Author:
Publisher: University of Wales Press
ISBN: 1783161582
Category : Literary Criticism
Languages : en
Pages : 536
Book Description
This is the first comprehensive book on the Arthurian legend in medieval and Renaissance Italy since Edmund Gardner’s 1930 The Arthurian Legend in Italian Literature. Arthurian material reached all levels of Italian society, from princely courts with their luxury books and frescoed palaces, to the merchant classes and even popular audiences in the piazza, which enjoyed shorter retellings in verse and prose. Unique assemblages emerge on Italian soil, such as the Compilation of Rustichello da Pisa or the innovative Tavola Ritonda, in versions made for both Tuscany and the Po Valley. Chapters examine the transmission of the French romances across Italy; reworkings in various Italian regional dialects; the textual relations of the prose Tristan; narrative structures employed by Italian writers; later ottava rima poetic versions in the new medium of printed books; the Arthurian-themed art of the Middle Ages and Renaissance; and more. The Arthur of the Italians offers a rich corpus of new criticism by scholars who have brought the Italian Arthurian material back into critical conversation.
The Arthur of the Italians
Author:
Publisher: University of Wales Press
ISBN: 1783161582
Category : Literary Criticism
Languages : en
Pages : 536
Book Description
This is the first comprehensive book on the Arthurian legend in medieval and Renaissance Italy since Edmund Gardner’s 1930 The Arthurian Legend in Italian Literature. Arthurian material reached all levels of Italian society, from princely courts with their luxury books and frescoed palaces, to the merchant classes and even popular audiences in the piazza, which enjoyed shorter retellings in verse and prose. Unique assemblages emerge on Italian soil, such as the Compilation of Rustichello da Pisa or the innovative Tavola Ritonda, in versions made for both Tuscany and the Po Valley. Chapters examine the transmission of the French romances across Italy; reworkings in various Italian regional dialects; the textual relations of the prose Tristan; narrative structures employed by Italian writers; later ottava rima poetic versions in the new medium of printed books; the Arthurian-themed art of the Middle Ages and Renaissance; and more. The Arthur of the Italians offers a rich corpus of new criticism by scholars who have brought the Italian Arthurian material back into critical conversation.
Publisher: University of Wales Press
ISBN: 1783161582
Category : Literary Criticism
Languages : en
Pages : 536
Book Description
This is the first comprehensive book on the Arthurian legend in medieval and Renaissance Italy since Edmund Gardner’s 1930 The Arthurian Legend in Italian Literature. Arthurian material reached all levels of Italian society, from princely courts with their luxury books and frescoed palaces, to the merchant classes and even popular audiences in the piazza, which enjoyed shorter retellings in verse and prose. Unique assemblages emerge on Italian soil, such as the Compilation of Rustichello da Pisa or the innovative Tavola Ritonda, in versions made for both Tuscany and the Po Valley. Chapters examine the transmission of the French romances across Italy; reworkings in various Italian regional dialects; the textual relations of the prose Tristan; narrative structures employed by Italian writers; later ottava rima poetic versions in the new medium of printed books; the Arthurian-themed art of the Middle Ages and Renaissance; and more. The Arthur of the Italians offers a rich corpus of new criticism by scholars who have brought the Italian Arthurian material back into critical conversation.
Chretien de Troyes and the Dawn of Arthurian Romance
Author: William Farina
Publisher: McFarland
ISBN: 0786457945
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
During the late 12th century, the Arthurian legends first took their form in the imagination of French-speaking romancers. Foremost among these poets was the great Chretien de Troyes, credited with incorporating into the Arthurian tradition the quest for the Holy Grail and the adulterous affair between Lancelot and Guinevere. This critical text explores the French roots of the legends and the source material of the individual characters, with special attention to the creative role played by de Troyes, whose contribution to the saga continues to shape and inform the modern imagination.
