Author: Maria Elizabeth Ausherman
Publisher: University of Alabama Press
ISBN: 0817360514
Category : Architecture
Languages : en
Pages : 298
Book Description
"One of the first women to work in an emerging field dominated by men, Frances Benjamin Johnston (1864-1952) achieved acclaim in the late nineteenth century as an accomplished photographer. Her career spanned nearly seventy years, during which she became respected for her portraiture, artistic studies, photojournalism, and garden and architectural photography. She was instrumental in defining the medium and inspiring women to train in and appreciate photography. Though the socially well-connected Johnston was popular among prestigious celebrities of the day - she worked as the official White House photographer for five administrations - it is her monumental, nine-state survey of southern American architecture that stands as her most significant contribution to the history and development of photography both as art and as documentary. Drawing upon Johnston's original papers and photographs from the Library of Congress, Maria Ausherman's examination of this extraordinary photographer's career shows both the early origins of her style and vision and her attempts to change society through her art"--
The Photographic Legacy of Frances Benjamin Johnston
Author: Maria Elizabeth Ausherman
Publisher: University of Alabama Press
ISBN: 0817360514
Category : Architecture
Languages : en
Pages : 298
Book Description
"One of the first women to work in an emerging field dominated by men, Frances Benjamin Johnston (1864-1952) achieved acclaim in the late nineteenth century as an accomplished photographer. Her career spanned nearly seventy years, during which she became respected for her portraiture, artistic studies, photojournalism, and garden and architectural photography. She was instrumental in defining the medium and inspiring women to train in and appreciate photography. Though the socially well-connected Johnston was popular among prestigious celebrities of the day - she worked as the official White House photographer for five administrations - it is her monumental, nine-state survey of southern American architecture that stands as her most significant contribution to the history and development of photography both as art and as documentary. Drawing upon Johnston's original papers and photographs from the Library of Congress, Maria Ausherman's examination of this extraordinary photographer's career shows both the early origins of her style and vision and her attempts to change society through her art"--
Publisher: University of Alabama Press
ISBN: 0817360514
Category : Architecture
Languages : en
Pages : 298
Book Description
"One of the first women to work in an emerging field dominated by men, Frances Benjamin Johnston (1864-1952) achieved acclaim in the late nineteenth century as an accomplished photographer. Her career spanned nearly seventy years, during which she became respected for her portraiture, artistic studies, photojournalism, and garden and architectural photography. She was instrumental in defining the medium and inspiring women to train in and appreciate photography. Though the socially well-connected Johnston was popular among prestigious celebrities of the day - she worked as the official White House photographer for five administrations - it is her monumental, nine-state survey of southern American architecture that stands as her most significant contribution to the history and development of photography both as art and as documentary. Drawing upon Johnston's original papers and photographs from the Library of Congress, Maria Ausherman's examination of this extraordinary photographer's career shows both the early origins of her style and vision and her attempts to change society through her art"--
Shot in Alabama
Author: Frances Osborn Robb
Publisher: University of Alabama Press
ISBN: 081731878X
Category : Biography & Autobiography
Languages : en
Pages : 593
Book Description
A sumptuously illustrated history of photography as practiced in the state from 1839 to 1941 offering a unique account of the birth and development of a significant documentary and artistic medium
Publisher: University of Alabama Press
ISBN: 081731878X
Category : Biography & Autobiography
Languages : en
Pages : 593
Book Description
A sumptuously illustrated history of photography as practiced in the state from 1839 to 1941 offering a unique account of the birth and development of a significant documentary and artistic medium
Photographic Presidents
Author: Cara A. Finnegan
Publisher: University of Illinois Press
ISBN: 0252052692
Category : Photography
Languages : en
Pages : 382
Book Description
Defining the Chief Executive via flash powder and selfie sticks Lincoln’s somber portraits. Lyndon Johnson’s swearing in. George W. Bush’s reaction to learning about the 9/11 attacks. Photography plays an indelible role in how we remember and define American presidents. Throughout history, presidents have actively participated in all aspects of photography, not only by sitting for photos but by taking and consuming them. Cara A. Finnegan ventures from a newly-discovered daguerreotype of John Quincy Adams to Barack Obama’s selfies to tell the stories of how presidents have participated in the medium’s transformative moments. As she shows, technological developments not only changed photography, but introduced new visual values that influence how we judge an image. At the same time, presidential photographs—as representations of leaders who symbolized the nation—sparked public debate on these values and their implications. An original journey through political history, Photographic Presidents reveals the intertwined evolution of an American institution and a medium that continues to define it.
