The Piscator experiment PDF Download
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Author: Maria Ley-Piscator
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Maria Ley-Piscator
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Maria Ley-Piscator
Publisher:
ISBN:
Category : Political plays
Languages : en
Pages : 360
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Book Description
Author: Maria Ley
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
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Book Description
Author: Judith Malina
Publisher: Routledge
ISBN: 041560074X
Category : Art
Languages : en
Pages : 257
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Book Description
Piscator founded the Workshop after emigrating to New York, having collaborated with Brecht to create "epic theatre" in Germany. The Piscator Notebook documents the author Malina's intensive and idiosyncratic training at Piscator's school.
Author: James Roose-Evans
Publisher: Routledge
ISBN: 1136092528
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
`It is a pleasure to read. Well-written, free of cant, impressively wide-ranging. The book is really an introduction to the avant-garde.' - John Lahr
Author: Drew Lichtenberg
Publisher: Routledge
ISBN: 1000479757
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
This study of the Piscatorbühne season of 1927–1928 uncovers a vital, previously neglected current of radical experiment in modern theater, a ghost in the machine of contemporary performance practices. A handful of theater seasons changed the course of 20th- and 21st-century theatre. But only the Piscatorbühne of 1927–1928 went bankrupt in less than a year. This exploration tells the story of that collapse, how it predicted the wider collapse of the late Weimar Republic, and how it relates to our own era of political polarization and economic instability. As a wider examination of Piscator’s contributions to dramaturgical and aesthetic form, The Piscatorbühne Century makes a powerful and timely case for the renewed significance of the broader epic theater tradition. Drawing on a rich archive of interwar materials, Drew Lichtenberg reconstructs this germinal nexus of theory and praxis for the modern theatre. This book will be of great interest to students and scholars in theatre, performance, art, and literature.
Author: Richard Drain
Publisher: Routledge
ISBN: 1134864744
Category : Performing Arts
Languages : en
Pages : 410
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Book Description
Twentieth Century Theatre: A Sourcebook is an inspired handbook of ideas and arguments on theatre. Richard Drain gathers together a uniquely wide-ranging selection of original writings on theatre by its most creative practitioners - directors, playwrights, performers and designers, from Jarry to Grotowski and Craig. These key texts span the twentieth century, from the onset of modernism to the present, providing direct access to the thinking behind much of the most stimulating theatre the century has had to offer, as well as guidelines to its present most adventurous developments. Setting theory beside practice, these writings bring alive a number of vital and continuing concerns, each of which is given full scope in five sections which explore the Modernist, Political, Inner and Global dimensions of twentieth century theatre. Twentieth Century Theatre: A Sourcebook provides illuminationg perspectives on past history, and throws fresh light on the sources and development of theatre today. This sourcebook is not only an essential and versatile collection for students at all levels, but also directed numerous devised shows which have toured to theatres, schools, community centres and prisons.
Author: Jerry L. Crawford
Publisher: Waveland Press
ISBN: 1478608390
Category : Performing Arts
Languages : en
Pages : 374
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Book Description
Appropriate for both fundamental and advanced levels, the authors ground their commentary on actor training on the process of personalization and the innovative approaches to voice and movement training. They define the personalization process as one in which the actor discovers and explores in the self, characteristics, qualities, attitudes, and experiences that are legitimate dimensions of the role being created. Part I transitions from essential ingredients used in creating a role, such as focusing and speaking, to guidelines for auditioning and rehearsing, including role analysis. The discussions of basic acting principles are supported by skills-building exercises. Part II explores historical performance styles and shows how basic stylistic elements can be freshly adapted for modern audiences. Thus, in Part II, the authors center their discussions of voice, movement, character, and emotion around theatrical styles prevalent during certain historical periods and around sound acting theories gleaned from a wide range of acting traditions. Each chapter in this part ends with a helpful checklist that summarizes voice, movement, gesture, and other elements common to the era discussed.
Author: Nora M. Alter
Publisher: Indiana University Press
ISBN: 9780253113528
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
"... a thoughtful and important treatment of the international tensions of the period as they were embodied in theatre practice. It is the only book of its kind on the subject, and a valuable source of production information." -- Theatre Journal "... an excellent discussion of the aesthetics of theater." -- Choice The escalation of the war in Vietnam in the mid-1960s unleashed worldwide protest. Playwrights grappled with the complexities of post-imperialist politics and with the problems of creating effective political theatre in the television age. The ephemeral theatre these writers created, today little-known and rarely studied, provides an important window on a complex moment in culture and history.
Author: Susan Manning
Publisher: U of Minnesota Press
ISBN: 9780816638024
Category : Performing Arts
Languages : en
Pages : 400
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Book Description
Mary Wigman, Germany’s premier dancer between the two world wars, envisioned the performer in the thrall of ecstatic and demonic forces. Widely hailed as an innovator of dance modernism, she never acknowledged her complex relationship with National Socialism. In Ecstasy and the Demon, Susan Manning advances a sociological explanation for the collaboration between German modern dancers and National Socialism. She models methods for dance studies that contextualize choreography in relation to changing sociopolitical conditions, bringing dance scholarship into conversation with intellectual trends across the humanities. The introduction to this second edition brings Manning’s groundbreaking work to bear on dance studies today and reconsiders Wigman’s career from the perspective of queer theory and globalization, further illuminating the interplay of dance and politics in the twentieth century. Susan Manning is professor of English, theater, and performance studies at Northwestern University.
