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Author: François Noudelmann
Publisher: Columbia University Press
ISBN: 0231527209
Category : Philosophy
Languages : en
Pages : 177
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Book Description
Renowned philosopher and prominent French critic François Noudelmann engages the musicality of Jean-Paul Sartre, Friedrich Nietzsche, and Roland Barthes, all of whom were amateur piano players and acute lovers of the medium. Though piano playing was a crucial art for these thinkers, their musings on the subject are largely scant, implicit, or discordant with each philosopher's oeuvre. Noudelmann both recovers and integrates these perspectives, showing that the manner in which these philosophers played, the composers they adored, and the music they chose reveals uncommon insight into their thinking styles and patterns. Noudelmann positions the physical and theoretical practice of music as a dimension underpinning and resonating with Sartre's, Nietzsche's, and Barthes's unique philosophical outlook. By reading their thought against their music, he introduces new critical formulations and reorients their trajectories, adding invaluable richness to these philosophers' lived and embodied experiences. The result heightens the multiple registers of being and the relationship between philosophy and the senses that informed so much of their work. A careful reader of music, Noudelmann maintains an elegant command of the texts under his gaze and appreciates the discursive points of musical and philosophical scholarship they involve, especially with regard to recent research and cutting-edge critique.
Author: François Noudelmann
Publisher: Columbia University Press
ISBN: 0231527209
Category : Philosophy
Languages : en
Pages : 177
Get Book Here
Book Description
Renowned philosopher and prominent French critic François Noudelmann engages the musicality of Jean-Paul Sartre, Friedrich Nietzsche, and Roland Barthes, all of whom were amateur piano players and acute lovers of the medium. Though piano playing was a crucial art for these thinkers, their musings on the subject are largely scant, implicit, or discordant with each philosopher's oeuvre. Noudelmann both recovers and integrates these perspectives, showing that the manner in which these philosophers played, the composers they adored, and the music they chose reveals uncommon insight into their thinking styles and patterns. Noudelmann positions the physical and theoretical practice of music as a dimension underpinning and resonating with Sartre's, Nietzsche's, and Barthes's unique philosophical outlook. By reading their thought against their music, he introduces new critical formulations and reorients their trajectories, adding invaluable richness to these philosophers' lived and embodied experiences. The result heightens the multiple registers of being and the relationship between philosophy and the senses that informed so much of their work. A careful reader of music, Noudelmann maintains an elegant command of the texts under his gaze and appreciates the discursive points of musical and philosophical scholarship they involve, especially with regard to recent research and cutting-edge critique.
Author: Francois Noudelmann
Publisher: Columbia University Press
ISBN: 0231153945
Category : Philosophy
Languages : en
Pages : 178
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Book Description
Music is a significant object of reflection for contemporary philosophers, yet little has been written on the interplay of music and thought. François Noudelmann critically engages the musicality of Barthes, Sartre and Nietzsche, all of whom were amateur piano players, giving an insightful reading of their work in light of their music. The practice of playing the piano was crucial to these philosphers, but their writing on the topic was scant, implicit, or in discordance with their philosophical oeuvre. Noudelmann reveals how the manner in which they played, the composers they explicitly and secretly adored, and the music they chose to write about is telling of these philosophers’ writing styles and thinking patterns. Noudelmann invites us to imagine the physical and theoretical practice of music as a dimension underpinning and resonating with their philosophical work proper. He thus unearths new perspectives on the philosophical trajectories of the three. Noudelmann has an elegant command of the texts under study, and understands the discursive points and concerns of philosophical and musical theorists of recent decades. He also brings to the work of Barthes, Sartre, and Nietzsche a sense of lived, embodied experience, raising the question of the relationship between philosophy and the senses, a philosopher’s life and thought.
Author: Carolyn Korsmeyer
Publisher: Oxford University Press, USA
ISBN: 0190904879
Category : Philosophy
Languages : en
Pages : 233
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Book Description
Things: In Touch with the Past explores the value of artifacts that have survived from the past and that can be said to embody their histories. Such genuine or real things afford a particular kind of aesthetic experience-an encounter with the past-despite the fact that genuineness is not a perceptually detectable property. Although it often goes unnoticed, the sense of touch underlies such encounters, even though one is often not permitted literal touch. Carolyn Korsmeyer begins her account with the claim that wonder or marvel at old things fits within an experiential account of the aesthetic. She then presents her main argument regarding the role of touch-both when literal contact is made and when proximity suffices, for touch is a fundamental sense that registers bodily position and location. Correct understanding of the identity of objects is presumed when one values things just because of what they are, and with discovery that a mistake has been made, admiration is often withdrawn. Far from undermining the importance of the genuine, these errors of identification confirm it. Korsmeyer elaborates this position with a comparison between valuing artifacts and valuing persons. She also considers the ethical issues of genuineness, for artifacts can be harmed in various ways ranging from vandalism to botched restoration. She examines the differences between a real thing and a replica in detail, making it clear that genuineness comes in degrees. Her final chapter reviews the ontology that best suits an account of persistence over time of things that are valued for being the real thing.