Publisher: University of Illinois Press
ISBN: 0252052692
Category : Photography
Languages : en
Pages : 382
Book Description
Defining the Chief Executive via flash powder and selfie sticks Lincoln’s somber portraits. Lyndon Johnson’s swearing in. George W. Bush’s reaction to learning about the 9/11 attacks. Photography plays an indelible role in how we remember and define American presidents. Throughout history, presidents have actively participated in all aspects of photography, not only by sitting for photos but by taking and consuming them. Cara A. Finnegan ventures from a newly-discovered daguerreotype of John Quincy Adams to Barack Obama’s selfies to tell the stories of how presidents have participated in the medium’s transformative moments. As she shows, technological developments not only changed photography, but introduced new visual values that influence how we judge an image. At the same time, presidential photographs—as representations of leaders who symbolized the nation—sparked public debate on these values and their implications. An original journey through political history, Photographic Presidents reveals the intertwined evolution of an American institution and a medium that continues to define it.
The Grove Encyclopedia of American Art
Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Tender Violence
Author: Laura Wexler
Publisher: UNC Press Books
ISBN: 9780807848838
Category : Photography
Languages : en
Pages : 384
Book Description
Examines the work of such female photojournalists as Alice Austen, Jessie Tarbox Beals, and Frances Benjamin Johnston, arguing that they produced images that helped to reinforce the imperialistic ideals that were forming at the beginning of the 20th century.
Publisher: UNC Press Books
ISBN: 9780807848838
Category : Photography
Languages : en
Pages : 384
Book Description
Examines the work of such female photojournalists as Alice Austen, Jessie Tarbox Beals, and Frances Benjamin Johnston, arguing that they produced images that helped to reinforce the imperialistic ideals that were forming at the beginning of the 20th century.
Gardens for a Beautiful America 1895-1935
Author: Sam Watters
Publisher:
ISBN: 9780926494152
Category : Gardening
Languages : en
Pages : 0
Book Description
At the opening of the 20th century, Americans looked out their windows and saw a landscape that had radically changed since their countryside childhoods. Since the close of the Civil War, the nation had become a land of industrial cities. Smokestacks, bl
Publisher:
ISBN: 9780926494152
Category : Gardening
Languages : en
Pages : 0
Book Description
At the opening of the 20th century, Americans looked out their windows and saw a landscape that had radically changed since their countryside childhoods. Since the close of the Civil War, the nation had become a land of industrial cities. Smokestacks, bl
Hotel Ponce de Leon
Author: Leslee F. Keys
Publisher: University Press of Florida
ISBN: 0813063760
Category : History
Languages : en
Pages : 264
Book Description
Historic St. Augustine Research Institute William L. Proctor Award Henry Flagler's opulent Hotel Ponce de Leon drew worldwide praise from the day its elaborately carved doors opened in 1888. Built in the Spanish Renaissance Revival style, the architectural and engineering marvel featured the talents of a team of renowned artisans, including the designs of architects John Carrère, Thomas Hastings, and Bernard Maybeck, electricity by Thomas Edison, and interior decoration and stained glass windows by Louis Tiffany. Hotel Ponce de Leon is the first work to present the building's complete history and detail its transformation into the heart of Flagler College. Leslee Keys, who assisted in the restoration, recounts the complicated construction of the hotel--the first major structure to be built entirely of poured concrete--and the efforts to preserve it and restore it to its former glory. The methods used at Flagler College have been recognized as best practices in historic preservation and decorative arts conservation, and today the campus is one of Florida's most visited heritage tourism destinations.
