Author:
Publisher: The San Francisco Mime Troupe
ISBN:
Category : Performing Arts
Languages : en
Pages : 1469
Book Description
The never silent, hilariously thought-provoking,Tony and OBIE award-winning San Francisco Mime Troupe, in celebration of our 60 years of revolutionary theatre has put together an anthology of our scripts from 2000 - 2016. From the War on Terror to the War on Drugs, from genetically modified foods to financially modified democracy, from corporate personhood to Occupy to Trump - the Troupe has dealt with the issues of the day with our particular brand of outrageous, hard-hitting political musical comedies, tragedies, farces, and melodramas. Speaking truth to power, giving voice to the voiceless, comforting the afflicted, afflicting the comfortable, this collection of scripts is being provided - including introductions to the plays, photos, fan quotes, and artists biographies - at price every fan, supporter, student, historian, and comrade of the Troupe can afford… FREE!
The Plays of the San Francisco Mime Troupe 2000 - 2016
Author:
Publisher: The San Francisco Mime Troupe
ISBN:
Category : Performing Arts
Languages : en
Pages : 1469
Book Description
The never silent, hilariously thought-provoking,Tony and OBIE award-winning San Francisco Mime Troupe, in celebration of our 60 years of revolutionary theatre has put together an anthology of our scripts from 2000 - 2016. From the War on Terror to the War on Drugs, from genetically modified foods to financially modified democracy, from corporate personhood to Occupy to Trump - the Troupe has dealt with the issues of the day with our particular brand of outrageous, hard-hitting political musical comedies, tragedies, farces, and melodramas. Speaking truth to power, giving voice to the voiceless, comforting the afflicted, afflicting the comfortable, this collection of scripts is being provided - including introductions to the plays, photos, fan quotes, and artists biographies - at price every fan, supporter, student, historian, and comrade of the Troupe can afford… FREE!
Publisher: The San Francisco Mime Troupe
ISBN:
Category : Performing Arts
Languages : en
Pages : 1469
Book Description
The never silent, hilariously thought-provoking,Tony and OBIE award-winning San Francisco Mime Troupe, in celebration of our 60 years of revolutionary theatre has put together an anthology of our scripts from 2000 - 2016. From the War on Terror to the War on Drugs, from genetically modified foods to financially modified democracy, from corporate personhood to Occupy to Trump - the Troupe has dealt with the issues of the day with our particular brand of outrageous, hard-hitting political musical comedies, tragedies, farces, and melodramas. Speaking truth to power, giving voice to the voiceless, comforting the afflicted, afflicting the comfortable, this collection of scripts is being provided - including introductions to the plays, photos, fan quotes, and artists biographies - at price every fan, supporter, student, historian, and comrade of the Troupe can afford… FREE!
The San Francisco Mime Troupe Reader
Author: Susan Vaneta Mason
Publisher: University of Michigan Press
ISBN: 0472120174
Category : Performing Arts
Languages : en
Pages : 313
Book Description
The San Francisco Mime Troupe Reader is a long-overdue collection of some of the finest political satires created and produced by the Tony Award-winning company during the last forty years. It is also a history of the company that was the theater of the counterculture movement in the 1960s and that, against all odds, has managed to survive the often hostile economic climate for the arts in the United States. The plays selected are diverse, representing some of the Troupe's finest shows, and the book's illustrations capture some of the Troupe's most memorable moments. These hilarious, edgy, and imaginative scripts are accompanied by insightful commentary by theater historian and critic Susan Vaneta Mason, who has been following the Troupe for more than three decades. The Mime Troupe Reader will engage and entertain a wide range of audiences, not only general readers but also those interested in the history of American social protest, the counterculture of the 1960s-particularly the San Francisco scene-and the evolution of contemporary political theater. It will also appeal to the legions of Troupe fans who return every year to see them stand up against another social or corporate Goliath.