Publisher: McFarland
ISBN: 0786457945
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
During the late 12th century, the Arthurian legends first took their form in the imagination of French-speaking romancers. Foremost among these poets was the great Chretien de Troyes, credited with incorporating into the Arthurian tradition the quest for the Holy Grail and the adulterous affair between Lancelot and Guinevere. This critical text explores the French roots of the legends and the source material of the individual characters, with special attention to the creative role played by de Troyes, whose contribution to the saga continues to shape and inform the modern imagination.
Empire of Magic
Author: Geraldine Heng
Publisher: Columbia University Press
ISBN: 9780231125260
Category : Education
Languages : en
Pages : 550
Book Description
Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned. Drawing on feminist and gender theory, as well as cultural analyses of race, class, and colonialism, this provocative book revises our understanding of the beginnings of the nine hundred-year-old cultural genre we call romance, as well as the King Arthur legend. Geraldine Heng argues that romance arose in the twelfth century as a cultural response to the trauma and horror of taboo acts--in particular the cannibalism committed by crusaders on the bodies of Muslim enemies in Syria during the First Crusade. From such encounters with the East, Heng suggests, sprang the fantastical episodes featuring King Arthur in Geoffrey of Monmouth's chronicle The History of the Kings of England, a work where history and fantasy collide and merge, each into the other, inventing crucial new examples and models for romances to come. After locating the rise of romance and Arthurian legend in the contact zones of East and West, Heng demonstrates the adaptability of romance and its key role in the genesis of an English national identity. Discussing Jews, women, children, and sexuality in works like the romance of Richard Lionheart, stories of the saintly Constance, Arthurian chivralic literature, the legend of Prester John, and travel narratives, Heng shows how fantasy enabled audiences to work through issues of communal identity, race, color, class and alternative sexualities in socially sanctioned and safe modes of cultural discussion in which pleasure, not anxiety, was paramount. Romance also engaged with the threat of modernity in the late medieval period, as economic, social, and technological transformations occurred and awareness grew of a vastly enlarged world beyond Europe, one encompassing India, China, and Africa. Finally, Heng posits, romance locates England and Europe within an empire of magic and knowledge that surveys the world and makes it intelligible--usable--for the future. Empire of Magic is expansive in scope, spanning the eleventh to the fifteenth centuries, and detailed in coverage, examining various types of romance--historical, national, popular, chivalric, family, and travel romances, among others--to see how cultural fantasy responds to changing crises, pressures, and demands in a number of different ways. Boldly controversial, theoretically sophisticated, and historically rooted, Empire of Magic is a dramatic restaging of the role romance played in the culture of a period and world in ways that suggest how cultural fantasy still functions for us today.
Publisher: Columbia University Press
ISBN: 9780231125260
Category : Education
Languages : en
Pages : 550
Book Description
Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned. Drawing on feminist and gender theory, as well as cultural analyses of race, class, and colonialism, this provocative book revises our understanding of the beginnings of the nine hundred-year-old cultural genre we call romance, as well as the King Arthur legend. Geraldine Heng argues that romance arose in the twelfth century as a cultural response to the trauma and horror of taboo acts--in particular the cannibalism committed by crusaders on the bodies of Muslim enemies in Syria during the First Crusade. From such encounters with the East, Heng suggests, sprang the fantastical episodes featuring King Arthur in Geoffrey of Monmouth's chronicle The History of the Kings of England, a work where history and fantasy collide and merge, each into the other, inventing crucial new examples and models for romances to come. After locating the rise of romance and Arthurian legend in the contact zones of East and West, Heng demonstrates the adaptability of romance and its key role in the genesis of an English national identity. Discussing Jews, women, children, and sexuality in works like the romance of Richard Lionheart, stories of the saintly Constance, Arthurian chivralic literature, the legend of Prester John, and travel narratives, Heng shows how fantasy enabled audiences to work through issues of communal identity, race, color, class and alternative sexualities in socially sanctioned and safe modes of cultural discussion in which pleasure, not anxiety, was paramount. Romance also engaged with the threat of modernity in the late medieval period, as economic, social, and technological transformations occurred and awareness grew of a vastly enlarged world beyond Europe, one encompassing India, China, and Africa. Finally, Heng posits, romance locates England and Europe within an empire of magic and knowledge that surveys the world and makes it intelligible--usable--for the future. Empire of Magic is expansive in scope, spanning the eleventh to the fifteenth centuries, and detailed in coverage, examining various types of romance--historical, national, popular, chivalric, family, and travel romances, among others--to see how cultural fantasy responds to changing crises, pressures, and demands in a number of different ways. Boldly controversial, theoretically sophisticated, and historically rooted, Empire of Magic is a dramatic restaging of the role romance played in the culture of a period and world in ways that suggest how cultural fantasy still functions for us today.
