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Author: Saeed Talajooy
Publisher: Bloomsbury Publishing
ISBN: 0755652703
Category : Social Science
Languages : en
Pages : 273
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Book Description
Bahram Beyzaie is one of Iran's leading playwrights and auteur filmmakers. This book examines several of Beyzaie's films and plays and their preoccupation with the modalities and transformations of Iranian contemporary, historical and mythical identity from different perspectives. The chapters analyse Beyzaie's influential plays such as Arash and So Dies Pahlevan Akbar and his filmic magnum opuses such as The Crow, Bashu, the Little Stranger and Killing Mad Dogs from a range of critical perspectives including ecofeminist, sociopolitical, new-historicist, archetypal and psychoanalytical readings. They also explore Beyzaie's dialogue with filmic genres such as noir, different Iranian languages such as Gilaki, Iranian epics and ritual practices such as ta'ziyeh plays and javanmardi chivalry cults. Together, the chapters show how Beyzaie's works negotiate narratives of belonging and undermine the dominant exclusionist discourses in Iran, and how they use the resources of Iranian folk and performance traditions to comment on the position of women, children, intellectuals, and minorities in society.
Author: Saeed Talajooy
Publisher: Bloomsbury Publishing
ISBN: 0755652703
Category : Social Science
Languages : en
Pages : 273
Get Book Here
Book Description
Bahram Beyzaie is one of Iran's leading playwrights and auteur filmmakers. This book examines several of Beyzaie's films and plays and their preoccupation with the modalities and transformations of Iranian contemporary, historical and mythical identity from different perspectives. The chapters analyse Beyzaie's influential plays such as Arash and So Dies Pahlevan Akbar and his filmic magnum opuses such as The Crow, Bashu, the Little Stranger and Killing Mad Dogs from a range of critical perspectives including ecofeminist, sociopolitical, new-historicist, archetypal and psychoanalytical readings. They also explore Beyzaie's dialogue with filmic genres such as noir, different Iranian languages such as Gilaki, Iranian epics and ritual practices such as ta'ziyeh plays and javanmardi chivalry cults. Together, the chapters show how Beyzaie's works negotiate narratives of belonging and undermine the dominant exclusionist discourses in Iran, and how they use the resources of Iranian folk and performance traditions to comment on the position of women, children, intellectuals, and minorities in society.
Author: Saeed Talajooy
Publisher: Bloomsbury Publishing
ISBN: 0755648684
Category : History
Languages : en
Pages : 289
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Book Description
Since the beginning of his artistic career in 1959, Bahram Beyzaie's oeuvre has incorporated various aspects of Iranian, Euro-American, Chinese, Japanese, and Indian performance traditions and cinema. Beyzaie's work reformulates indigenous artistic and ritual forms and cultural narratives in plays and films whose emancipatory aesthetics have influenced several generations of writers, playwrights, and filmmakers. This book examines the origins and development of what the author identifies as Beyzaie's unique sense of creativity, using an interdisciplinary method of semiotic and cultural analysis to identify its manifestations in Beyzaie's films and plays of the 1960s and 1970s. It focusses on Beyzaie's early works, such as Downpour and Uncle Moustache, and how they engage with neglected aspects of Iranian culture to challenge mainstream approaches to writing and directing plays and films. In this way, the author argues, Beyzaie's work questions notions of being and belonging, by subverting exclusionist discourses on art, politics, society, culture, self and other, personal and collective identity, gender relations, intellectuals, heroes and villains, and children.
Author: Nahid Massoumeh Assemi
Publisher: Bloomsbury Publishing
ISBN: 0755652657
Category : Architecture
Languages : en
Pages : 313
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Book Description
The Takkiyya Mu'avin al-Mulk is a building complex in the city of Kermanshah in western Iran, dedicated to the annual commemoration of the martyrdom of Husayn ibn 'Ali at the Battle of Karbala in 680, an event of seminal significance to Shi'i Islam. Private takkiyyas built by social elites were a phenomenon of the Qajar period, with their construction motivated by a political quest for legitimacy. This book examines the intersection of art and architecture, popular piety, and the politics of legitimation. Through an examination of the building and its decorative programme, it addresses issues of patronage, Shi'i iconography and popular religious practices during the early 20th century in Iran. It further argues for the role of takkiyyas in creation of a sense of community and group identity; the formative stage of the emergent idea of nationhood at the time, amongst those who frequented them.
