between writing and sculpting were broken down by such pioneering figures as Rodin, Degas, Bourdelle, Valéry, Apollinaire, Reverdy, Breton, Bataille, Arp, Picasso and Giacometti. Among the topics discussed are: the many personal and professional contacts, dual artistic talent, 'Ecrits d'artistes', ekphrasis, sculpture as object, the sculptorly representation of the poet, the poetic representation of the sculptor, sculpture as metaphor, proprioception and mental images. Fully illustrated throughout, this book offers new perspectives on familiar masterpieces like Rodin's Gates of Hell, but also opens up less well known subjects like Valéry's sculpture and Breton's Object-Poems. Above all it makes a provocative and original contribution to Word and Image studies.