The Pictorial Arts of Japan and Other Writings PDF Download
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Author: William Anderson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 638
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Book Description
Author: William Anderson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 638
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Book Description
Author: Isao Honda
Publisher: Courier Corporation
ISBN: 0486155846
Category : Art
Languages : en
Pages : 0
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Book Description
Over 1,700 compact, graceful designs — a traditional part of many Japanese family histories — are featured in this handsome, versatile collection. Depicting plant, leaf, animal, and fan designs in circular motifs; astronomical images, and more, the authentic, royalty-free crests are ideal for use as spot illustrations in a variety of graphic projects.
Author: Carol Belanger Grafton
Publisher: Courier Corporation
ISBN: 0486244350
Category : Design
Languages : en
Pages : 97
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Book Description
360 traditional Japanese designs and motifs redrawn in clean, crisp black-and-white, royalty-free illustrations.
Author: Hajime Ouchi
Publisher: Courier Corporation
ISBN: 0486318990
Category : Art
Languages : en
Pages : 178
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Book Description
Some of the most ingenious and attractive modern motifs. 746 designs.
Author: Robert Hans van Gulik
Publisher: Oriental Book Store
ISBN: 9789576381539
Category : Calligraphy, Chinese
Languages : en
Pages : 0
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Book Description
Author: T. W. Cutler
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 204
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Book Description
Author: C. de Soissons
Publisher:
ISBN:
Category :
Languages : en
Pages : 206
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Book Description
Author: Marty Noble
Publisher: Courier Dover Publications
ISBN: 0486423107
Category : Design
Languages : en
Pages : 35
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Book Description
125 black-and-white images based on motifs in a wide array of sources: fairy tale collections, medieval French and Celtic manuscripts, Japanese and Chinese artwork, and more. Smoke-and-fire-breathing dragons, scaly creatures of the sea, powerful beasts endangering the lives of mariners, Celtic dragons with interwoven body parts, and much more.
Author: Asato Ikeda
Publisher: University of Hawaii Press
ISBN: 0824872126
Category : Art
Languages : en
Pages : 165
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Book Description
This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic. Yokoyama Taikan produced countless paintings of Mount Fuji as the embodiment of Japan’s “national body” and spirituality, in contrast to the modern West’s individualism and materialism. Yasuda Yukihiko located Japan in the Minamoto warriors of the medieval period, depicting them in the yamato-e style, which is defined as classically Japanese. Uemura Shōen sought to paint the quintessential Japanese woman, drawing on the Edo-period bijin-ga (beautiful women) genre while alluding to noh aesthetics and wartime gender expectations. For his subjects, Fujita Tsuguharu looked to the rural snow country, where, it was believed, authentic Japanese traditions could still be found. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Throughout Ikeda takes into account the changing relationships between visual iconography/artistic style and its significance by carefully situating artworks within their specific historical and cultural moments. She reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy. The Politics of Painting will be welcomed by those interested in modern Japanese art and visual culture, and war art and fascism. Its analysis of painters and painting within larger currents in intellectual history will attract scholars of modern Japanese and East Asian studies.
Author: Clarence Hornung
Publisher: Courier Corporation
ISBN: 0486252434
Category : Design
Languages : en
Pages : 50
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Book Description
Family crests (mon) have been a Japanese tradition since the eleventh century, when they decorated the costumes and carriages of courtiers. Later, they were used to identify warriors on the battlefield, as heraldic decorations on formal costumes, and as ornament on the kimonos of the common people. Small, compact, and graceful, with a strong sense of style, crest designs are ideal for spot illustrations, as logos, or for any graphic purpose requiring the classic simplicity, purity, and strength of Japanese design. This volume presents a total of 540 permission-free motifs, carefully selected for graphic impact and usefulness from several thousand crests known to exist. Featured are a wide variety of stylized designs depicting plants, animals, natural phenomena, geometric shapes, and manufactured objects.Among the subjects included in this selection are such traditional Japanese motifs as bamboo, crane, lightning, cherry blossom, peony, plum blossom, wave, rice, circle, and hollyhock. Immensely useful, this volume of permission-free designs is not only an invaluable source of graphic material for artists, designers, and craftspeople, but a fascinating picture book of Japanese culture.
