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Author: Gary S. Cross
Publisher: Columbia University Press
ISBN: 0231127243
Category : Art
Languages : en
Pages : 321
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Book Description
From 'Sodoms by the sea' at Coney Island & Blackpool to carefully orchestrated corporate entertainment, this new history compares the pursuit of pleasure on both sides of the Atlantic.
Author: Gary S. Cross
Publisher: Columbia University Press
ISBN: 0231127243
Category : Art
Languages : en
Pages : 321
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Book Description
From 'Sodoms by the sea' at Coney Island & Blackpool to carefully orchestrated corporate entertainment, this new history compares the pursuit of pleasure on both sides of the Atlantic.
Author: Josephine Kane
Publisher: Routledge
ISBN: 1317044746
Category : Architecture
Languages : en
Pages : 284
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Book Description
The amusement parks which first appeared in England at the turn of the twentieth century represent a startlingly novel and complex phenomenon, combining fantasy architecture, new technology, ersatz danger, spectacle and consumption in a new mass experience. Though drawing on a diverse range of existing leisure practices, the particular entertainment formula they offered marked a radical departure in terms of visual, experiential and cultural meanings. The huge, socially mixed crowds that flocked to the new parks did so purely in the pursuit of pleasure, which the amusement parks commodified in exhilarating new guises. Between 1906 and 1939, nearly 40 major amusement parks operated across Britain. By the outbreak of the Second World War, millions of people visited these sites each year. The amusement park had become a defining element in the architectural psychological pleasurescape of Britain. This book considers the relationship between popular modernity, pleasure and the amusement park landscape in Britain from 1900-1939. It argues that the amusement parks were understood as a new and distinct expression of modern times which redefined the concept of public pleasure for mass audiences. Focusing on three sites - Blackpool Pleasure Beach, Dreamland in Margate and Southend's Kursaal - the book contextualises their development with references to the wider amusement park world. The meanings of these sites are explored through a detailed examination of the spatial and architectural form taken by rides and other buildings. The rollercoaster - a defining symbol of the amusement park - is given particular focus, as is the extent to which discourses of class, gender and national identity were expressed through the design of these parks.
Author: Camille Bordas
Publisher: Crown
ISBN: 0451497562
Category : Fiction
Languages : en
Pages : 338
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Book Description
A witty, heartfelt novel that brilliantly evokes the confusions of adolescence and marks the arrival of an extraordinary young talent. Isidore Mazal is eleven years old, the youngest of six siblings living in a small French town. He doesn't quite fit in. Berenice, Aurore, and Leonard are on track to have doctorates by age twenty-four. Jeremie performs with a symphony, and Simone, older than Isidore by eighteen months, expects a great career as a novelist—she's already put Isidore to work on her biography. The only time they leave their rooms is to gather on the old, stained couch and dissect prime-time television dramas in light of Aristotle's Poetics. Isidore has never skipped a grade or written a dissertation. But he notices things the others don't, and asks questions they fear to ask. So when tragedy strikes the Mazal family, Isidore is the only one to recognize how everyone is struggling with their grief, and perhaps the only one who can help them—if he doesn't run away from home first. Isidore’s unstinting empathy, combined with his simmering anger, makes for a complex character study, in which the elegiac and comedic build toward a heartbreaking conclusion. With How to Behave in a Crowd, Camille Bordas immerses readers in the interior life of a boy puzzled by adulthood and beginning to realize that the adults around him are just as lost.
Author: Antonio Muñoz Molina
Publisher: Farrar, Straus and Giroux
ISBN: 0374720282
Category : Fiction
Languages : en
Pages : 432
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Book Description
Winner of the 2020 Medici Prize for Foreign Novel From the award-winning author of the Man Booker Prize finalist Like a Fading Shadow, Antonio Muñoz Molina presents a flâneur-novel tracing the path of a nameless wanderer as he walks the length of Manhattan, and his mind. De Quincey, Baudelaire, Poe, Joyce, Benjamin, Melville, Lorca, Whitman . . . walkers and city dwellers all, collagists and chroniclers, picking the detritus of their eras off the filthy streets and assembling it into something new, shocking, and beautiful. In To Walk Alone in the Crowd, Antonio Muñoz Molina emulates these classic inspirations, following their peregrinations and telling their stories in a book that is part memoir, part novel, part chronicle of urban wandering. A skilled collagist himself, Muñoz Molina here assembles overheard conversations, subway ads, commercials blazing away on public screens, snatches from books hurriedly packed into bags or shoved under one’s arm, mundane anxieties, and the occasional true flash of insight—struggling to announce itself amid this barrage of data—into a poem of contemporary life: an invitation to let oneself be carried along by the sheer energy of the digital metropolis. A denunciation of the harsh noise of capitalism, of the conversion of everything into either merchandise or garbage (or both), To Walk Alone in the Crowd is also a celebration of the beauty and variety of our world, of the ecological and aesthetic gaze that can, even now, recycle waste into art, and provide an opportunity for rebirth.
Author: Valeria Luiselli
Publisher: Coffee House Press
ISBN: 1566893550
Category : Fiction
Languages : en
Pages : 161
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Book Description
Electric Literature 25 Best Novels of 2014 Largehearted Boy Favorite Novels of 2014 "An extraordinary new literary talent."--The Daily Telegraph "In part a portrait of the artist as a young woman, this deceptively modest-seeming, astonishingly inventive novel creates an extraordinary intimacy, a sensibility so alive it quietly takes over all your senses, quivering through your nerve endings, opening your eyes and heart. Youth, from unruly student years to early motherhood and a loving marriage--and then, in the book's second half, wilder and something else altogether, the fearless, half-mad imagination of youth, I might as well call it—has rarely been so freshly, charmingly, and unforgettably portrayed. Valeria Luiselli is a masterful, entirely original writer."--Francisco Goldman In Mexico City, a young mother is writing a novel of her days as a translator living in New York. In Harlem, a translator is desperate to publish the works of Gilberto Owen, an obscure Mexican poet. And in Philadelphia, Gilberto Owen recalls his friendship with Lorca, and the young woman he saw in the windows of passing trains. Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction. "Luiselli's haunting debut novel, about a young mother living in Mexico City who writes a novel looking back on her time spent working as a translator of obscure works at a small independent press in Harlem, erodes the concrete borders of everyday life with a beautiful, melancholy contemplation of disappearance. . . . Luiselli plays with the idea of time and identity with grace and intuition." —Publishers Weekly
Author: Stephen Walker
Publisher: Springer
ISBN: 9811079749
Category : Social Science
Languages : en
Pages : 147
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Book Description
This book offers an extended consideration of the fairground showfront. It combines archival material, contemporary examples of fairs, and a sustained theoretical engagement with influential philosophies of surface, including recent work by Avrum Stroll and Andrew Benjamin, as well as the nineteenth century author Gottfried Semper. Semper’s work on the origin of architectural enclosure —formed from woven mats and carpets— anticipates the surface and material history of the showfront. Initial chapters introduce these philosophies, the evolution of showfronts, and the ways in which individual fairground rides and attractions are arranged to form an enclosing boundary for the whole fair. Later chapters focus on issues of spectacle and illusion, vast ‘interior’ spaces, atmosphere, crowds and surface effects. Informed by a wide range of work from other design and cultural studies, the book will be of interest to readers in these areas, as well as architecture and those curious about the fairground.
Author: Bernard E. Harcourt
Publisher: Harvard University Press
ISBN: 0674915097
Category : Social Science
Languages : en
Pages : 249
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Book Description
Social media compile data on users, retailers mine information on consumers, Internet giants create dossiers of who we know and what we do, and intelligence agencies collect all this plus billions of communications daily. Exploiting our boundless desire to access everything all the time, digital technology is breaking down whatever boundaries still exist between the state, the market, and the private realm. Exposed offers a powerful critique of our new virtual transparence, revealing just how unfree we are becoming and how little we seem to care. Bernard Harcourt guides us through our new digital landscape, one that makes it so easy for others to monitor, profile, and shape our every desire. We are building what he calls the expository society—a platform for unprecedented levels of exhibition, watching, and influence that is reconfiguring our political relations and reshaping our notions of what it means to be an individual. We are not scandalized by this. To the contrary: we crave exposure and knowingly surrender our privacy and anonymity in order to tap into social networks and consumer convenience—or we give in ambivalently, despite our reservations. But we have arrived at a moment of reckoning. If we do not wish to be trapped in a steel mesh of wireless digits, we have a responsibility to do whatever we can to resist. Disobedience to a regime that relies on massive data mining can take many forms, from aggressively encrypting personal information to leaking government secrets, but all will require conviction and courage.
Author: Victoria W. Wolcott
Publisher: University of Pennsylvania Press
ISBN: 0812207599
Category : History
Languages : en
Pages : 320
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Book Description
Throughout the twentieth century, African Americans challenged segregation at amusement parks, swimming pools, and skating rinks not only in pursuit of pleasure but as part of a wider struggle for racial equality. Well before the Montgomery bus boycott, mothers led their children into segregated amusement parks, teenagers congregated at forbidden swimming pools, and church groups picnicked at white-only parks. But too often white mobs attacked those who dared to transgress racial norms. In Race, Riots, and Roller Coasters, Victoria W. Wolcott tells the story of this battle for access to leisure space in cities all over the United States. Contradicting the nostalgic image of urban leisure venues as democratic spaces, Wolcott reveals that racial segregation was crucial to their appeal. Parks, pools, and playgrounds offered city dwellers room to exercise, relax, and escape urban cares. These gathering spots also gave young people the opportunity to mingle, flirt, and dance. As cities grew more diverse, these social forms of fun prompted white insistence on racially exclusive recreation. Wolcott shows how black activists and ordinary people fought such infringements on their right to access public leisure. In the face of violence and intimidation, they swam at white-only beaches, boycotted discriminatory roller rinks, and picketed Jim Crow amusement parks. When African Americans demanded inclusive public recreational facilities, white consumers abandoned those places. Many parks closed or privatized within a decade of desegregation. Wolcott's book tracks the decline of the urban amusement park and the simultaneous rise of the suburban theme park, reframing these shifts within the civil rights context. Filled with detailed accounts and powerful insights, Race, Riots, and Roller Coasters brings to light overlooked aspects of conflicts over public accommodations. This eloquent history demonstrates the significance of leisure in American race relations.