Author: Michelle Langford
Publisher: Bloomsbury Publishing
ISBN: 075564817X
Category : History
Languages : en
Pages : 522
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Book Description
This volume brings together scholarship from both established scholars and early career academics to provide fresh insights and new research on the cinema of Iran. The book is organised around eight broad themes including cinema before and after the revolution, stylistic innovation, documentary, gender, and genre. Encompassing a diverse range of methodological approaches and disciplinary frameworks including film studies, cultural studies, and political economy, each chapter is a self-contained study on a specific topic engaging with the national and transnational history of Iranian cinema which combined provide readers with original new insights into Iranian film and filmmakers, from fiction films to art house and popular cinema. The Handbook includes analysis of the works of established filmmakers such as Bahram Beyzaie, Rakhshan Banetemad, Abbas Kiarostami and Mohsen Makhmalbaf, as well as the output of emerging voices such as Ida Panahandeh and Shahram Mokri. Covering well-known topics as well as cutting edge ones such the sonic and visual manifestations of the urban environment in Iranian films, this book is a vital resource for understanding Iran and its unique cinematic culture.
Author: Ehsan Khoshbakht
Publisher: Univ. Press of Mississippi
ISBN: 1496841077
Category : Performing Arts
Languages : en
Pages : 138
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Book Description
The winner of two Academy Awards for Best Foreign Film in only five years, Asghar Farhadi (b. 1972) has become Iran’s most prominent director since the late Abbas Kiarostami. Around the world, especially in the international festival circuit, Farhadi is considered one of the great dramatist filmmakers of his generation. His reputation and influence in his home country is even greater, though also prone to misunderstandings, controversies, and divided critical reception. This volume offers a unique perspective into Farhadi's career in several key respects. Beginning with his work in television, the interviews collected here chart his rise from theater student to Iranian dramatist to celebrated international filmmaker. The majority of the interviews were conducted in Persian and have been translated into English for the first time. In the course of his career, Farhadi has become the new hope for Iran. On both nights of his Oscar wins, Iranians flooded the streets with joy in a rare (and illegal) celebration. Yet, like other contemporary Iranian filmmakers who have struggled to reconcile their national identity with their global repute as international filmmakers, Farhadi is at once feted and under fire by his own government. In addition to making recent films outside Iran, he has taken advantage of his celebrity status to make controversial statements on topics ranging from Donald Trump to poverty and capital punishment in Iran. He even asked Iran’s Judiciary to pardon Jafar Panahi, prompting the government to temporarily withdraw permission to shoot his renowned 2011 film A Separation. Asghar Farhadi: Interviews addresses the important dimensions that characterize contemporary Iranian filmmaking. Together, these interviews shed light on what Farhadi sees as his role and responsibilities as an Iranian filmmaker in a global age.
Author: Amin Sharifi Isaloo
Publisher: Routledge
ISBN: 131544738X
Category : Social Science
Languages : en
Pages : 303
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Book Description
A ground-breaking study of political transformations in non-Western societies, this book applies anthropological, sociological and political concepts to the recent history of Iran to explore the role played by a ritual theatrical performance (Ta’ziyeh) and its symbols on the construction of public mobilisations. With particular attention to three formative phases – the 1978–79 Islamic Revolution, the 1980–88 Iran–Iraq War, and the 2009 Green Movement – the author concentrates on the relations between symbols of the ritual performance and the public sphere to shed light on the ways in which the symbols of Ta’ziyeh were used to claim political legitimacy. Thus, the book elucidates how symbols and images of a ritual performance can be utilised by ‘tricksters’, such as political actors and fanatical religious leaders, to take advantage of the prolongation of a state of transition within a society, and so manipulate the public in order to mobilise crowds and movements to fulfil their own interests and concerns. An insightful analysis of political mobilisation explained in terms of a set of interrelated master concepts such as ‘liminality’, ‘trickster’ and ‘schismogenesis’, Power, Legitimacy and the Public Sphere integrates theoretical, empirical and ‘diagnostic’ perspectives in order to investigate and illustrate links between the public sphere and religious and cultural rituals. As such, it will appeal to scholars of sociology, politics and anthropology with interests in social theory, public mobilisations and political transformation.