Camelot's Destiny
Author: Cynthia Breeding
Publisher: Zebra Books
ISBN: 9780821780305
Category : Arthurian romances
Languages : en
Pages : 440
Book Description
Set in Britain in the 5th century, a time of pagan magic and Christian piety, this enchanting debut novel brings to life the legend of Camelot, and with it, bold passions and forbidden love. Original.
Publisher: Zebra Books
ISBN: 9780821780305
Category : Arthurian romances
Languages : en
Pages : 440
Book Description
Set in Britain in the 5th century, a time of pagan magic and Christian piety, this enchanting debut novel brings to life the legend of Camelot, and with it, bold passions and forbidden love. Original.
Handbook of Arthurian Romance
Author: Leah Tether
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311043248X
Category : Literary Criticism
Languages : en
Pages : 521
Book Description
The renowned and illustrious tales of King Arthur, his knights and the Round Table pervade all European vernaculars, as well as the Latin tradition. Arthurian narrative material, which had originally been transmitted in oral culture, began to be inscribed regularly in the twelfth century, developing from (pseudo-)historical beginnings in the Latin chronicles of "historians" such as Geoffrey of Monmouth into masterful literary works like the romances of Chrétien de Troyes. Evidently a big hit, Arthur found himself being swiftly translated, adapted and integrated into the literary traditions of almost every European vernacular during the thirteenth and fourteenth centuries. This Handbook seeks to showcase the European character of Arthurian romance both past and present. By working across national philological boundaries, which in the past have tended to segregate the study of Arthurian romance according to language, as well as by exploring primary texts from different vernaculars and the Latin tradition in conjunction with recent theoretical concepts and approaches, this Handbook brings together a pioneering and more complete view of the specifically European context of Arthurian romance, and promotes the more connected study of Arthurian literature across the entirety of its European context.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311043248X
Category : Literary Criticism
Languages : en
Pages : 521
Book Description
The renowned and illustrious tales of King Arthur, his knights and the Round Table pervade all European vernaculars, as well as the Latin tradition. Arthurian narrative material, which had originally been transmitted in oral culture, began to be inscribed regularly in the twelfth century, developing from (pseudo-)historical beginnings in the Latin chronicles of "historians" such as Geoffrey of Monmouth into masterful literary works like the romances of Chrétien de Troyes. Evidently a big hit, Arthur found himself being swiftly translated, adapted and integrated into the literary traditions of almost every European vernacular during the thirteenth and fourteenth centuries. This Handbook seeks to showcase the European character of Arthurian romance both past and present. By working across national philological boundaries, which in the past have tended to segregate the study of Arthurian romance according to language, as well as by exploring primary texts from different vernaculars and the Latin tradition in conjunction with recent theoretical concepts and approaches, this Handbook brings together a pioneering and more complete view of the specifically European context of Arthurian romance, and promotes the more connected study of Arthurian literature across the entirety of its European context.