Author: Alex Purves
Publisher: Routledge
ISBN: 1317516664
Category : History
Languages : en
Pages : 474
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Book Description
Unlike the other senses, touch ranges beyond a single sense organ, encompassing not only the skin but also the interior of the body. It mediates almost every aspect of interpersonal relations in antiquity, from the everyday to the erotic, just as it also provides a primary point of contact between the individual and the outside world. The essays in this volume explore the ways in which touch plays a defining role in science, art, philosophy, and medicine, and shapes our understanding of topics ranging from aesthetics and poetics to various religious and ritual practices. Whether we locate the sense of touch on the surface of the skin, within the body or – less tangibly still – within the emotions, the sensory impact of touching raises a broad range of interpretive and phenomenological questions. This is the first volume of its kind to explore the sense of touch in antiquity, bringing a variety of disciplinary approaches to bear on the sense that is usually disregarded as the most base and obvious of the five. In these pages, by contrast, we find in touch a complex and fascinating indicator of the body’s relation to object, environment, and self.
Author: Daniel Heller-Roazen
Publisher: Mit Press
ISBN: 9781890951771
Category : Philosophy
Languages : en
Pages : 0
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Book Description
An original, elegant, and far-reaching philosophical inquiry into the sense of being sentient--what it means to feel that one is alive--that draws on philosophical, literary, psychological, and medical accounts from ancient, medieval, and modern cultures.
Author: Mohan Matthen
Publisher:
ISBN: 0199600473
Category : Philosophy
Languages : en
Pages : 945
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Book Description
The Oxford Handbook of the Philosophy of Perception is a survey by leading philosophical thinkers of contemporary issues and new thinking in philosophy of perception. It includes sections on the history of the subject, introductions to contemporary issues in the epistemology, ontology and aesthetics of perception, treatments of the individual sense modalities and of the things we perceive by means of them, and a consideration of how perceptual information is integrated and consolidated. New analytic tools and applications to other areas of philosophy are discussed in depth. Each of the forty-five entries is written by a leading expert, some collaborating with younger figures; each seeks to introduce the reader to a broad range of issues. All contain new ideas on the topics covered; together they demonstrate the vigour and innovative zeal of a young field. The book is accessible to anybody who has an intellectual interest in issues concerning perception.
Author: Mark Paterson
Publisher: Edinburgh University Press
ISBN: 1474405339
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
This book seeks to answer why there has there been a persistent fascination by the sighted, including philosophers, poets and the public, in what the blind see'.
Author: Mirt Komel
Publisher: Bloomsbury Publishing
ISBN: 1350059277
Category : Language Arts & Disciplines
Languages : en
Pages : 208
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Book Description
Offering an in-depth analysis of the relationship between touch and language through the history of philosophy, this book revitalizes the field of haptic studies, providing new insights into the philosophy of language and ontological nature of touch. The Language of Touch draws together an international team of linguists, anthropologists, and philosophers to demonstrate from a variety of disciplinary perspectives that the experience of touch is inextricable from the structure of language. Examining the intersections between phenomenology of touch and poststructural linguistics, this work draws upon figures such as Marx, Merleau-Ponty, Nancy, Derrida, and Lacan to question both how language structures touch and how touch structures language.
Author: David Macauley
Publisher: State University of New York Press
ISBN: 1438432461
Category : Philosophy
Languages : en
Pages : 458
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Book Description
Bachelard called them "the hormones of the imagination." Hegel observed that, "through the four elements we have the elevation of sensuous ideas into thought." Earth, air, fire, and water are explored as both philosophical ideas and environmental issues associated with their classical and perennial conceptions. David Macauley embarks upon a wide-ranging discussion of their initial appearance in ancient Greek thought as mythic forces or scientific principles to their recent reemergence within contemporary continental philosophy as a means for understanding landscape and language, poetry and place, the body and the body politic. In so doing, he shows the importance of elemental thinking for comprehending and responding to ecological problems. In tracing changing views of the four elements through the history of ideas, Macauley generates a new vocabulary for and a fresh vision of the environment while engaging the elemental world directly with reflections on their various manifestations.
Author: Jonathan Rée
Publisher: Yale University Press
ISBN: 0300248806
Category : Philosophy
Languages : en
Pages : 761
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Book Description
An ambitious new history of philosophy in English that broadens the canon to include many lesser-known figures Ludwig Wittgenstein once wrote that “philosophy should be written like poetry.” But philosophy has often been presented more prosaically as a long trudge through canonical authors and great works. But what, Jonathan Rée asks, if we instead saw the history of philosophy as a haphazard series of unmapped forest paths, a mass of individual stories showing endurance, inventiveness, bewilderment, anxiety, impatience, and good humor? Here, Jonathan Rée brilliantly retells this history, covering such figures as Descartes, Locke, Kant, Hegel, Marx, Nietzsche, Mill, James, Frege, Wittgenstein, and Sartre. But he also includes authors not usually associated with philosophy, such as William Hazlitt, George Eliot, Darwin, and W. H. Auden. Above all, he uncovers dozens of unremembered figures—puritans, revolutionaries, pantheists, feminists, nihilists, socialists, and scientists—who were passionate and active readers of philosophy, and often authors themselves. Breaking away from high-altitude narratives, he shows how philosophy finds its way into ordinary lives, enriching and transforming them in unexpected ways.
