Author: Steven Sanders
Publisher: University Press of Kentucky
ISBN: 0813144736
Category : Philosophy
Languages : en
Pages : 284
Book Description
Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works—Ali (2001), Miami Vice (2006), and Public Enemies (2009). The Philosophy of Michael Mann provides an up-to-date and comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognizable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.
The Philosophy of Michael Mann
Author: Steven Sanders
Publisher: University Press of Kentucky
ISBN: 0813144736
Category : Philosophy
Languages : en
Pages : 284
Book Description
Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works—Ali (2001), Miami Vice (2006), and Public Enemies (2009). The Philosophy of Michael Mann provides an up-to-date and comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognizable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.
Publisher: University Press of Kentucky
ISBN: 0813144736
Category : Philosophy
Languages : en
Pages : 284
Book Description
Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works—Ali (2001), Miami Vice (2006), and Public Enemies (2009). The Philosophy of Michael Mann provides an up-to-date and comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognizable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.
The Philosophy of Michael Mann
Author: Steven M. Sanders
Publisher: University Press of Kentucky
ISBN: 0813144728
Category : Performing Arts
Languages : en
Pages : 368
Book Description
A collection of essays exploring the philosophical themes and aesthetic vision behind blockbuster film including The Insider, Public Enemies,and more. Known for his finely crafted crime thrillers, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile, the cult favorite The Keep, the American epic The Last of the Mohicans, and the Academy Award-nominated The Insider, as well as more recent works such as Ali, Miami Vice, and Public Enemies. The Philosophy of Michael Mann provides a comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognizable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.
Publisher: University Press of Kentucky
ISBN: 0813144728
Category : Performing Arts
Languages : en
Pages : 368
Book Description
A collection of essays exploring the philosophical themes and aesthetic vision behind blockbuster film including The Insider, Public Enemies,and more. Known for his finely crafted crime thrillers, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile, the cult favorite The Keep, the American epic The Last of the Mohicans, and the Academy Award-nominated The Insider, as well as more recent works such as Ali, Miami Vice, and Public Enemies. The Philosophy of Michael Mann provides a comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognizable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.
Michael Mann
Author: Steven Rybin
Publisher: Scarecrow Press
ISBN: 0810890844
Category : Performing Arts
Languages : en
Pages : 320
Book Description
Michael Mann first made his mark as a writer for such television programs as Starsky and Hutch, Police Story, and Vegas. In 1981 he made his feature film directing debut with the James Caan thriller Thief, and in the 1980s he served as a writer and executive producer for the groundbreaking programs Miami Vice and Crime Story. Though he has delved into other genres, Mann’s career as a writer, producer, and director has consistently focused on criminal activity, from small-time hoods and professional thieves to corporate manipulators and serial killers. In Michael Mann: Crime Auteur, Steven Rybin looks at the television programs and films that Mann has stamped with his personal signature. This book closely examines the themes and techniques used in films such as Manhunter, Heat, The Insider, and Collateral and connects these elements to his work on the non-genre films The Last of the Mohicans and Ali. A revised and significantly expanded edition of The Cinema of Michael Mann (2007), this book includes new chapters on Public Enemies and the big screen version of Miami Vice, as well as Mann’s work on the shows Crime Story and Luck. Covering Mann’s entire career, this book will be of interest to fans of the writer/director’s body of work as well as to scholars of both film and television.
Publisher: Scarecrow Press
ISBN: 0810890844
Category : Performing Arts
Languages : en
Pages : 320
Book Description
Michael Mann first made his mark as a writer for such television programs as Starsky and Hutch, Police Story, and Vegas. In 1981 he made his feature film directing debut with the James Caan thriller Thief, and in the 1980s he served as a writer and executive producer for the groundbreaking programs Miami Vice and Crime Story. Though he has delved into other genres, Mann’s career as a writer, producer, and director has consistently focused on criminal activity, from small-time hoods and professional thieves to corporate manipulators and serial killers. In Michael Mann: Crime Auteur, Steven Rybin looks at the television programs and films that Mann has stamped with his personal signature. This book closely examines the themes and techniques used in films such as Manhunter, Heat, The Insider, and Collateral and connects these elements to his work on the non-genre films The Last of the Mohicans and Ali. A revised and significantly expanded edition of The Cinema of Michael Mann (2007), this book includes new chapters on Public Enemies and the big screen version of Miami Vice, as well as Mann’s work on the shows Crime Story and Luck. Covering Mann’s entire career, this book will be of interest to fans of the writer/director’s body of work as well as to scholars of both film and television.
