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Author: Lillian B. Miller
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Author: Lillian B. Miller
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Author: Charles Coleman Sellers
Publisher: W. W. Norton & Company
ISBN: 9780393057003
Category : Biography & Autobiography
Languages : en
Pages : 392
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Book Description
Charles Willson Peale was not only one of our finest early American painters, but also the founder of the world's first popular museum of natural science and art.
Author: David C. Ward
Publisher: Univ of California Press
ISBN: 0520239601
Category : Art
Languages : en
Pages : 263
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Book Description
It links the artist's autobiography to his painting, illuminating the man, his art, and his times. Peale emerges for the first time as that particularly American phenomenon: the self-made man."
Author: Detroit Institute of Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
Author: Nicolai Cikovsky (Jr.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 140
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Book Description
The beautifully illustrated book, with 47 color plates, will restore Raphaelle Peale, eldest son of artist, naurtalist, and inventor Charles Willson Peale, to his rightful place in the annals of American art.
Author: James H. Johnston
Publisher: Fordham Univ Press
ISBN: 0823239500
Category : Biography & Autobiography
Languages : en
Pages : 313
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Book Description
A true story of six generations of an African American family in Maryland. Based on paintings, photographs, books, diaries, court records, legal documents, and oral histories, the book traces Yarrow Mamout and his in-laws, the Turners, from the colonial period through the Civil War to Harvard and finally the present day.
Author: Detroit Institute of Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 162
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Book Description
Author: Carol Eaton Soltis
Publisher: Yale University Press
ISBN: 9780300229363
Category : Art
Languages : en
Pages : 0
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Book Description
A fascinating overview of the Philadelphia Museum of Art's unparalleled and diverse collection of works by the Peale family, America's first artistic dynasty Active from the late 18th through the early 20th century, the Peale family was America's first artistic dynasty. This overview of the art of the Peales documents and interprets more than 160 works in a variety of media from the renowned collection of the Philadelphia Museum of Art. With discussions of both internationally famous masterworks such as Charles Willson Peale's Staircase Group and lesser-known but equally engaging pictures including Rubens Peale's Magpie Eating Cake, Carol Eaton Soltis traces the family's history and reveals how the Peales' energy, innovation, and entrepreneurship paved the way for generations of American artists. Rigorously researched and generously illustrated, The Art of the Peales is an essential and wide-ranging study that considers the family's substantial output and contextualizes their historical legacy. Examining the different ways that the Peales instructed, influenced, supported, and competed with one another, this book is full of new revelations on this extraordinary family that remained a transformative force in America's cultural life for more than a century. Published in association with the Philadelphia Museum of Art
Author: Cincinnati Art Museum
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 36
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Book Description
Author: Wendy Bellion
Publisher: UNC Press Books
ISBN: 080783890X
Category : Art
Languages : en
Pages : 384
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Book Description
In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, “Invisible Ladies,” and other spectacles of deception. Bellion reconstructs the elite and vernacular sites where such art and objects appeared and argues that early national exhibitions doubled as spaces of citizen formation. Within a post-Revolutionary culture troubled by the social and political consequences of deception, keen perception signified able citizenship. Setting illusions into dialogue with Enlightenment cultures of science, print, politics, and the senses, Citizen Spectator demonstrates that pictorial and optical illusions functioned to cultivate but also to confound discernment. Bellion reveals the equivocal nature of illusion during the early republic, mapping its changing forms and functions, and uncovers surprising links between early American art, culture, and citizenship.
