Author: Hanneke Grootenboer
Publisher: University of Chicago Press
ISBN: 0226309703
Category : Art
Languages : en
Pages : 222
Book Description
Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception. “An elegant and honourable synthesis.”—Keith Miller, Times Literary Supplement
The Rhetoric of Perspective
Author: Hanneke Grootenboer
Publisher: University of Chicago Press
ISBN: 0226309703
Category : Art
Languages : en
Pages : 222
Book Description
Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception. “An elegant and honourable synthesis.”—Keith Miller, Times Literary Supplement
Publisher: University of Chicago Press
ISBN: 0226309703
Category : Art
Languages : en
Pages : 222
Book Description
Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception. “An elegant and honourable synthesis.”—Keith Miller, Times Literary Supplement
Perspective as Symbolic Form
Author: Erwin Panofsky
Publisher: Princeton University Press
ISBN: 0942299477
Category : Art
Languages : en
Pages : 172
Book Description
Erwin Panofsky’s Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art-historical and philosophical discussions on the topic of perspective in this century. Finally available in English, this unrivaled example of Panofsky’s early method places him within broader developments in theories of knowledge and cultural change. Here, drawing on a massive body of learning that ranges over ancient philosophy, theology, science, and optics as well as the history of art, Panofsky produces a type of “archaeology” of Western representation that far surpasses the usual scope of art historical studies. Perspective in Panofsky’s hands becomes a central component of a Western “will to form,” the expression of a schema linking the social, cognitive, psychological, and especially technical practices of a given culture into harmonious and integrated wholes. He demonstrates how the perceptual schema of each historical culture or epoch is unique and how each gives rise to a different but equally full vision of the world. Panofsky articulates these distinct spatial systems, explicating their particular coherence and compatibility with the modes of knowledge, belief, and exchange that characterized the cultures in which they arose. Our own modernity, Panofsky shows, is inseparable from its peculiarly mathematical expression of the concept of the infinite, within a space that is both continuous and homogenous.
Publisher: Princeton University Press
ISBN: 0942299477
Category : Art
Languages : en
Pages : 172
Book Description
Erwin Panofsky’s Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art-historical and philosophical discussions on the topic of perspective in this century. Finally available in English, this unrivaled example of Panofsky’s early method places him within broader developments in theories of knowledge and cultural change. Here, drawing on a massive body of learning that ranges over ancient philosophy, theology, science, and optics as well as the history of art, Panofsky produces a type of “archaeology” of Western representation that far surpasses the usual scope of art historical studies. Perspective in Panofsky’s hands becomes a central component of a Western “will to form,” the expression of a schema linking the social, cognitive, psychological, and especially technical practices of a given culture into harmonious and integrated wholes. He demonstrates how the perceptual schema of each historical culture or epoch is unique and how each gives rise to a different but equally full vision of the world. Panofsky articulates these distinct spatial systems, explicating their particular coherence and compatibility with the modes of knowledge, belief, and exchange that characterized the cultures in which they arose. Our own modernity, Panofsky shows, is inseparable from its peculiarly mathematical expression of the concept of the infinite, within a space that is both continuous and homogenous.
Palouse Perspective, Landscape Photographs
Author: Alison Meyer
Publisher:
ISBN: 9780981816708
Category : Palouse River Valley (Idaho and Wash.)
Languages : en
Pages : 130
Book Description
Publisher:
ISBN: 9780981816708
Category : Palouse River Valley (Idaho and Wash.)
Languages : en
Pages : 130
Book Description
How to Write a Novel
Author: Nathan Bransford
Publisher: Nathan Bransford
ISBN: 173414940X
Category : Language Arts & Disciplines
Languages : en
Pages : 188
Book Description
Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."
Publisher: Nathan Bransford
ISBN: 173414940X
Category : Language Arts & Disciplines
Languages : en
Pages : 188
Book Description
Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."
The Origin of Perspective
Author: Hubert Damisch
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 512
Book Description
The second part of the book brings the historical invention of perspective into focus, discussing the experiments with mirrors made by Brunelleschi, connecting it to the history of consciousness via Jacques Lacan's definition of the "tableau" as "a configuration in which the subject as such gets its bearings.".