Michael Mann - Cinema and Television
Author: Steven Sanders
Publisher: Edinburgh University Press
ISBN: 0748693556
Category : Performing Arts
Languages : en
Pages : 160
Book Description
This reader is the first to bring together a selection of Mann's own interviews where he reflects on his film and television productions. The sixteen interviews provide historical context, interpretation and evaluation of the auteur's work. They encompass his entire career as a feature filmmaker and television producer/director as he and others reflect on his themes, working methods, artistic development and career achievements. The book aims to open up Mann's body of work, making it available for comparison with the work of his contemporaries, and to provide fresh insights into his film and television work. A substantive introductory essay, chronology and filmography provide additional bases for understanding the interviews, essays and work of this major filmmaker.
Publisher: Edinburgh University Press
ISBN: 0748693556
Category : Performing Arts
Languages : en
Pages : 160
Book Description
This reader is the first to bring together a selection of Mann's own interviews where he reflects on his film and television productions. The sixteen interviews provide historical context, interpretation and evaluation of the auteur's work. They encompass his entire career as a feature filmmaker and television producer/director as he and others reflect on his themes, working methods, artistic development and career achievements. The book aims to open up Mann's body of work, making it available for comparison with the work of his contemporaries, and to provide fresh insights into his film and television work. A substantive introductory essay, chronology and filmography provide additional bases for understanding the interviews, essays and work of this major filmmaker.
The Boat Rocker
Author: Michael Mann
Publisher: iUniverse
ISBN: 0595787568
Category : Poetry
Languages : en
Pages : 109
Book Description
The Boat Rocker is a poetry of life that both presents a philosophy of life and describes an art of living that has been learned the hard way-by actually living a life; by having tasted all the joys life offers and having suffered many of the tragedies and pains life inevitably brings as well. While The Boat Rocker will not help a person to avoid all tragedy and pain-those are a part of every life-it will help everyone who takes it's message to heart to avoid some needless suffering and to get through whatever vale of tears is encountered through a simple act of faith, for fidelity is everything in life-fidelity to self, fidelity to our loved ones, fidelity to our purpose in life, and fidelity to God. These are essential for a well-lived, rewarding life. But love is the heart and soul of faith, and faith is but love made real.
Publisher: iUniverse
ISBN: 0595787568
Category : Poetry
Languages : en
Pages : 109
Book Description
The Boat Rocker is a poetry of life that both presents a philosophy of life and describes an art of living that has been learned the hard way-by actually living a life; by having tasted all the joys life offers and having suffered many of the tragedies and pains life inevitably brings as well. While The Boat Rocker will not help a person to avoid all tragedy and pain-those are a part of every life-it will help everyone who takes it's message to heart to avoid some needless suffering and to get through whatever vale of tears is encountered through a simple act of faith, for fidelity is everything in life-fidelity to self, fidelity to our loved ones, fidelity to our purpose in life, and fidelity to God. These are essential for a well-lived, rewarding life. But love is the heart and soul of faith, and faith is but love made real.
Existentialism and Social Engagement in the Films of Michael Mann
Author: Vincent M. Gaine
Publisher: Palgrave Macmillan
ISBN: 9780230301054
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Michael Mann's films receive a detailed analysis as existential dramas, including Heat, Collateral , The Last of the Mohicans and Public Enemies. The book demonstrates that Mann's films perform critical engagement with existentialism, illustrating the problems and opportunities of living according to this philosophy.
Publisher: Palgrave Macmillan
ISBN: 9780230301054
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Michael Mann's films receive a detailed analysis as existential dramas, including Heat, Collateral , The Last of the Mohicans and Public Enemies. The book demonstrates that Mann's films perform critical engagement with existentialism, illustrating the problems and opportunities of living according to this philosophy.
Consciousness and Action Among the Western Working Class
Author: Michael Mann
Publisher:
ISBN: 9780391022683
Category : Social Science
Languages : en
Pages : 80
Book Description
This book makes a comparative analysis of working-class consciousness in Britain, France, Italy and the United States and seeks to answer the question of whether the working class today is a potentially revolutionary force in the West. In France and Italy class conflict and working-class consciousness have reached a higher level of intensity than in Britain or the United States. Both Marxist and functionalist explanations for this are discussed, special attention being paid to the recent French Marxism of Althusser, Mallet and Touraine. Class consciousness is examined as a dynamic process by analyzing the "explosion of consciousness" which often seems to occur in turbulent strike situations. The author concludes that class conflict is more complex than either group of theorists suggest. Working-class consciousness and the relationship between labor and capital are found to be dualistic and fundamentally unstable. Revolutionary potential is greatest in situations of uneven economic and social development when the capital-labor contradiction may be reinforced by other social conflicts. This means that the Marxist claim that the working-class carries in itself the power to be a class for itself must be rejected.
Publisher:
ISBN: 9780391022683
Category : Social Science
Languages : en
Pages : 80
Book Description
This book makes a comparative analysis of working-class consciousness in Britain, France, Italy and the United States and seeks to answer the question of whether the working class today is a potentially revolutionary force in the West. In France and Italy class conflict and working-class consciousness have reached a higher level of intensity than in Britain or the United States. Both Marxist and functionalist explanations for this are discussed, special attention being paid to the recent French Marxism of Althusser, Mallet and Touraine. Class consciousness is examined as a dynamic process by analyzing the "explosion of consciousness" which often seems to occur in turbulent strike situations. The author concludes that class conflict is more complex than either group of theorists suggest. Working-class consciousness and the relationship between labor and capital are found to be dualistic and fundamentally unstable. Revolutionary potential is greatest in situations of uneven economic and social development when the capital-labor contradiction may be reinforced by other social conflicts. This means that the Marxist claim that the working-class carries in itself the power to be a class for itself must be rejected.
The Dark Side of Democracy
Author: Michael Mann
Publisher: Cambridge University Press
ISBN: 9780521538541
Category : History
Languages : en
Pages : 596
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521538541
Category : History
Languages : en
Pages : 596
Book Description
Publisher Description
The Sources of Social Power: Volume 2, The Rise of Classes and Nation-States, 1760-1914
Author: Michael Mann
Publisher: Cambridge University Press
ISBN: 1107031184
Category : History
Languages : en
Pages : 845
Book Description
This second volume deals with power relations between the Industrial Revolution and the First World War.
Publisher: Cambridge University Press
ISBN: 1107031184
Category : History
Languages : en
Pages : 845
Book Description
This second volume deals with power relations between the Industrial Revolution and the First World War.
Theories and Narratives
Author: Alex Callinicos
Publisher: Duke University Press
ISBN: 9780822316459
Category : History
Languages : en
Pages : 266
Book Description
Pursuing this objective, Alex Callinicos critically confronts a number of leading attempts to reconceptualize the meaning of history, including Francis Fukuyama's rehabilitation of Hegel's philosophy of history and the postmodernist efforts of Hayden White and others to deny the existence of a past independent of our representations of it. In these cases philosophical arguments are pursued in tandem with discussions of historical interpretations of, respectively, Stalinism and the Holocaust.
Publisher: Duke University Press
ISBN: 9780822316459
Category : History
Languages : en
Pages : 266
Book Description
Pursuing this objective, Alex Callinicos critically confronts a number of leading attempts to reconceptualize the meaning of history, including Francis Fukuyama's rehabilitation of Hegel's philosophy of history and the postmodernist efforts of Hayden White and others to deny the existence of a past independent of our representations of it. In these cases philosophical arguments are pursued in tandem with discussions of historical interpretations of, respectively, Stalinism and the Holocaust.