The Ballad of Sir Dinadan
Author: Gerald Morris
Publisher: Houghton Mifflin Harcourt
ISBN: 054734984X
Category : Juvenile Fiction
Languages : en
Pages : 259
Book Description
The author of Parsifal’s Page “interweaves action with sophisticated, wry humor and deft characterization to bring to life yet another medieval tale” (VOYA). Young Dinadan has no wish to joust or quest or save damsels in distress or do any of the knightly things expected of him. He’d rather be a minstrel, playing his rebec and writing ballads. But he was born to be a knight, and knights, of course, have adventures. So after his father forces his knighthood upon him, he wanders toward King Arthur’s court, in the company of a misguided young Welsh lad named Culloch. There Dinadan meets Sir Kai and Sir Bedivere, and the three find themselves accompanying Culloch on the worst sort of quest. Along the way, Dinadan writes his own ballads, singing of honor, bravery, loyalty, and courtly love—and becomes a player in the pathetic love story of Tristram and Iseult. He meets the Moorish knight Palomides, the clever but often exasperating Lady Brangienne, and an elvin musician named Sylvanus, along with an unusual collection of recreant knights and dimwitted defenders of chivalry. He learns that while minstrels sing of spectacular heroic deeds, honor is often found in simpler, quieter ways. “The humor ranges from subtle irony to scenes of pure comedy . . . a lighthearted introduction to the period.” —School Library Journal (starred review) “Morris creates in Dinadan one of his most appealing protagonists. Written in accessible prose and laced with occasional magic, the novel moves at a quick pace and showcases a continually maturing hero.” —The Horn Book “A witty tale of adventure and reflection.” —Booklist
Publisher: Houghton Mifflin Harcourt
ISBN: 054734984X
Category : Juvenile Fiction
Languages : en
Pages : 259
Book Description
The author of Parsifal’s Page “interweaves action with sophisticated, wry humor and deft characterization to bring to life yet another medieval tale” (VOYA). Young Dinadan has no wish to joust or quest or save damsels in distress or do any of the knightly things expected of him. He’d rather be a minstrel, playing his rebec and writing ballads. But he was born to be a knight, and knights, of course, have adventures. So after his father forces his knighthood upon him, he wanders toward King Arthur’s court, in the company of a misguided young Welsh lad named Culloch. There Dinadan meets Sir Kai and Sir Bedivere, and the three find themselves accompanying Culloch on the worst sort of quest. Along the way, Dinadan writes his own ballads, singing of honor, bravery, loyalty, and courtly love—and becomes a player in the pathetic love story of Tristram and Iseult. He meets the Moorish knight Palomides, the clever but often exasperating Lady Brangienne, and an elvin musician named Sylvanus, along with an unusual collection of recreant knights and dimwitted defenders of chivalry. He learns that while minstrels sing of spectacular heroic deeds, honor is often found in simpler, quieter ways. “The humor ranges from subtle irony to scenes of pure comedy . . . a lighthearted introduction to the period.” —School Library Journal (starred review) “Morris creates in Dinadan one of his most appealing protagonists. Written in accessible prose and laced with occasional magic, the novel moves at a quick pace and showcases a continually maturing hero.” —The Horn Book “A witty tale of adventure and reflection.” —Booklist
Chronicles of King Arthur
Author: Andrea Hopkins
Publisher: Avery
ISBN: 9780670852321
Category : Arthurian romances
Languages : en
Pages : 0
Book Description
In Chronicles of King Arthur, Andrea Hopkins brings to life the great medeval story-cycle known as the Matter of Britain, drawing on the romance masterpieces of such writers as Geoffrey of Monmouth, Sir Thomas Malory, and Chretien de Troyes. She recounts the myths of Arthur and his knights in the authentic voices of the medieval authors.
Publisher: Avery
ISBN: 9780670852321
Category : Arthurian romances
Languages : en
Pages : 0
Book Description
In Chronicles of King Arthur, Andrea Hopkins brings to life the great medeval story-cycle known as the Matter of Britain, drawing on the romance masterpieces of such writers as Geoffrey of Monmouth, Sir Thomas Malory, and Chretien de Troyes. She recounts the myths of Arthur and his knights in the authentic voices of the medieval authors.