Publisher: University Press of Florida
ISBN: 0813063760
Category : History
Languages : en
Pages : 264
Book Description
Historic St. Augustine Research Institute William L. Proctor Award Henry Flagler's opulent Hotel Ponce de Leon drew worldwide praise from the day its elaborately carved doors opened in 1888. Built in the Spanish Renaissance Revival style, the architectural and engineering marvel featured the talents of a team of renowned artisans, including the designs of architects John Carrère, Thomas Hastings, and Bernard Maybeck, electricity by Thomas Edison, and interior decoration and stained glass windows by Louis Tiffany. Hotel Ponce de Leon is the first work to present the building's complete history and detail its transformation into the heart of Flagler College. Leslee Keys, who assisted in the restoration, recounts the complicated construction of the hotel--the first major structure to be built entirely of poured concrete--and the efforts to preserve it and restore it to its former glory. The methods used at Flagler College have been recognized as best practices in historic preservation and decorative arts conservation, and today the campus is one of Florida's most visited heritage tourism destinations.
Remembering Dixie
Author: Susan T. Falck
Publisher: Univ. Press of Mississippi
ISBN: 1496824423
Category : History
Languages : en
Pages : 375
Book Description
Nearly seventy years after the Civil War, Natchez, Mississippi, sold itself to Depression-era tourists as a place “Where the Old South Still Lives.” Tourists flocked to view the town’s decaying antebellum mansions, hoopskirted hostesses, and a pageant saturated in sentimental Lost Cause imagery. In Remembering Dixie: The Battle to Control Historical Memory in Natchez, Mississippi, 1865–1941, Susan T. Falck analyzes how the highly biased, white historical memories of what had been a wealthy southern hub originated from the experiences and hardships of the Civil War. These collective narratives eventually culminated in a heritage tourism enterprise still in business today. Additionally, the book includes new research on the African American community’s robust efforts to build historical tradition, most notably, the ways in which African Americans in Natchez worked to create a distinctive postemancipation identity that challenged the dominant white structure. Using a wide range of late nineteenth- and early twentieth-century sources—many of which have never been fully mined before—Falck reveals the ways in which black and white Natchezians of all classes, male and female, embraced, reinterpreted, and contested Lost Cause ideology. These memory-making struggles resulted in emotional, internecine conflicts that shaped the cultural character of the community and impacted the national understanding of the Old South and the Confederacy as popular culture. Natchez remains relevant today as a microcosm for our nation’s modern-day struggles with Lost Cause ideology, Confederate monuments, racism, and white supremacy. Falck reveals how this remarkable story played out in one important southern community over several generations in vivid detail and richly illustrated analysis.
Publisher: Univ. Press of Mississippi
ISBN: 1496824423
Category : History
Languages : en
Pages : 375
Book Description
Nearly seventy years after the Civil War, Natchez, Mississippi, sold itself to Depression-era tourists as a place “Where the Old South Still Lives.” Tourists flocked to view the town’s decaying antebellum mansions, hoopskirted hostesses, and a pageant saturated in sentimental Lost Cause imagery. In Remembering Dixie: The Battle to Control Historical Memory in Natchez, Mississippi, 1865–1941, Susan T. Falck analyzes how the highly biased, white historical memories of what had been a wealthy southern hub originated from the experiences and hardships of the Civil War. These collective narratives eventually culminated in a heritage tourism enterprise still in business today. Additionally, the book includes new research on the African American community’s robust efforts to build historical tradition, most notably, the ways in which African Americans in Natchez worked to create a distinctive postemancipation identity that challenged the dominant white structure. Using a wide range of late nineteenth- and early twentieth-century sources—many of which have never been fully mined before—Falck reveals the ways in which black and white Natchezians of all classes, male and female, embraced, reinterpreted, and contested Lost Cause ideology. These memory-making struggles resulted in emotional, internecine conflicts that shaped the cultural character of the community and impacted the national understanding of the Old South and the Confederacy as popular culture. Natchez remains relevant today as a microcosm for our nation’s modern-day struggles with Lost Cause ideology, Confederate monuments, racism, and white supremacy. Falck reveals how this remarkable story played out in one important southern community over several generations in vivid detail and richly illustrated analysis.
