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Author: Ewa Lajer-Burcharth
Publisher: Princeton University Press
ISBN: 0691170126
Category : Art
Languages : en
Pages : 312
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Book Description
A new interpretation of the development of artistic modernity in eighteenth-century France What can be gained from considering a painting not only as an image but also a material object? How does the painter’s own experience of the process of making matter for our understanding of both the painting and its maker? The Painter’s Touch addresses these questions to offer a radical reinterpretation of three paradigmatic French painters of the eighteenth century. In this beautifully illustrated book, Ewa Lajer-Burcharth provides close readings of the works of François Boucher, Jean-Siméon Chardin, and Jean-Honoré Fragonard, entirely recasting our understanding of these painters’ practice. Using the notion of touch, she examines the implications of their strategic investment in materiality and sheds light on the distinct contribution of painting to the culture of the Enlightenment. Lajer-Burcharth traces how the distinct logic of these painters’ work—the operation of surface in Boucher, the deep materiality of Chardin, and the dynamic morphological structure in Fragonard—contributed to the formation of artistic identity. Through the notion of touch, she repositions these painters in the artistic culture of their time, shifting attention from institutions such as the academy and the Salon to the realms of the market, the medium, and the body. Lajer-Burcharth analyzes Boucher’s commercial tact, Chardin’s interiorized craft, and Fragonard’s materialization of eros. Foregrounding the question of experience—that of the painters and of the people they represent—she shows how painting as a medium contributed to the Enlightenment’s discourse on the self in both its individual and social functions. By examining what paintings actually “say” in brushstrokes, texture, and paint, The Painter’s Touch transforms our understanding of the role of painting in the emergence of modernity and provides new readings of some of the most important and beloved works of art of the era.
Author: Ewa Lajer-Burcharth
Publisher: Princeton University Press
ISBN: 0691170126
Category : Art
Languages : en
Pages : 312
Get Book
Book Description
A new interpretation of the development of artistic modernity in eighteenth-century France What can be gained from considering a painting not only as an image but also a material object? How does the painter’s own experience of the process of making matter for our understanding of both the painting and its maker? The Painter’s Touch addresses these questions to offer a radical reinterpretation of three paradigmatic French painters of the eighteenth century. In this beautifully illustrated book, Ewa Lajer-Burcharth provides close readings of the works of François Boucher, Jean-Siméon Chardin, and Jean-Honoré Fragonard, entirely recasting our understanding of these painters’ practice. Using the notion of touch, she examines the implications of their strategic investment in materiality and sheds light on the distinct contribution of painting to the culture of the Enlightenment. Lajer-Burcharth traces how the distinct logic of these painters’ work—the operation of surface in Boucher, the deep materiality of Chardin, and the dynamic morphological structure in Fragonard—contributed to the formation of artistic identity. Through the notion of touch, she repositions these painters in the artistic culture of their time, shifting attention from institutions such as the academy and the Salon to the realms of the market, the medium, and the body. Lajer-Burcharth analyzes Boucher’s commercial tact, Chardin’s interiorized craft, and Fragonard’s materialization of eros. Foregrounding the question of experience—that of the painters and of the people they represent—she shows how painting as a medium contributed to the Enlightenment’s discourse on the self in both its individual and social functions. By examining what paintings actually “say” in brushstrokes, texture, and paint, The Painter’s Touch transforms our understanding of the role of painting in the emergence of modernity and provides new readings of some of the most important and beloved works of art of the era.
Author: Ewa Lajer-Burcharth
Publisher:
ISBN: 9780691238319
Category : Art
Languages : en
Pages : 312
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Book Description
A new interpretation of the development of artistic modernity in eighteenth-century France The Painter's Touch is a radical reinterpretation of three paradigmatic French painters of the eighteenth century. In this beautifully illustrated book, Ewa Lajer-Burcharth provides close readings of the works of Francois Boucher, Jean-Simeon Chardin, and Je
Author: David Curtis
Publisher:
ISBN: 9780715306239
Category : Landscape painting
Languages : en
Pages : 0
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Book Description
An outline of Curtis's approach to painting landscapes. He stresses the need to work "plein air", with little studio work, and discusses techniques and materials suitable for this approach. The book includes step-by-step demonstrations where the artist puts into practice the advice he has given
Author: Julie Appel
Publisher:
ISBN: 9781402759048
Category : Art appreciation
Languages : en
Pages : 0
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Book Description
Like most children, painters throughout history have loved animals--and this gallery of delightfully touchable creatures showcases a menagerie of artistic beasts. Little hands will enjoy stroking a red feather on Picasso’s The Rooster, feeling soft fleece in Milton Avery’s Sheep, 1952, and petting a kitten’s whiskers in Henri Rousseau’s The Tabby. They can even smell a scratch-and-sniff cheese surface on van Gogh’s Two Rats!
Author: Joe Fig
Publisher: Chronicle Books
ISBN: 1616891173
Category : Design
Languages : en
Pages : 240
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Book Description
Inside an art gallery, it is easy to forget that the paintings there are the end products of a process involving not only creative inspiration, but also plenty of physical and logistical details. It is these "cruder," more mundane aspects of a painter's daily routine that motivated Brooklyn artist Joe Fig to embark almost ten years ago on a highly unorthodox, multilayered exploration of the working life of the professional artist. Determined to ground his research in the physical world, Fig began constructing a series of diorama-like miniature reproductions of the studios of modern art's most legendary painters, such as Jackson Pollock and Willem de Kooning. A desire for firsthand references led Fig to approach contemporary artists for access to their studios. Armed with a camera and a self-made "Artist's Questionnaire," Fig began a journey through the workspaces of some of today's most exciting contemporary artists.
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 574
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Book Description
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 554
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Book Description
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 634
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Book Description
Author: Joy McCullough
Publisher: Penguin
ISBN: 0735232121
Category : Young Adult Fiction
Languages : en
Pages : 322
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Book Description
"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review
Author: Arthur Pillans Laurie
Publisher: Read Books Ltd
ISBN: 1528768116
Category : Art
Languages : en
Pages : 291
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Book Description
“The Painter's Method and Materials” is a comprehensive guide to all things painting, dealing with everything from how to use use pigments in tempera to water-colour, mural painting, the theories of light and colour, and much more. This timeless volume will prove to be an invaluable resource for painters both new and old, and it would make for a marvellous addition to collections of allied literature. Contents include: “The Mediums Used in Painting”, “The Written Evidence on Early Painting Methods in Oil”, “Wood Panels and Canvas”, “The Pigments Used in Painting (contd.)”, “The Behaviour of White Light”, “Colour and the Prism”, “Linseed Oil, Walnut Oil, and Poppy Oil”, “How to Paint Oil Pictures”, etc. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new the original text and artwork.
