An Apology for the Life of Mr. Colley Cibber PDF Download
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Author: Colley Cibber
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 476
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Book Description
Contains the best account of the theatre of his day and is an invaluable study of the art of acting as it was practiced by his contemporaries.
Author: Colley Cibber
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 476
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Book Description
Contains the best account of the theatre of his day and is an invaluable study of the art of acting as it was practiced by his contemporaries.
Author: Colley Cibber
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
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Book Description
Author: COLLEY. CIBBER
Publisher:
ISBN: 9781033404287
Category :
Languages : en
Pages : 0
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Book Description
Author: Helene Koon
Publisher: University Press of Kentucky
ISBN: 9780813132778
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
Author: Philip Edward Baruth
Publisher: University of Illinois Press
ISBN: 9780252067235
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
The notorious troublemaker Charlotte Charke worked as a novelist, autobiographer, and strolling actress. But it was as a cross-dresser -- both on stage and off -- that she scandalized eighteenth-century England. Known as Mr. Charles Brown, she lived openly with another woman for nearly a decade.Charke, daughter of Colley Cibber, the English playwright and poet laureate (1740), lived a life of masquerade. Her autobiography is a fascinating document of low- and middle-class life in the 1700s and is explored in some detail by Philip E. Baruth. Other contributors to this collection look at Charke, her famous family, and her place within stage and cross-dressing traditions. Felicity A. Nussbaum provides a thought-provoking afterword on the current state of Charke criticism.
Author: Colley Cibber
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 68
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Book Description
Author: Thomas Alan King
Publisher: Univ of Wisconsin Press
ISBN: 9780299197841
Category : History
Languages : en
Pages : 388
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Book Description
"The queer man's mode of embodiment--his gestural and vocal style, his posture and gait, his occupation of space--remembers a political history. To gesture with the elbow held close to the body, to affect a courtly lisp, or to set an arm akimbo with the hand turned back on the hip is to cite a history in which the sovereign body became the effeminate and sodomitical and, finally, the homosexual body. In Queer Articulations, Thomas A. King argues that the Anglo-American queer body publicizes a history of resistance to the gendered terms whereby liberal subjectivities were secured in early modern England. Arguing that queer agency preceded and enabled the formulation of queer subjectivities, Queer Articulations investigates theatricality and sodomy as performance practices foreclosed in the formation of gendered privacy and consequently available for resistant uses by male-bodied persons who have been positioned, or who have located themselves, outside the universalized public sphere of citizen-subjects. By defining queerness as the lack or failure of private pleasures, rather than an alternative pleasure or substance in its own right, eighteenth-century discourses reconfigured publicness as the mark of difference from the naturalized, private bodies of liberal subjects. Inviting a performance-centered, interdisciplinary approach to queer/male identities, King develops a model of queerness as processual activity, situated in time and place but irreducible to the individual subject's identifications, desires, and motivations."--Pub. desc. (v.2).
Author: Colley Cibber
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636244
Category : Drama
Languages : en
Pages : 606
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Book Description
This volume provides the first new edition of Cibber's plays since 1777, and the first edition ever published that includes all of his known plays and that incorporates his extensive and often complex revisions. This modern-spelling edition features a comprehensive general introduction to Cibber's career, and separate introductions for each play, detailing sources, performance data, and publication history. Annotations and textual notes are included to allow for additional study.
Author: Robert Lima
Publisher: University Press of Kentucky
ISBN: 9780813123622
Category : History
Languages : en
Pages : 354
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Book Description
“The evil that men do” has been chronicled for thousands of years on the European stage, and perhaps nowhere else is human fear of our own evil more detailed than in its personifications in theater. In Stages of Evil, Robert Lima explores the sociohistorical implications of Christian and pagan representations of evil and the theatrical creativity that occultism has engendered. By examining examples of alchemy, astronomy, demonology, exorcism, fairies, vampires, witchcraft, hauntings, and voodoo in prominent plays, Stages of Evil explores American and European perceptions of occultism from medieval times to the modern age.
Author: Elaine M. McGirr
Publisher: Palgrave Macmillan
ISBN: 9781349669042
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
This book explores the multiple portrayals of the actor and theatre manager Colley Cibber, king of the dunces, professional fop, defacer of Shakespeare and the cruel and unforgiving father of Charlotte Charke. But these portraits of Cibber are doubly partial, exposing even as they paper over gaps and biases in the archive while reflecting back modern desires and methodologies. The Colley Cibber ‘everybody knows’ has been variously constructed through the rise of English literature as both a cultural enterprise and an academic discipline, a process which made Shakespeare the ‘nation’s poet’ and canonised Cibber’s enemies Pope and Fielding; theatre history’s narrative of the birth of naturalism; and the reclamation and celebration of Charlotte Charke by women’s literary history. Each of these stories requires a Colley Cibber to be its butt, antithesis, and/or bête noir. This monograph challenges these partial histories and returns the theatre manager, playwright, poet laureate and bon viveur to the centre of eighteenth-century culture and cultural studies.
