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Author: Jane K. Brown
Publisher: University of Pennsylvania Press
ISBN: 0812201477
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
In an impressively comparative work, Jane K. Brown explores the tension in European drama between allegory and neoclassicism from the sixteenth through the nineteenth century. Imitation of nature is generally thought to triumph over religious allegory in the Elizabethan and French classical theater, a shift attributable to the recovery of Aristotle's Poetics in the Renaissance. But if Aristotle's terminology was rapidly assimilated, Brown demonstrates that change in dramatic practice took place only gradually and partially and that allegory was never fully cast off the stage. The book traces a complex history of neoclassicism in which new allegorical forms flourish and older ones are constantly revitalized. Brown reveals the allegorical survivals in the works of such major figures as Shakespeare, Calderón, Racine, Vondel, Metastasio, Goethe, and Wagner and reads tragedy, comedy, masque, opera, and school drama together rather than as separate developments. Throughout, she draws illuminating parallels to modes of representation in the visual arts. A work of broad interest to scholars, teachers, and students of theatrical form, The Persistence of Allegory presents a fundamental rethinking of the history of European drama.
Author: Jane K. Brown
Publisher: University of Pennsylvania Press
ISBN: 0812201477
Category : Literary Criticism
Languages : en
Pages : 306
Get Book Here
Book Description
In an impressively comparative work, Jane K. Brown explores the tension in European drama between allegory and neoclassicism from the sixteenth through the nineteenth century. Imitation of nature is generally thought to triumph over religious allegory in the Elizabethan and French classical theater, a shift attributable to the recovery of Aristotle's Poetics in the Renaissance. But if Aristotle's terminology was rapidly assimilated, Brown demonstrates that change in dramatic practice took place only gradually and partially and that allegory was never fully cast off the stage. The book traces a complex history of neoclassicism in which new allegorical forms flourish and older ones are constantly revitalized. Brown reveals the allegorical survivals in the works of such major figures as Shakespeare, Calderón, Racine, Vondel, Metastasio, Goethe, and Wagner and reads tragedy, comedy, masque, opera, and school drama together rather than as separate developments. Throughout, she draws illuminating parallels to modes of representation in the visual arts. A work of broad interest to scholars, teachers, and students of theatrical form, The Persistence of Allegory presents a fundamental rethinking of the history of European drama.
Author: Lance Marshall Dean
Publisher:
ISBN:
Category : Allegory
Languages : en
Pages : 486
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Book Description
Author: Roger Oliver Iredale
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Rita Copeland
Publisher: Cambridge University Press
ISBN: 0521862299
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
Traces the development of allegory in the European and American tradition from antiquity to the modern era.
![Disturbing the Universal [microform] : the Persistence of Allegory in Modernism PDF](https://books.google.com/books/content/images/frontcover/XtMPywAACAAJ?fife=w80-h100)
Author: Elias Polizoes
Publisher: National Library of Canada = Bibliothèque nationale du Canada
ISBN: 9780612916715
Category :
Languages : en
Pages : 694
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Book Description
This thesis is a study of the modernist mode of allegory in its literary, philosophical, and theoretical contexts. The first section of the thesis (Allegory in Theory) is divided into two chapters: Chapter 1 traces how, after the waning of Romanticism, the symbol was deployed, not only at the expense of allegory, but also to buttress a conservative cultural agenda aimed at effecting what Walter Benjamin has described as "the aestheticizing of politics." Through an examination of how Soren Kierkegaard invokes medieval notions of figural interpretation in his critique of nineteenth-century faith and culture, Chapter 2 elaborates the pre-history behind the political theology elaborated in the first. While the present thesis is divided into three discrete parts (the second dedicated to an investigation of Allegory in Prose, the third to Allegory in Verse), I tell the story of modernist allegory by calling upon the interpretative itinerary mapped out by the medieval practice of fourfold scriptural exegesis. As such, the two chapters that make up the first part of the thesis are concerned with the question of method, and in that respect occupy the space that Dante, in his "Letter to Can Grande," attributes to allegory, what Fredric Jameson has described as "the opening up of the text to multiple meanings, to successive re-writings and overwritings." Composed of a single chapter dedicated to James Joyce, the Allegory in Prose section is concerned with the literal level. In the third section (Allegory in Verse), I consider tropology and anagogy . The tropological level of modernist allegory is addressed in Chapters 4 and 5, with reference to the conversion and contemplative practice that Giuseppe Ungaretti elaborates in Il porto sepolto [1916]. The anagogic level is handled in Chapter 6, which also serves as a conclusion. In that chapter, I study how, in his later poetry, the apocalyptic strategy Eugenio Montale adopted in La bufera e altro [1956] transforms into an empty, yet ghostly, form of eschatology.
