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Author: K'ung Shang-jen
Publisher: Univ of California Press
ISBN: 0520322312
Category :
Languages : en
Pages : 417
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Book Description
Author: K'ung Shang-jen
Publisher: Univ of California Press
ISBN: 0520322312
Category :
Languages : en
Pages : 417
Get Book Here
Book Description
Author: 孔尚任
Publisher:
ISBN:
Category : Chinese drama
Languages : zh-CN
Pages : 254
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Book Description
Author: Tina Lu
Publisher: Stanford University Press
ISBN: 9780804742023
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
Focusing on two late-Ming or early-Qing plays central to the Chinese canon (Peony Pavilion and Peach Blossom Fan), this study explores crucial questions concerning personal identity.
Author: Xiping Fan
Publisher: CreateSpace
ISBN: 9781497555198
Category : Games
Languages : en
Pages : 272
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Book Description
Fan Xiping (1709 - ?), titled guoshou and go saint, was one of the strongest players in the Qing dynasty. Together with Shi Xiangxia, their Ten-Game Match at Danghu is widely regarded as the pinnacle of go in ancient China. In the masterpiece Go Book of Peach Blossom Spring, Fan summarizes his unique findings from his lifelong research with an exposition of 20 basic positions in over 400 variations. Table of Contents: Foreword Preface Part I 9-5 Cap (44 variations) 3-6 Invasion (28 variations) Entering the Corner with the Very Large Knight's Move (12 variations) 3-6 Invasion After Diagonal Attachment (24 variations) 3-5 Invasion and Hane (40 variations) Attacking with Two-Space Extension and Keima (36 variations) Corner Seal (7 variations) Inappropriate Corner Seal (6 variations) Kosumi Seal (16 variations) Jump Seal After Diagonal Attachment (11 variations) Keima Seal After Diagonal Attachment (9 variations) 9-4 Press (4 variations) Part II 5-6 Keima Attack (44 variations) Double Kakari (56 variations) Three-Space Extension (16 variations) 3-5 Invasion (15 variations) 2-5 Invasion (21 variations) Clamp Invasion After Diagonal Attachment (6 variations) Clamp Invasion After Attachment and Jump (8 variations) Cross Cut (55 variations) 271 pages Sensei's Library: http://senseis.xmp.net/?PeachBlossom ==================== Translations by Ruoshi Sun: Three-Stone Games by Guo Bailing https://www.createspace.com/4590413 Four-Stone Games by Guo Bailing Part I https://www.createspace.com/4592900 Part II https://www.createspace.com/4633416 Games of Wonder by Wu Jun and Wu Jiong http://www.createspace.com/4733019 Go Book of Peach Blossom Spring by Fan Xiping http://www.createspace.com/4742860
Author: Richard M. Barnhart
Publisher: Metropolitan Museum of Art
ISBN: 0870993585
Category : Flowers in art
Languages : en
Pages : 146
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Book Description
Author: Wilt L. Idema
Publisher: BRILL
ISBN: 1684174155
Category : Literary Criticism
Languages : en
Pages : 560
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Book Description
"The collapse of the Ming dynasty and the Manchu conquest of China were traumatic experiences for Chinese intellectuals, not only because of the many decades of destructive warfare but also because of the adjustments necessary to life under a foreign regime. History became a defining subject in their writings, and it went on shaping literary production in succeeding generations as the Ming continued to be remembered, re-imagined, and refigured on new terms. The twelve chapters in this volume and the introductory essays on early Qing poetry, prose, and drama understand the writings of this era wholly or in part as attempts to recover from or transcend the trauma of the transition years. By the end of the seventeenth century, the sense of trauma had diminished, and a mood of accommodation had taken hold. Varying shades of lament or reconciliation, critical or nostalgic retrospection on the Ming, and rejection or acceptance of the new order distinguish the many voices in these writings."
Author: Shangren Kong
Publisher: Univ of California Press
ISBN: 9780520029286
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
The Peach Blossom Fan is a poetic drama about national cataclysm. More than 300 years ago, the last native Chinese imperial house fell before rebel onslaughts, made a short-lived attempt at restoration in the south, then yielded finally to the invading Manchus. Writing in the 1690s, Kng Shang-jen gathered the recollections of survivors. Out of these and a multitude of documentary accounts, he constructed a great historical play in the elegant Southern Chinese style. With compelling vividness he recreates confrontations between loyalists and those who would sell out to the newest master; nostalgic scenes of dalliance in riverside pavilions, with wine and poetry and beautiful girls; desperate stands on battlements of beleaguered cities; and more. Sir Harold Acton, who collaborated with the late S. H. Chen and Cyril Birch in making this translation, has captured in his lively English the spirit and nuances of the original. Prefatory materials and notes provide both historical and dramaturgical background for the reader full enjoyment of this masterpiece.
Author: 洪昇
Publisher: Peking Foreign Languages Press [1955]
ISBN:
Category : Chinese drama
Languages : en
Pages : 350
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Book Description
The play recounts the love story of Emperor Xuanzong of Tang and his favorite consort, Yang Guifei. Though based on a large body of earlier literature and legend, it is unique in its overall form and lyric exposition.
Author: Sophie Volpp
Publisher: BRILL
ISBN: 168417435X
Category : Literary Criticism
Languages : en
Pages : 395
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Book Description
"In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites, and notions of performance and spectatorship came to animate diverse aspects of literati cultural production. In this study of late-imperial Chinese theater, Sophie Volpp offers fresh readings of major texts such as Tang Xianzu’s Peony Pavilion (Mudan ting) and Kong Shangren’s Peach Blossom Fan (Taohua shan), and unveils lesser-known materials such as Wang Jide’s play The Male Queen (Nan wanghou). In doing so, Volpp sheds new light on the capacity of seventeenth-century drama to comment on the cultural politics of the age. Worldly Stage arrives at a conception of theatricality particular to the classical Chinese theater and informed by historical stage practices. The transience of worldly phenomena and the vanity of reputation had long informed the Chinese conception of theatricality. But in the seventeenth century, these notions acquired a new verbalization, as theatrical models of spectatorship were now applied to the contemporary urban social spectacle in which the theater itself was deeply implicated."
Author: Shangren Kong
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
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Book Description