Publisher: University of Michigan Press
ISBN: 0472120174
Category : Performing Arts
Languages : en
Pages : 313
Book Description
The San Francisco Mime Troupe Reader is a long-overdue collection of some of the finest political satires created and produced by the Tony Award-winning company during the last forty years. It is also a history of the company that was the theater of the counterculture movement in the 1960s and that, against all odds, has managed to survive the often hostile economic climate for the arts in the United States. The plays selected are diverse, representing some of the Troupe's finest shows, and the book's illustrations capture some of the Troupe's most memorable moments. These hilarious, edgy, and imaginative scripts are accompanied by insightful commentary by theater historian and critic Susan Vaneta Mason, who has been following the Troupe for more than three decades. The Mime Troupe Reader will engage and entertain a wide range of audiences, not only general readers but also those interested in the history of American social protest, the counterculture of the 1960s-particularly the San Francisco scene-and the evolution of contemporary political theater. It will also appeal to the legions of Troupe fans who return every year to see them stand up against another social or corporate Goliath.
The San Francisco Mime Troupe Reader
Author: Susan Vaneta Mason
Publisher: University of Michigan Press
ISBN: 0472068423
Category : Performing Arts
Languages : en
Pages : 313
Book Description
Celebrates the San Francisco Mime Troupe with scripts representative of the troupe's work
Publisher: University of Michigan Press
ISBN: 0472068423
Category : Performing Arts
Languages : en
Pages : 313
Book Description
Celebrates the San Francisco Mime Troupe with scripts representative of the troupe's work
Free Free Free Free
Author: Haleh Roshan
Publisher: Dramatists Play Service, Inc.
ISBN: 0822241404
Category : Performing Arts
Languages : en
Pages : 80
Book Description
FREE FREE FREE FREE is based on the true story of the Diggers, an anarchist theater collective formed out of the San Francisco Mime Troupe; the Black Panther Party for Self-Defense and Students for a Democratic Society; and the rise of Asian American solidarity. Each group fights against capital and exploitation, fights for liberation, and envisions an America and a world beyond constant war, immeasurable poverty, and global hunger. But how the #$%! do we, they, we get from here to there? A Brechtian exploration of 1960s Bay Area anti-capitalists and their efforts at igniting a new American revolution, this is a play in perpetual struggle session with itself—but like, in a nice way!
Publisher: Dramatists Play Service, Inc.
ISBN: 0822241404
Category : Performing Arts
Languages : en
Pages : 80
Book Description
FREE FREE FREE FREE is based on the true story of the Diggers, an anarchist theater collective formed out of the San Francisco Mime Troupe; the Black Panther Party for Self-Defense and Students for a Democratic Society; and the rise of Asian American solidarity. Each group fights against capital and exploitation, fights for liberation, and envisions an America and a world beyond constant war, immeasurable poverty, and global hunger. But how the #$%! do we, they, we get from here to there? A Brechtian exploration of 1960s Bay Area anti-capitalists and their efforts at igniting a new American revolution, this is a play in perpetual struggle session with itself—but like, in a nice way!
Popular Theatre
Author: Joel Schechter
Publisher: Psychology Press
ISBN: 9780415258302
Category : Theater
Languages : en
Pages : 300
Book Description
Bertolt Brecht turned to cabaret; Ariane Mnouchkine went to the circus; Joan Littlewood wanted to open a palace of fun. These were a few of the directors who turned to popular theatre forms in the last century, and this sourcebook accounts for their attraction. Popular theatre forms introduced in this sourcebook include cabaret, circus, puppetry, vaudeville, Indian jatra, political satire, and physical comedy. These entertainments are highly visual, itinerant, and readily understood by audiences. Popular Theatre: A Sourcebook follows them around the world, from the bunraku puppetry of Japan to the masked topeng theatre of Bali to South African political satire, the San Francisco Mime Troupe's comic melodramas, and a 'Fun Palace' proposed for London. The book features essays from the archives of The Drama Review and other research. Contributions by Roland Barthes, Hovey Burgess, Marvin Carlson, John Emigh, Dario Fo, Ron Jenkins, Joan Littlewood, Brooks McNamara, Richard Schechner, and others, offer some of the most important, informative, and lively writing available on popular theatre. Introducing both Western and non-Western popular theatre practices, the sourcebook provides access to theatrical forms which have delighted audiences and attracted stage artists around the world.
