The Parthenon Frieze, and Other Essays PDF Download
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Author: Thomas Davidson
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Author: Thomas Davidson
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Author: Thomas Davidson
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 302
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Book Description
Author: Thomas Davidson
Publisher: BoD – Books on Demand
ISBN: 3385483956
Category : Fiction
Languages : en
Pages : 254
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Book Description
Reprint of the original, first published in 1882.
Author: THOMAS. DAVIDSON
Publisher:
ISBN: 9781033742952
Category :
Languages : en
Pages : 0
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Book Description
Author: Thomas Davidson
Publisher:
ISBN: 9781330665015
Category : Social Science
Languages : en
Pages : 256
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Book Description
Excerpt from The Parthenon Frieze, and Other Essays Upon a broken tombstone of the Prime, When youths, who loved the gods, were loved again And rapt from sight, two human forms remain. One, shrunk with years and hoary with their rime, Gropes for the hand of one who sits sublime And, calm in large-limbed youth, prepares to drain The cup of endless life. In vain! in vain! He cannot reach beyond the screen of time. So, Arthur, as our human years go by, I stand and blindly grope for thy dear hand, And listen for a whisper from thy tongue. In vain! in vain! I only hear Love cry: "He feasts with gods upon the eternal strand; For they in whom the gods delight die young." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Thomas Davidson
Publisher: Theclassics.Us
ISBN: 9781230276748
Category :
Languages : en
Pages : 62
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1882 edition. Excerpt: ... oidipous tyrannos. That the oldest and most influential university in New England should have brought out, with distinguished success, in her own theatre, an ancient Greek tragedy in the original language, with all the proper equipments of stage, scenery, costume and music, is, in several ways, a most noteworthy event. Educationally considered, it means that the study of ancient Greek, so long a dry, barren encumbrance of the ground, has at last borne fruit, fit to enter as sustenance into the intellectual, moral, and artistic life of the more favoured members of the community. From a literary point of view, it means the revival of an intelligent interest in the robust, earnest, soulstrengthening works of the grand old masters, as opposed to the feeble, pampering, alcoholic love-lore, on which so many mere rhymers and story-tellers nowadays base their lofty titles of poets and men of letters. Lastly, it means that the old supercilious spirit, which regarded paganism as a mere cloud of error, dispelled by the pure light of Christian truth, is giving way to a kindly appreciation of the human as human, of the good and the true, wherever they are found. If such exhibitions are frequently repeated at Cambridge and initiated at other great seats of learning and education, we may hope that in a short time there will issue from our universities a succession of scholarly, philosophical artists, capable of finding for the glad, generous, but only half-grasped ideas, which shape American life, forms as original, perfect, and eternal as those in which Sophokles and his brethren cast the gloomy beliefs that ran through Hellenic life. When that time comes, we shall have a literature as much nobler than that of the Greeks as free love of the good, as...
Author: Thomas Davidson
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Thomas DAVIDSON (Philosopher.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Charles Waldstein
Publisher: Cambridge University Press
ISBN: 1107619432
Category : Art
Languages : en
Pages : 481
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Book Description
This 1885 book examines the extant works of the Greek sculptor Pheidias, best known as the creator of the Parthenon Marbles and the gold and ivory statue of Zeus at Olympia. Waldstein examines the Parthenon Marbles with particular scrutiny and charts the relationship between Pheidias' school and the development of later Greek art.
Author: Joan Breton Connelly
Publisher: Vintage
ISBN: 0385350503
Category : History
Languages : en
Pages : 521
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Book Description
Built in the fifth century b.c., the Parthenon has been venerated for more than two millennia as the West’s ultimate paragon of beauty and proportion. Since the Enlightenment, it has also come to represent our political ideals, the lavish temple to the goddess Athena serving as the model for our most hallowed civic architecture. But how much do the values of those who built the Parthenon truly correspond with our own? And apart from the significance with which we have invested it, what exactly did this marvel of human hands mean to those who made it? In this revolutionary book, Joan Breton Connelly challenges our most basic assumptions about the Parthenon and the ancient Athenians. Beginning with the natural environment and its rich mythic associations, she re-creates the development of the Acropolis—the Sacred Rock at the heart of the city-state—from its prehistoric origins to its Periklean glory days as a constellation of temples among which the Parthenon stood supreme. In particular, she probes the Parthenon’s legendary frieze: the 525-foot-long relief sculpture that originally encircled the upper reaches before it was partially destroyed by Venetian cannon fire (in the seventeenth century) and most of what remained was shipped off to Britain (in the nineteenth century) among the Elgin marbles. The frieze’s vast enigmatic procession—a dazzling pageant of cavalrymen and elders, musicians and maidens—has for more than two hundred years been thought to represent a scene of annual civic celebration in the birthplace of democracy. But thanks to a once-lost play by Euripides (the discovery of which, in the wrappings of a Hellenistic Egyptian mummy, is only one of this book’s intriguing adventures), Connelly has uncovered a long-buried meaning, a story of human sacrifice set during the city’s mythic founding. In a society startlingly preoccupied with cult ritual, this story was at the core of what it meant to be Athenian. Connelly reveals a world that beggars our popular notions of Athens as a city of staid philosophers, rationalists, and rhetoricians, a world in which our modern secular conception of democracy would have been simply incomprehensible. The Parthenon’s full significance has been obscured until now owing in no small part, Connelly argues, to the frieze’s dismemberment. And so her investigation concludes with a call to reunite the pieces, in order that what is perhaps the greatest single work of art surviving from antiquity may be viewed more nearly as its makers intended. Marshalling a breathtaking range of textual and visual evidence, full of fresh insights woven into a thrilling narrative that brings the distant past to life, The Parthenon Enigma is sure to become a landmark in our understanding of the civilization from which we claim cultural descent.