Author: Shiva Rahbaran
Publisher: Bloomsbury Publishing
ISBN: 0857728296
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
The New Iranian Cinema is considered by many to be the most fascinating cultural phenomenon produced within the Islamic Republic of Iran. Containing twelve first-hand interviews with the most renowned film-makers living and working in contemporary Iran, this book provides insights into film-making within a society often at odds with its rulers. Reflecting upon the 1979 revolution and its influence on their work, as well as the effect of their films on Iranian audiences, film-makers such as Abbas Kiarostami and Jafar Panahi highlight the key issues surrounding the reception of Iranian cinema in the West and also its role in the development of Iran's global image. Through these conversations Shiva Rahbaran reveals that the seeds of the New Iranian Cinema were sown long before the revolution, and that Iranian film-makers gave rise to a cinema which became a global phenomenon despite censorship, sanctions and political isolation.
Author: Parviz Jahed
Publisher: Bloomsbury Publishing USA
ISBN: 1501369105
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
The New Wave Cinema in Iran is a historical and analytical study of the Iranian New Wave Cinema (Mowj-e No) as an artistic and intellectual movement that came to its best early productions between 1958 and 1978. As the movement has a long history, Parviz Jahed focuses on the development and the early progression of the movement in the 1960s and explores its emergence and development in the context of the cultural and social conditions of Iran during this period. Jahed first defines the term 'New Wave' in Iran's film culture, in order to identify the root elements that gave traction to this movement. He analyses the degree to which different elements and factors have contributed to the formation of this cinema, accounting for the different approaches of Iranian intellectual filmmakers towards modernity and a modern form of cinema in Iran. The book finishes by studying the works of three intellectual figures and influential filmmakers of the 1960s, Ebrahim Golestan, Farrokh Ghaffari, and Feraydoon Rahnama, who are arguably considered the forerunners of the New Wave Cinema in Iran.
Author: Parviz Jahed
Publisher: Intellect Books
ISBN: 1783204710
Category : Art
Languages : en
Pages : 440
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Book Description
Working at the intersection of religion and ever-shifting political, economic and social environments, Iranian cinema has produced some of the most critically lauded films in the world today. The first volume in the Directory of World Cinema: Iran turned the spotlight on the award-winning cinema of Iran, with particular attention to the major genres and movements, historical turning points and prominent figures that have helped shape it. Considering a wide range of genres, including Film Farsi, New Wave, war film, art house film and women’s cinema, the book was greeted with enthusiasm by film studies scholars, students working on alternative or national cinema and fans and aficionados of Iranian film. Building on the momentum and influence of its predecessor, Directory of World Cinema: Iran 2 will be welcomed by all seeking an up-to-date and comprehensive guide to Iranian cinema.
Author: Bahman Maghsoudlou
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
"When World War I ended in 1918, the world had changed. The face of Europe was reshaped, its boundaries altered, and Communism had taken over Russia. Many Americans were there to witness this, among them Merian C. Cooper, an Air Force pilot, Ernest B. Schoedsack, an Army cameraman, and Marguerite Harrison, a newspaper reporter. Cooper and Schoedsack had both fought in the war, and became involved in post-war events, while Harrison was recruited to work for US Intelligence, reporting on political developments in Germany and Soviet Russia. The three shared a wanderlust and a curiosity about other cultures that would take them separately, or together, all over Europe and Asia - experiencing such hardships as war and prison. In the Middle East. they came together to film the migration of a nomadic Iranian tribe, making one of the first ever documentaries, "Grass: A Nation's Battle for Life." This volume looks at the lives of all three of these unique individuals, and at the many adventures that shaped them and brought them to their pioneering moment in cinematic history, presenting this fascinating story in its entirety for the first time."--BOOK JACKET.
