The Pirandellian Mode in Spanish Literature from Cervantes to Sastre PDF Download
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Author: Wilma Newberry
Publisher: SUNY Press
ISBN: 9780873950893
Category : Biography & Autobiography
Languages : en
Pages : 250
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Book Description
Examines Spanish literature through Pirandellian eyes.
Author: Wilma Newberry
Publisher: SUNY Press
ISBN: 9780873950893
Category : Biography & Autobiography
Languages : en
Pages : 250
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Book Description
Examines Spanish literature through Pirandellian eyes.
Author: Wilma Newberry
Publisher: State University of New York Press
ISBN: 1438414625
Category : Biography & Autobiography
Languages : en
Pages : 246
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Book Description
This volume is a vision of Spanish literature seen through Pirandellian eyes. Those themes and techniques which Pirandello stamped with his name have actually characterized a segment of Spanish writing from the time of Cervantes. Professor Newberry first examines those writers who preceded Pirandello or could not have felt his influence and then those who acknowledged the Italian's mastery or who wrote in the ambience he created. She emphasizes how old are the Spanish themes that illusion and reality intermingle, that life is fiction and fiction life, that madness is often saner or preferable to sanity. Meticulously she chronicles the Spaniards' use of techniques associated with these themes—the play-within-a-play, the theater that mingles fiction and life, the breakdown of barriers between audience and stage, the autonomous character. Beginning with Cervantes's Don Quijote, where madness and sanity change the very nature of reality and illusion, she moves forward to Calderón's El gran teatro del mundo and other relevant works between Lope de Vega and Galdós. The author devotes a special chapter to the género chico and particularly the sainetes of Ramón de la Cruz, for these works kept Pirandellian concepts alive during the somewhat infertile eighteenth century. After examining Echegaray, whose romantic works she shows to be only part of his contribution, Professor Newberry turns to Ramón, whom she skillfully links to the cubist school of painting. There follows an extended discussion of Unamuno, particularly his novel Niebla with its famous autonomous character, Augusto Pérez. The second part of this book deals with those authors aware of Pirandello and his work. Professor Newberry begins with Azorín, whose enthusiasm for and understanding of Pirandello and the tendencies associated with him are greater than those of any other Spanish writer. Her brief examination of the Machado brothers shows how they have taken Pirandello's investigation into being and seeming and translated it into their own terms. Because his most popular work is not Pirandellian, few people have ever observed Pirandellian aspects in García Lorca's writing, but El Público and other works certainly contribute to this book. Casona, on the other hand, is enveloped by what Azorín described as the Pirandellian mist, although Casona's treatment of how reality and illusion intermingle is uniquely his own. Not limiting herself to discussing Grau's El señor de Pigmalion, a play often considered in relation to Pirandello, Professor Newberry brings up three other works that clearly indicate Grau's involvement in these themes and techniques. Indeed, one of his plays even incorporates a character Pirandello rejected, and rarely have Spanish playwrights broken down the barriers between stage and audience so completely as Grau does in Tabarín. Luca de Tena is shown to raise most Pirandellian problems in his plays, but unlike the Italian he systemically rules in favor of life, his conflicts are lighter, and their resolution is happier. Pedro Salinas, the last author Professor Newberry considers at length, is rarely studied as a playwright, but his plays show the characteristic imprint of Pirandello—fiction and reality are confused, there are problems of identity, he uses the autonomous character. Nonetheless, Salinas's basic view of life is diametrically opposed to Pirandello's, for he is filled with love, joy, optimism, and faith in the possibility of clarifying reality. Finally, the author looks at the Arte Nuevo group, particularly Sastre and Palacio, and she also considers Sotelo, who, like the other two, was influenced not only by Pirandello, but also by Thornton Wilder. Professor Newberry provides a consistently interesting picture of how Spanish literature has always shown great interest in those themes and techniques we have come to call Pirandellian and how it has given them a stamp uniquely its own. In an appendix the author includes a brief discussion of the Spanish works found in Pirandello's study.
Author: John London
Publisher: MHRA
ISBN: 9780901286833
Category : Art
Languages : en
Pages : 300
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Book Description
The book constitutes the first attempt to provide an overview of the reception of foreign drama in Spain during the Franco dictatorship. John London analyses performance, stage design, translation, censorship, and critical reviews in relation to the works of many authors, including Noel Coward, Arthur Miller, Eugene Ionesco, and Samuel Beckett. He compares the original reception of these dramatists with the treatment they were given in Spain. However, his study is also a reassessment of the Spanish drama of the period. Dr London argues that only by tracing the reception of non-Spanish drama can we understand the praise lavished on playwrights such as Antonio Buero Vallejo and Alfonso Sastre, alongside the simultaneous rejection of Spanish avant-garde styles. A concluding reinterpretation of the early plays of Fernando Arrabal indicates the richness of an alternative route largely ignored in histories of Spanish theatre.