Publisher: Psychology Press
ISBN: 9780415258302
Category : Theater
Languages : en
Pages : 300
Book Description
Bertolt Brecht turned to cabaret; Ariane Mnouchkine went to the circus; Joan Littlewood wanted to open a palace of fun. These were a few of the directors who turned to popular theatre forms in the last century, and this sourcebook accounts for their attraction. Popular theatre forms introduced in this sourcebook include cabaret, circus, puppetry, vaudeville, Indian jatra, political satire, and physical comedy. These entertainments are highly visual, itinerant, and readily understood by audiences. Popular Theatre: A Sourcebook follows them around the world, from the bunraku puppetry of Japan to the masked topeng theatre of Bali to South African political satire, the San Francisco Mime Troupe's comic melodramas, and a 'Fun Palace' proposed for London. The book features essays from the archives of The Drama Review and other research. Contributions by Roland Barthes, Hovey Burgess, Marvin Carlson, John Emigh, Dario Fo, Ron Jenkins, Joan Littlewood, Brooks McNamara, Richard Schechner, and others, offer some of the most important, informative, and lively writing available on popular theatre. Introducing both Western and non-Western popular theatre practices, the sourcebook provides access to theatrical forms which have delighted audiences and attracted stage artists around the world.
Festive Revolutions
Author: Claudia Orenstein
Publisher: Univ. Press of Mississippi
ISBN: 9781617030970
Category :
Languages : en
Pages : 220
Book Description
Are traditions of popular theatre still alive in politically-engaged theatre today? In San Francisco they are. The San Francisco Mime Troupe is a modern link in the long history of public performances that have a merry air but have a voice of political protest and social comment. Every summer since 1962 the Troupe has taken free outdoor performances to public parks in the Bay Area. In a style that is festive and a spirit that is revolutionary the Mime Troupe has relied on popular theatre forms to address timely political and social issues. Their productions maintain a contemporary political edge, while showing their origins to be the popular traditions of the commedia dell'arte, circus clowning, vaudeville, puppetry, and minstrel shows. With The Minstrel Show or Civil Rights in a Cracker Barrel (1965) they expressed support of the civil rights movement. With L'Amant Militaire (1967) they voiced support of Vietnam War protests. To discover what makes these apparently frivolous theatrical traditions effective for contemporary political theatre, Festive Revolutions explores the historical origins of the popular forms the Mime Troupe draws on. In old Europe, where performance traditions began, political turmoil blended with festive celebration. The lineage of the Mime Troupe's Punch the Red can be traced back to the Italian puppet figure Pulcinella through its English and Russian counterparts Punch and Petrushka. In the Mime Troupe the use of stereotypes and reliance upon colorful festivity are diverse strategies for dodging censorship. Productions like Ripped Van Winkle continue today to rekindle the radicalism the Troupe inherited from the culture of the 1960s. Festive Revolutions shows that such forms have inspired political theatre for centuries.
Publisher: Univ. Press of Mississippi
ISBN: 9781617030970
Category :
Languages : en
Pages : 220
Book Description
Are traditions of popular theatre still alive in politically-engaged theatre today? In San Francisco they are. The San Francisco Mime Troupe is a modern link in the long history of public performances that have a merry air but have a voice of political protest and social comment. Every summer since 1962 the Troupe has taken free outdoor performances to public parks in the Bay Area. In a style that is festive and a spirit that is revolutionary the Mime Troupe has relied on popular theatre forms to address timely political and social issues. Their productions maintain a contemporary political edge, while showing their origins to be the popular traditions of the commedia dell'arte, circus clowning, vaudeville, puppetry, and minstrel shows. With The Minstrel Show or Civil Rights in a Cracker Barrel (1965) they expressed support of the civil rights movement. With L'Amant Militaire (1967) they voiced support of Vietnam War protests. To discover what makes these apparently frivolous theatrical traditions effective for contemporary political theatre, Festive Revolutions explores the historical origins of the popular forms the Mime Troupe draws on. In old Europe, where performance traditions began, political turmoil blended with festive celebration. The lineage of the Mime Troupe's Punch the Red can be traced back to the Italian puppet figure Pulcinella through its English and Russian counterparts Punch and Petrushka. In the Mime Troupe the use of stereotypes and reliance upon colorful festivity are diverse strategies for dodging censorship. Productions like Ripped Van Winkle continue today to rekindle the radicalism the Troupe inherited from the culture of the 1960s. Festive Revolutions shows that such forms have inspired political theatre for centuries.
