Author: I︠U︡riĭ Voront︠s︡ov
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 508

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Author: Iurii Viktorovich Vorontsov
Publisher: Imported Publication
ISBN: 9780828518741
Category : Performing Arts
Languages : en
Pages : 423

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Author: Richard Taylor
Publisher: Cambridge University Press
ISBN: 9780521088558
Category : History
Languages : en
Pages : 238

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The book provides an illuminating background of the political history of the Soviet cinema in the twenties.

Author: Peter Rollberg
Publisher: Rowman & Littlefield
ISBN: 1793641757
Category : History
Languages : en
Pages : 467

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This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon. The author’s analysis places leading directors—Shaken Aimanov, Abdulla Karsakbaev, Sultan-Akhmet Khodzhikov, Mazhit Begalin—in their sociopolitical and cultural context.

Author: Franz, Norbert P.
Publisher: Universitätsverlag Potsdam
ISBN: 3869564903
Category : Language Arts & Disciplines
Languages : en
Pages : 208

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This book features four essays that illuminate the relationship between American and Soviet film cultures in the 20th century. The first essay emphasizes the structural similarities and dissimilarities of the two cultures. Both wanted to reach the masses. However, the goal in Hollywood was to entertain (and educate a little) and in Moscow to educate (and entertain a little). Some films in the Soviet Union as well as in the United States were conceived as clear competition to one another – as the second essay demonstrates – and the ideological opponent was not shown from its most advantageous side. The third essay shows how, in the 1980s, the different film cultures made it difficult for the Soviet director Andrei Konchalovsky to establish himself in the US, but nevertheless allowed him to succeed. In the 1960s, a genre became popular that tells the story of the Russian Civil War using stylistic features of the Western: The Eastern. Its rise and decline are analyzed in the fourth essay.

Author: Jay Leyda
Publisher: London : Allen & Unwin
ISBN:
Category : Motion pictures
Languages : en
Pages : 538

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Author: Sudha Rajagopalan
Publisher: Indiana University Press
ISBN: 0253220998
Category : History
Languages : en
Pages : 282

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Understanding the Soviet public's love of Indian popular film

Author: Derek Spring
Publisher: Routledge
ISBN: 113612828X
Category : Social Science
Languages : en
Pages : 296

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Book Description
Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.

Author: Anna Lawton
Publisher: CUP Archive
ISBN: 9780521388146
Category : Business & Economics
Languages : en
Pages : 310

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Book Description
An examination of soviet cinema under Glasnost and Perestrokïa.

Author: Daniel J. Goulding
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 344

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