First in the Homes of His Countrymen
Author: Lydia Mattice Brandt
Publisher: University of Virginia Press
ISBN: 0813939267
Category : Architecture
Languages : en
Pages : 420
Book Description
Over the past two hundred years, Americans have reproduced George Washington’s Mount Vernon plantation house more often, and in a greater variety of media, than any of their country’s other historic buildings. In this highly original new book, Lydia Mattice Brandt chronicles America’s obsession with the first president’s iconic home through advertising, prints, paintings, popular literature, and the full-scale replication of its architecture. Even before Washington’s death in 1799, his house was an important symbol for the new nation. His countrymen used it to idealize the past as well as to evoke contemporary--and even divisive--political and social ideals. In the wake of the mid-nineteenth century’s revival craze, Mount Vernon became an obvious choice for architects and patrons looking to reference the past through buildings in residential neighborhoods, at world’s fairs, and along the commercial strip. The singularity of the building’s trademark piazza and its connection to Washington made it immediately recognizable and easy to replicate. As a myriad of Americans imitated the building’s architecture, the Mount Vernon Ladies’ Association carefully interpreted and preserved its fabric. Purchasing the house in 1859 amid intense scrutiny, the organization safeguarded Washington’s home and ensured its accessibility as the nation’s leading historic house museum. Tension between popular images of Mount Vernon and the organization’s "official" narrative for the house over the past 150 years demonstrates the close and ever-shifting relationship between historic preservation and popular architecture.In existence for roughly as long as the United States itself, Mount Vernon’s image has remained strikingly relevant to many competing conceptions of our country’s historical and architectural identity.
Publisher: University of Virginia Press
ISBN: 0813939267
Category : Architecture
Languages : en
Pages : 420
Book Description
Over the past two hundred years, Americans have reproduced George Washington’s Mount Vernon plantation house more often, and in a greater variety of media, than any of their country’s other historic buildings. In this highly original new book, Lydia Mattice Brandt chronicles America’s obsession with the first president’s iconic home through advertising, prints, paintings, popular literature, and the full-scale replication of its architecture. Even before Washington’s death in 1799, his house was an important symbol for the new nation. His countrymen used it to idealize the past as well as to evoke contemporary--and even divisive--political and social ideals. In the wake of the mid-nineteenth century’s revival craze, Mount Vernon became an obvious choice for architects and patrons looking to reference the past through buildings in residential neighborhoods, at world’s fairs, and along the commercial strip. The singularity of the building’s trademark piazza and its connection to Washington made it immediately recognizable and easy to replicate. As a myriad of Americans imitated the building’s architecture, the Mount Vernon Ladies’ Association carefully interpreted and preserved its fabric. Purchasing the house in 1859 amid intense scrutiny, the organization safeguarded Washington’s home and ensured its accessibility as the nation’s leading historic house museum. Tension between popular images of Mount Vernon and the organization’s "official" narrative for the house over the past 150 years demonstrates the close and ever-shifting relationship between historic preservation and popular architecture.In existence for roughly as long as the United States itself, Mount Vernon’s image has remained strikingly relevant to many competing conceptions of our country’s historical and architectural identity.
The New Encyclopedia of Southern Culture
Author: Judith H. Bonner
Publisher: UNC Press Books
ISBN: 0807869945
Category : Reference
Languages : en
Pages : 527
Book Description
From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.
Publisher: UNC Press Books
ISBN: 0807869945
Category : Reference
Languages : en
Pages : 527
Book Description
From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.