Author: Elizabeth M. DeLoughrey
Publisher: Duke University Press
ISBN: 1478005580
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
In Allegories of the Anthropocene Elizabeth M. DeLoughrey traces how indigenous and postcolonial peoples in the Caribbean and Pacific Islands grapple with the enormity of colonialism and anthropogenic climate change through art, poetry, and literature. In these works, authors and artists use allegory as a means to understand the multiscalar complexities of the Anthropocene and to critique the violence of capitalism, militarism, and the postcolonial state. DeLoughrey examines the work of a wide range of artists and writers—including poets Kamau Brathwaite and Kathy Jetñil-Kijiner, Dominican installation artist Tony Capellán, and authors Keri Hulme and Erna Brodber—whose work addresses Caribbean plantations, irradiated Pacific atolls, global flows of waste, and allegorical representations of the ocean and the island. In examining how island writers and artists address the experience of finding themselves at the forefront of the existential threat posed by climate change, DeLoughrey demonstrates how the Anthropocene and empire are mutually constitutive and establishes the vital importance of allegorical art and literature in understanding our global environmental crisis.
Author: Jason Crawford
Publisher: Oxford University Press
ISBN: 0191092118
Category : Literary Collections
Languages : en
Pages : 238
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Book Description
What is modernity? Where are modernitys points of origin? Where are its boundaries? And what lies beyond those boundaries? Allegory and Enchantment explores these broad questions by considering the work of English writers at the threshold of modernity, and by considering,in particular, the cultural forms these writers want to leave behind. From the fourteenth to the seventeenth centuries, many English writers fashion themselves as engaged in breaking away from an array of old idols: magic, superstition, tradition, the sacramental, the medieval. Many of these writers persistently use metaphors of disenchantment, of awakening from a broken spell, to describe their self-consciously modern orientation toward a medieval past. And many of them associate that repudiated past with the dynamics and conventions of allegory. In the hands of the major English practitioners of allegorical narrativeWilliam Langland, John Skelton, Edmund Spenser, and John Bunyanallegory shows signs of strain and disintegration. The work of these writers seems to suggest a story of modern emergence in which medieval allegory, with its search for divine order in the material world, breaks down under the pressure of modern disenchantment. But these four early modern writers also make possible other understandings of modernity. Each of them turns to allegory as a central organizing principle for his most ambitious poetic projects. Each discovers in the ancient forms of allegory a vital, powerful instrument of disenchantment. Each of them, therefore, opens up surprising possibilities: that allegory and modernity are inescapably linked; that the story of modern emergence is much older than the early modern period; and that the things modernity has tried to repudiatethe old enchantmentsare not as alien, or as absent, as they seem.
Author: M.L. Stapleton
Publisher: Routledge
ISBN: 1317166450
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Contributions to this volume explore the idea of Marlowe as a working artist, in keeping with John Addington Symonds' characterization of him as a "sculptor-poet." Throughout the body of his work-including not only the poems and plays, but also his forays into translation and imitation-a distinguished company of established and emerging literary scholars traces how Marlowe conceives an idea, shapes and refines it, then remakes and remodels it, only to refashion it further in his writing process. These essays necessarily overlap with one another in the categories of lives, stage, and page, which signals their interdependent nature regarding questions of authorship, theater and performance history, as well as interpretive issues within the works themselves. The contributors interpret and analyze the disputed facts of Marlowe's life, the textual difficulties that emerge from the staging of his plays, the critical investigations arising from analyses of individual works, and their relationship to those of his contemporaries. The collection engages in new ways the controversies and complexities of its subject's life and art. It reflects the flourishing state of Marlowe studies as it shapes the twenty-first century conception of the poet and playwright as master craftsman.
Author: Mary Carr
Publisher: Cambridge Scholars Publishing
ISBN: 152756374X
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
This collection of essays focuses on the ubiquity of the allegorical imagination in pre-modern western culture, and participates in a recent wave of resurgence of interest in the complex practices and ideas usually defined by the word "allegory". The contributors study the impact of the allegorical imagination on the production, reception and interpretation of literature, as well as its function as a tool of philosophical and theological enquiry, and its role in shaping the visual arts. Essays focus on subjects as varied as the general theories on allegory, allegory's relation to the human imagination, its usefulness or even inevitability as a human mode of cognition and its potential for the encoding of meanings that may be political, historical, religious and amorous. They discuss canonical figures such as Petrarch, Boccaccio, Boethius, Hans Memling, Pico della Mirandola, King James I and John Donne, but extend to include neglected but equally important figures such as Stephen Hawes or Thomas Usk as well as thematic approaches less concerned with issues of authority and authorship. As such the collection is a testimony to the variety, complexity, and adaptability of "allegory" at the heart of medieval western civilisation.
Author: Simon Richter
Publisher: Boydell & Brewer
ISBN: 1571135677
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Invoking Goethe's name has become fashionable again. With new methods and technologies of reading threatening to render literature virtual and insubstantial, we have the sense that 'Goethe's ghosts' - the otherwise neglected voices and traditions that, finding their most trenchant expression in Goethe, inform the Western storehouse of literature - can show us long-forgotten dimensions of literature. Inspired by the distinguished Goethe scholar Jane Brown, the contributors to this volume take a rich variety of approaches to Goethe: cultural studies, history of the book, semiotics, deconstruction, colonial studies, feminism, childhood studies, and eco-criticism.
