Parlour Song PDF Download
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Author: Jez Butterworth
Publisher: Nick Hern Books
ISBN:
Category : Drama
Languages : en
Pages : 68
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Book Description
A new play by award-winning stage and screen writer, premiered by the mega-successful Almeida Theatre.
Author: Jez Butterworth
Publisher: Nick Hern Books
ISBN:
Category : Drama
Languages : en
Pages : 68
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Book Description
A new play by award-winning stage and screen writer, premiered by the mega-successful Almeida Theatre.
Author:
Publisher:
ISBN:
Category : Songs, English
Languages : en
Pages : 176
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Book Description
Author:
Publisher:
ISBN:
Category : Songs, English
Languages : en
Pages : 214
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Book Description
Author: Michael R. Turner
Publisher: Viking
ISBN:
Category : Music
Languages : en
Pages : 392
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Book Description
Witty and nostalgic commentary on the composers, lyricists, and scores of 19th-century English and American parlour songs.
Author: Michael R. Turner
Publisher: Courier Dover Publications
ISBN: 9780486270449
Category : Literary Collections
Languages : en
Pages : 325
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Book Description
Features 117 gems by Longfellow, Tennyson, Browning and many lesser-known poets. "The Village Blacksmith," "Curfew Must Not Ring Tonight," "Only a Baby Small," more, often difficult to find elsewhere. Index of poets, titles, first lines.
Author: Stephen D. Moore
Publisher: Stanford University Press
ISBN: 9780804743327
Category : Religion
Languages : en
Pages : 374
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Book Description
God's Beauty Parlor opens the Bible to the contested body of critical commentary on sex and sexuality known as queer theory and to masculinity studies. The author pursues the themes of homoeroticism, masculinity, beauty, and violence through such texts as the Song of Songs, the Gospels, the Letter to the Romans, and the Book of Revelation.
Author: Mitchell Morris
Publisher: Univ of California Press
ISBN: 0520275993
Category : Biography & Autobiography
Languages : en
Pages : 264
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Book Description
How can we account for the persistent appeal of glossy commercial pop music? Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? In The Persistence of Sentiment, Mitchell Morris gives a critical account of a group of American popular music performers who have dedicated fan bases and considerable commercial success despite the critical disdain they have endured. Morris examines the specific musical features of some exemplary pop songs and draws attention to the social contexts that contributed to their popularity as well as their dismissal. These artists were all members of more or less disadvantaged social categories: members of racial or sexual minorities, victims of class and gender prejudices, advocates of populations excluded from the mainstream. The complicated commercial world of pop music in the 1970s allowed the greater promulgation of musical styles and idioms that spoke to and for exactly those stigmatized audiences. In more recent years, beginning with the “Seventies Revival” of the early 1990s, additional perspectives and layers of interpretation have allowed not only a deeper understanding of these songs' function than when they were first popular, but also an appreciation of how their significance has shifted for American listeners in the succeeding three decades.
Author: Jez Butterworth
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822216612
Category : Rock musicians
Languages : en
Pages : 84
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Book Description
THE STORY: Silver Johnny is the new singing sensation, straight out of a low-life Soho clubland bar in 1958. His success could be the big break for two dead-end workers in the bar, if they play their cards right and trust the owner of the place to
Author: Baba Badji
Publisher: Parlor Press LLC
ISBN: 1643171984
Category : Poetry
Languages : en
Pages : 106
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Book Description
In Ghost Letters, one emigrates to America again, and again, and again, though one also never leaves Senegal, the country of one’s birth; one grows up in America, and attends university in America, though one also never leaves Senegal, the country of one’s birth; one wrestles with one’s American blackness in ways not possible in Senegal, though one never leaves Senegal, the country of one’s birth; and one sees more deeply into Americanness than any native-born American could. Ghost Letters is a 21st century Notebook of a Return to the Native Land, though it is a notebook of arrival and being in America. It is a major achievement. —Shane McCrae
Author: Candace Bailey
Publisher: SIU Press
ISBN: 0809385570
Category : History
Languages : en
Pages : 276
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Book Description
Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.