The San Francisco Mime Troupe as Radical Theater
Author: Mary Elizabeth Booth Edelson
Publisher:
ISBN:
Category : Experimental theater
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Experimental theater
Languages : en
Pages : 408
Book Description
Radical People's Theatre
Author: Eugène Van Erven
Publisher: Indiana University Press
ISBN: 9780253347886
Category : Performing Arts
Languages : en
Pages : 260
Book Description
Publisher: Indiana University Press
ISBN: 9780253347886
Category : Performing Arts
Languages : en
Pages : 260
Book Description
Ottemiller's Index to Plays in Collections
Author: John Henry Ottemiller
Publisher: Scarecrow Press
ISBN: 0810877201
Category : Language Arts & Disciplines
Languages : en
Pages : 833
Book Description
The standard location tool for full-length plays published in collections and anthologies in England and the United States since the beginning of the 20th century, Ottemiller's Index to Plays in Collections has undergone seven previous editions, the latest in 1988, covering 1900 through 1985. In this new edition, Denise Montgomery has expanded the volume to include collections published in the entire English-speaking world through 2000 and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors. Representing the largest expansion between editions, this updated volume is a valuable resource for libraries worldwide.
Publisher: Scarecrow Press
ISBN: 0810877201
Category : Language Arts & Disciplines
Languages : en
Pages : 833
Book Description
The standard location tool for full-length plays published in collections and anthologies in England and the United States since the beginning of the 20th century, Ottemiller's Index to Plays in Collections has undergone seven previous editions, the latest in 1988, covering 1900 through 1985. In this new edition, Denise Montgomery has expanded the volume to include collections published in the entire English-speaking world through 2000 and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors. Representing the largest expansion between editions, this updated volume is a valuable resource for libraries worldwide.
Black Theater, City Life
Author: Macelle Mahala
Publisher: Northwestern University Press
ISBN: 0810145162
Category : Performing Arts
Languages : en
Pages : 355
Book Description
Macelle Mahala’s rich study of contemporary African American theater institutions reveals how they reflect and shape the histories and cultural realities of their cities. Arguing that the community in which a play is staged is as important to the work’s meaning as the script or set, Mahala focuses on four cities’ “arts ecologies” to shed new light on the unique relationship between performance and place: Cleveland, home to the oldest continuously operating Black theater in the country; Pittsburgh, birthplace of the legendary playwright August Wilson; San Francisco, a metropolis currently experiencing displacement of its Black population; and Atlanta, a city with forty years of progressive Black leadership and reverse migration. Black Theater, City Life looks at Karamu House Theatre, the August Wilson African American Cultural Center, Pittsburgh Playwrights’ Theatre Company, the Lorraine Hansberry Theatre, the African American Shakespeare Company, the Atlanta Black Theatre Festival, and Kenny Leon’s True Colors Theatre Company to demonstrate how each organization articulates the cultural specificities, sociopolitical realities, and histories of African Americans. These companies have faced challenges that mirror the larger racial and economic disparities in arts funding and social practice in America, while their achievements exemplify such institutions’ vital role in enacting an artistic practice that reflects the cultural backgrounds of their local communities. Timely, significant, and deeply researched, this book spotlights the artistic and civic import of Black theaters in American cities.
Publisher: Northwestern University Press
ISBN: 0810145162
Category : Performing Arts
Languages : en
Pages : 355
Book Description
Macelle Mahala’s rich study of contemporary African American theater institutions reveals how they reflect and shape the histories and cultural realities of their cities. Arguing that the community in which a play is staged is as important to the work’s meaning as the script or set, Mahala focuses on four cities’ “arts ecologies” to shed new light on the unique relationship between performance and place: Cleveland, home to the oldest continuously operating Black theater in the country; Pittsburgh, birthplace of the legendary playwright August Wilson; San Francisco, a metropolis currently experiencing displacement of its Black population; and Atlanta, a city with forty years of progressive Black leadership and reverse migration. Black Theater, City Life looks at Karamu House Theatre, the August Wilson African American Cultural Center, Pittsburgh Playwrights’ Theatre Company, the Lorraine Hansberry Theatre, the African American Shakespeare Company, the Atlanta Black Theatre Festival, and Kenny Leon’s True Colors Theatre Company to demonstrate how each organization articulates the cultural specificities, sociopolitical realities, and histories of African Americans. These companies have faced challenges that mirror the larger racial and economic disparities in arts funding and social practice in America, while their achievements exemplify such institutions’ vital role in enacting an artistic practice that reflects the cultural backgrounds of their local communities. Timely, significant, and deeply researched, this book spotlights the artistic and civic import of Black theaters in American cities.