The Romance of Arthur
Author: Norris J. Lacy
Publisher: Routledge
ISBN: 1317341848
Category : Literary Criticism
Languages : en
Pages : 585
Book Description
The Romance of Arthur, James J. Wilhelm’s classic anthology of Arthurian literature, is an essential text for students of the medieval Romance tradition. This fully updated third edition presents a comprehensive reader, mapping the course of Arthurian literature, and is expanded to cover: key authors such as Chrétien de Troyes and Thomas of Britain, as well as Arthurian texts by women and more obscure sources for Arthurian romance extensive coverage of key themes and characters in the tradition a wide geographical range of texts including translations from Latin, French, German, Spanish, Welsh, Middle English, and Italian sources a broad chronological range of texts, encompassing nearly a thousand years of Arthurian romance. Norris J. Lacy builds on the book’s source material, presenting readers with a clear introduction to many accessible modern-spelling versions of Arthurian texts. The extracts are presented in a new reader-friendly format with detailed suggestions for further reading and illustrations of key places, figures, and scenes. The Romance of Arthur provides an excellent introduction and an extensive resource for both students and scholars of Arthurian literature.
Publisher: Routledge
ISBN: 1317341848
Category : Literary Criticism
Languages : en
Pages : 585
Book Description
The Romance of Arthur, James J. Wilhelm’s classic anthology of Arthurian literature, is an essential text for students of the medieval Romance tradition. This fully updated third edition presents a comprehensive reader, mapping the course of Arthurian literature, and is expanded to cover: key authors such as Chrétien de Troyes and Thomas of Britain, as well as Arthurian texts by women and more obscure sources for Arthurian romance extensive coverage of key themes and characters in the tradition a wide geographical range of texts including translations from Latin, French, German, Spanish, Welsh, Middle English, and Italian sources a broad chronological range of texts, encompassing nearly a thousand years of Arthurian romance. Norris J. Lacy builds on the book’s source material, presenting readers with a clear introduction to many accessible modern-spelling versions of Arthurian texts. The extracts are presented in a new reader-friendly format with detailed suggestions for further reading and illustrations of key places, figures, and scenes. The Romance of Arthur provides an excellent introduction and an extensive resource for both students and scholars of Arthurian literature.
On Arthurian Women
Author: Maureen Fries
Publisher: Scripta Mercaturae
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 440
Book Description
A collection of critical essays on female characters in Arthurian literature and biographical essays on women Arthurian scholars. Edited by Bonnie Wheeler and Fiona Tolhurst, literary inheritors of the feminist Arthurian legacy, these essays pay tribute to Maureen Fries, who played a ground-breaking role in re-examining traditional perceptions of the stories of King Arthur and his court as well as preconceptions about women scholars.
Publisher: Scripta Mercaturae
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 440
Book Description
A collection of critical essays on female characters in Arthurian literature and biographical essays on women Arthurian scholars. Edited by Bonnie Wheeler and Fiona Tolhurst, literary inheritors of the feminist Arthurian legacy, these essays pay tribute to Maureen Fries, who played a ground-breaking role in re-examining traditional perceptions of the stories of King Arthur and his court as well as preconceptions about women scholars.
Bedivere
Author: Wayne Wise
Publisher: Createspace Independent Publishing Platform
ISBN: 9781466301481
Category :
Languages : en
Pages : 0
Book Description
"I am neither historian nor bard. I am simply a man who was blessed to live at the time of King Arthur. You may have heard my name, though there are precious few stories told of my exploits. I need no tales, for I lived the greatest of them all. "I am Bedivere, the King's best friend, his right hand man. I was his horse lord and the first Knight of the Round Table. I was the first man to know him and the last man to see him alive. I followed his orders and carried his secrets. Where others saw only his crown I was privileged to know the man. This is my story. "But my story is his story."
Publisher: Createspace Independent Publishing Platform
ISBN: 9781466301481
Category :
Languages : en
Pages : 0
Book Description
"I am neither historian nor bard. I am simply a man who was blessed to live at the time of King Arthur. You may have heard my name, though there are precious few stories told of my exploits. I need no tales, for I lived the greatest of them all. "I am Bedivere, the King's best friend, his right hand man. I was his horse lord and the first Knight of the Round Table. I was the first man to know him and the last man to see him alive. I followed his orders and carried his secrets. Where others saw only his crown I was privileged to know the man. This is my story. "But my story is his story."