Author: John A. McCulloch
Publisher: Peter Lang
ISBN: 9780820481838
Category : Biography & Autobiography
Languages : en
Pages : 210
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Book Description
The Dilemma of Modernity is a study of the evolution of Ramón Gómez de la Serna's narrative fiction within the context of European Modernism. At a time when Joyce, Kafka, Proust, and Woolfe were experimenting with prose fiction, very little is known about Spain's contribution to the novel. Despite his years in Paris, when it was still considered the cultural capital of Europe, and his championing of the avant-garde in Spain in the 1920s through his literary salon Pombo, which attracted figures such as Borges, Picasso, Huidobro, Buñuel and Lorca, Ramón Gómez de la Serna's work has suffered from critical neglect. The Dilemma of Modernity sets Gómez de la Serna's work within the cultural and historical context of the time and traces his evolution from aesthete to promoter of the avant-garde, modernist, and existentialist.
Author: Fiora A. Bassanese
Publisher: Univ of South Carolina Press
ISBN: 9781570030819
Category : Drama
Languages : en
Pages : 218
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Book Description
This is an introduction to the life and literary contributions of a Nobel Prize winner and one of Italy's most distinguished writers, Luigi Pirandello. It evaluates the significance of his influence on 20th century literature.
Author: Umberto Mariani
Publisher: University of Toronto Press
ISBN: 1442693142
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
The Nobel Prize-winning dramatist Luigi Pirandello (1867-1936) is undoubtedly one of the most innovative playwrights of the twentieth century and also one of the most complex. While his influence spread throughout modernist and postmodernist works, many first-time audiences and readers are confronted with the difficulty associated with such a radical aesthetic experience. In Living Masks, Umberto Mariani presents a clear and comprehensive introduction of Pirandello's major plays for general readers, students, and scholars new to Pirandello. Functioning as a guide to understanding the fundamental themes of Pirandello's plays, the author also examines the critical, aesthetic, and technical problems associated with these plays. He provides extensive reflection on some of the failings of early and contemporary criticism on Pirandello's works and offers many corrections of interpretative direction that will be significant and helpful to directors and performers. In particular, Mariani presents a deeper understanding and greater appreciation of Pirandello's works as a challenge to the tendency to adapt, and modify them, which drastically deprive the works of their original power and beauty. A concise and accessible introduction to a twentieth-century literary master, Living Masks will be of interest to dramatists, literary scholars, and students and scholars of Italian studies.
Author: Luigi Pirandello
Publisher: University of Toronto Press
ISBN: 1442642114
Category : Drama
Languages : en
Pages : 345
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Book Description
In Pirandello's Theatre of Living Masks, Umberto Mariani and Alice Gladstone Mariani offer the first new edition in nearly sixty years of six of his major works.
Author: Mary Beth Osnes
Publisher: Bloomsbury Publishing USA
ISBN: 1576078043
Category : Performing Arts
Languages : en
Pages : 453
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Book Description
A groundbreaking, cross-cultural reference work exploring the diversity of expression found in rituals, festivals, and performances, uncovering acting techniques and practices from around the world. Acting: An International Encyclopedia explores the amazing diversity of dramatic expression found in rituals, festivals, and live and filmed performances. Its hundreds of alphabetically arranged, fully referenced entries offer insights into famous players, writers, and directors, as well as notable stage and film productions from around the world and throughout the history of theater, cinema, and television. The book also includes a surprising array of additional topics, including important venues (from Greek amphitheaters to Broadway and Hollywood), acting schools (the Actor's Studio) and companies (the Royal Shakespeare), performance genres (from religious pageants to puppetry), technical terms of the actor's art, and much more. It is a unique resource for exploring the techniques performers use to captivate their audiences, and how those techniques have evolved to meet the demands of performing through Greek masks and layers of Kabuki makeup, in vast halls or tiny theaters, or for the unforgiving eye of the camera.
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1318
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Book Description
Author: Douglas Clayton
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773564411
Category : Performing Arts
Languages : en
Pages : 388
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Book Description
Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot); and in Germany (Tieck's and Hoffmann's metatheatre). He also analyses crucial texts by Gozzi, Lothar, Benavente, and Schnitzler that came to play a central role in the Russian theatre. Tracing the history of commedia dell'arte on the Russian stage, he demonstrates that the introduction of the tradition was theory-driven and discusses several milestone productions in the pre- and post-revolutionary period. Clayton examines the impact of commedia dell'arte, russified as the new theatrical genre of balagan, on both popular and lesser-known Russian playwrights, and, in conclusion, explores the significance of the commedia dell'arte as a theoretical underpinning for Sergei Eisenstein's theories of theatre and film.