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 512
Book Description
The second part of the book brings the historical invention of perspective into focus, discussing the experiments with mirrors made by Brunelleschi, connecting it to the history of consciousness via Jacques Lacan's definition of the "tableau" as "a configuration in which the subject as such gets its bearings.".
Brook Taylor’s Work on Linear Perspective
Author: Kirsti Andersen
Publisher: Springer Science & Business Media
ISBN: 9780387974866
Category : Art
Languages : en
Pages : 282
Book Description
A Study of Taylors Role in the History of Perspective Geometry. Including Facsimiles of Taylors̀ Two Books on Perspective.
Publisher: Springer Science & Business Media
ISBN: 9780387974866
Category : Art
Languages : en
Pages : 282
Book Description
A Study of Taylors Role in the History of Perspective Geometry. Including Facsimiles of Taylors̀ Two Books on Perspective.
Perspective Made Easy
Author: Ernest R. Norling
Publisher: Courier Corporation
ISBN: 0486130002
Category : Art
Languages : en
Pages : 223
Book Description
Perspective is easy; yet, surprisingly few artists know the simple rules that make it so. Remedy that situation with this simple, step-by-step book, the first devoted entirely to the topic. 256 illustrations.
Publisher: Courier Corporation
ISBN: 0486130002
Category : Art
Languages : en
Pages : 223
Book Description
Perspective is easy; yet, surprisingly few artists know the simple rules that make it so. Remedy that situation with this simple, step-by-step book, the first devoted entirely to the topic. 256 illustrations.
What The Hell Are They Thinking?
Author: Daniel Ravner
Publisher: Perspective
ISBN: 9789659295081
Category :
Languages : en
Pages : 500
Book Description
What the Hell are They Thinking features 100 hotly debated topics that govern your life and covers politics, popular culture, sports, and more! It is the first book from multi-award-winning The Perspective
Publisher: Perspective
ISBN: 9789659295081
Category :
Languages : en
Pages : 500
Book Description
What the Hell are They Thinking features 100 hotly debated topics that govern your life and covers politics, popular culture, sports, and more! It is the first book from multi-award-winning The Perspective
Drawing Perspective
Author: Matthew T. Brehm
Publisher: B.E.S. Publishing
ISBN: 9781438006598
Category : Art
Languages : en
Pages : 144
Book Description
A hands-on guide to perspective provides exercises designed to make drawing perspective effortless and easy.
Publisher: B.E.S. Publishing
ISBN: 9781438006598
Category : Art
Languages : en
Pages : 144
Book Description
A hands-on guide to perspective provides exercises designed to make drawing perspective effortless and easy.
Perspective
Author: Phoebe McNaughton
Publisher: Wooden Books Us
ISBN: 9781952178078
Category : Art
Languages : en
Pages : 64
Book Description
Are things really smaller when they are further away? Can something be clearly visible but not there at all? Is it possible to have a direct and true experience of reality? In this delightful and informative little book Phoebe McNaughton takes us on a classical journey through the history of artistic perspective, showing how the eye can be tricked and confused, the brain befuddled, and the philosopher inside all of us awakened by the nature of illusion. WOODEN BOOKS USA. Small books, BIG ideas. Tiny but packed with information. "Stunning" NEW YORK TIMES. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST.
Publisher: Wooden Books Us
ISBN: 9781952178078
Category : Art
Languages : en
Pages : 64
Book Description
Are things really smaller when they are further away? Can something be clearly visible but not there at all? Is it possible to have a direct and true experience of reality? In this delightful and informative little book Phoebe McNaughton takes us on a classical journey through the history of artistic perspective, showing how the eye can be tricked and confused, the brain befuddled, and the philosopher inside all of us awakened by the nature of illusion. WOODEN BOOKS USA. Small books, BIG ideas. Tiny but packed with information. "Stunning" NEW YORK TIMES. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST.