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Author: Cecilia Björkén-Nyberg
Publisher:
ISBN: 9781315554631
Category : English fiction
Languages : en
Pages : 210
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Book Description
Author: Cecilia Björkén-Nyberg
Publisher:
ISBN: 9781315554631
Category : English fiction
Languages : en
Pages : 210
Get Book
Book Description
Author: Ms Cecilia Björkén-Nyberg
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472440005
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
In her study of music-making in the Edwardian novel, Cecilia Björkén-Nyberg argues that the invention and development of the player piano had a significant effect on the perception, performance and appreciation of music during the period. In contrast to existing devices for producing music mechanically such as the phonograph and gramophone, the player piano granted its operator freedom of individual expression by permitting the performer to modify the tempo. Because the traditional piano was the undisputed altar of domestic and highly gendered music-making, Björkén-Nyberg suggests, the potential for intervention by the mechanical piano's operator had a subversive effect on traditional notions about the status of the musical work itself and about the people who were variously defined by their relationship to it. She examines works by Dorothy Richardson, E.M. Forster, Henry Handel Richardson, Max Beerbohm and Compton Mackenzie, among others, contending that Edwardian fiction with music as a subject undermined the prevalent antithesis, expressed in contemporary music literature, between a nineteenth-century conception of music as a means of transcendence and the increasing mechanisation of music as represented by the player piano. Her timely survey of the player piano in the context of Edwardian commercial and technical discourse draws on a rich array of archival materials to shed new light on the historically conditioned activity of music-making in early twentieth-century fiction.
Author: Cecilia Björkén-Nyberg
Publisher: Routledge
ISBN: 1317021223
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
In her study of music-making in the Edwardian novel, Cecilia Björkén-Nyberg argues that the invention and development of the player piano had a significant effect on the perception, performance and appreciation of music during the period. In contrast to existing devices for producing music mechanically such as the phonograph and gramophone, the player piano granted its operator freedom of individual expression by permitting the performer to modify the tempo. Because the traditional piano was the undisputed altar of domestic and highly gendered music-making, Björkén-Nyberg suggests, the potential for intervention by the mechanical piano's operator had a subversive effect on traditional notions about the status of the musical work itself and about the people who were variously defined by their relationship to it. She examines works by Dorothy Richardson, E.M. Forster, Henry Handel Richardson, Max Beerbohm and Compton Mackenzie, among others, contending that Edwardian fiction with music as a subject undermined the prevalent antithesis, expressed in contemporary music literature, between a nineteenth-century conception of music as a means of transcendence and the increasing mechanisation of music as represented by the player piano. Her timely survey of the player piano in the context of Edwardian commercial and technical discourse draws on a rich array of archival materials to shed new light on the historically conditioned activity of music-making in early twentieth-century fiction.
Author: Mohammad Ali Salmani Nodoushan
Publisher: Lulu.com
ISBN: 0359147046
Category :
Languages : en
Pages : 126
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Book Description
Author: Larry Givens
Publisher:
ISBN: 9781258818173
Category :
Languages : en
Pages : 180
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Book Description
Instructions On How To Rebuild The Player Piano And Related Instruments.
Author: William Braid White
Publisher: General Books
ISBN: 9781458929464
Category :
Languages : en
Pages : 0
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Book Description
Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: Chapter II. THE PNEUMATIC ACTION. I have already spoken of the operating principles on which the playing action of the piano-playing mechanism depends. In the description given of these principles in Part I, however, I spoke almost entirely of the single system; that wherein one valve is employed to control the pneumatic directly from the tracker- bar. Although the description there given is entirely correct, manufacturers have adopted various modifications in practice, which often considerably alter physical appearance and operating processes. It is necessary therefore to consider this phase of our subject with some care. Just as bellows-systems may be divided into two classes, so a similar two-fold division may be made in the description and classification of pneumatic actions. In fact, the division is here more definite and positive, since it rests upon the difference between the use of one valve to each pneumatic and of two valves for the same purpose. There are, in Pig. 5. Pneumatic Action; Single Valve Ttpe Music Roll. 8. Take-up Spool. 9. Tracker-Bar. 10. Tracker-Tube. 12. Pouch. 13. Vent. Reduced Pressure Chamber. Valve. Pneumatic open. Pneumatic closed. Passage to Bellows-System. Piano Key. Piano Action. Two pneumatics are shown open, and one closed. Valves are in corresponding positions fact, two great divisions in modern practice which rest upon this one difference, and the best inventive thought seems to be almost equally divided between them. As I remarked before, the direct- variation bellows and the single-valve playing action seem to go together, while the converse is true of the other system. Although I do not wish to lay undue stress upon this fact, the reader will appreciate its significance. The two sy...
Author: Alfred Dolge
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 0
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Book Description
Author: Alfred Dolge
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 544
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Book Description
Author:
Publisher:
ISBN: 9780812420951
Category :
Languages : en
Pages : 0
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Book Description
Author: Brian Dolan
Publisher: Rowman & Littlefield
ISBN: 9780742561274
Category : Player piano
Languages : en
Pages : 0
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Book Description
Brian Dolan's social and cultural history of the music business in relation to the history of the player piano is a critical chapter in the story of contemporary life. The player piano made the American music industry-and American music itself-modern. For years, Tin Pan Alley composers and performers labored over scores for quick ditties destined for the vaudeville circuit or librettos destined for the Broadway stage. But, the introduction of the player piano in the early 1900s, transformed Tin Pan Alley's guild of composers, performers, and theater owners into a music industry. The player piano, with its perforated music rolls that told the pianos what key to strike, changed musical performance because it made a musical piece standard, repeatable, and easy rather than something laboriously learned. It also created a national audience because the music that was played in New Orleans or Kansas City could also be played in New York or Missoula, as new music (ragtime) and dance (fox-trot) styles crisscrossed the continent along with the player piano's music rolls. By the 1920s, only automobile sales exceeded the amount generated by player pianos and their music rolls. Consigned today to the realm of collectors and technological arcane, the player piano was a moving force in American music and American life.