Author: Alyson Brown
Publisher: Cambridge Scholars Publishing
ISBN: 1443803995
Category : History
Languages : en
Pages : 179
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Book Description
This collection of work on the theme of identities was the result of a conference held in the spring of 2005 at Edge Hill under the auspices of The Centre for Liverpool and Merseyside Studies. Whilst a significant proportion of the research focused on Liverpool and the North West, the theme of identities was sufficiently broad to entice scholars from diverse and varied fields. This collection, therefore, reflects the range of work presented and discussed at the conference and the multi-layered and multi-facetted nature of identity. Contributors to this edited collection examined the concept of identity in Britain through a range of historical perspectives, concerning themselves primarily with the later modern period. They reflect the extent to which nineteenth and twentieth century British social, cultural and political change has given rise to pluralist, fragmented and fractured identities and highlight the extent to which class, gender, religious and institutional frameworks have shifted continually. This publication will therefore be of interest to those working in diverse fields but who share an interest in the importance of identity as a decisive cultural, social, economic and political determinant. Questions of identity have centred a good deal of debate in the social sciences, especially since the reception of Foucault's work in the English-speaking world in the last couple of decades. This has often taken a theoretical form. Attempts to link theory with analytical practice have been strongest in the field that might be characterised as the 'politics of identity'. At any rate this has provided an important instance of theoretical and practical conflict. Herethe focus of the debate has been around questions of gender, nation, language, economy, security and race. It has tried toto clarify crucial divisions in the analysis of identity as between explanatory and constitutive models, and between positivist and post-positivist procedures. For the most part these intense and extensive concerns have passed by largely unnoticed among historians practising in Britain in the well-found but conventional idioms of political and social history. What this conference volume seeks to do is to help redress thedeficit, to domesticate some of the theoretical and polemical exchanges around 'identity' into a world of practical,yet conceptually aware historical work. This is a difficult but surely worthwhile task: to broach various imaginaries of identity, issues of identitarian politics, and questions of identity formation on a series of relatively familiar historical contexts. Of course, no selection of subjects for practical research in this way can be exhaustive. The group of essays offered here is sufficiently wide, and occasionally gratifyingly unexpected, at least to begin the job, to stimulate others and, most importantly, to interject theoretical concern into historial fields sometimes lacking it. Ten essays are included, together with the editor's introduction. The pieces are bound together by a common strategy not a shared empirical territory. They range from studies of gendered identity formation , to regional identities formed around seaside resorts, to empirical questions of class and capitalism and their identitarian politics, to historical analysis of mourning, and on to language, nationality, deafness, motherhood and their inflection in identity in past time. This well-edited combination of shared conceptual purpose and variety of empirical form seems to me to work well. The book will be widely used in a variety of historical fields, not least in those which have been the most resistant to recenttheoretical innovations in the social sciences. Keith Nield Editor SOCIAL HISTORY 'This is a fascinating and wide-ranging collection of essays linked by the over-riding theme of identity. While primarily historical in their focus, the essays will be of interest to more than just historians. They raise a variety of interesting conceptual and theoretical issues, from, for instance, the significance of the staymaker in the formation of eighteenth-century female identity, to the relationship between regional identity and late-nineteenth and early twentieth century Lancashire seaside resorts.' Sam Davies, Professor of History, School of Social Science, Liverpool John Moores University
Author: Arwen P. Mohun
Publisher: JHU Press
ISBN: 1421408252
Category : Science
Languages : en
Pages : 341
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Book Description
How have Americans confronted, managed, and even enjoyed the risks of daily life? Winner of the Ralph Gomory Prize of the Business History Conference “Risk” is a capacious term used to describe the uncertainties that arise from physical, financial, political, and social activities. Practically everything we do carries some level of risk—threats to our bodies, property, and animals. How do we determine when the risk is too high? In considering this question, Arwen P. Mohun offers a thought-provoking study of danger and how people have managed it from pre-industrial and industrial America up until today. Mohun outlines a vernacular risk culture in early America, one based on ordinary experience and common sense. The rise of factories and machinery eventually led to shocking accidents, which, she explains, risk-management experts and the “gospel of safety” sought to counter. Finally, she examines the simultaneous blossoming of risk-taking as fun and the aggressive regulations that follow from the consumer-products-safety movement. Risk and society, a rapidly growing area of historical research, interests sociologists, psychologists, and other social scientists. Americans have learned to tame risk in both the workplace and the home. Yet many of us still like amusement park rides that scare the devil out of us; they dare us to take risks.
