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Author: Martin Butlin
Publisher:
ISBN:
Category :
Languages : en
Pages : 419
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Book Description
Author: Martin Butlin
Publisher:
ISBN:
Category :
Languages : en
Pages : 419
Get Book Here
Book Description
Author: Martin Butlin
Publisher: Oxford University Press, USA
ISBN: 9780198600251
Category : Art
Languages : en
Pages : 419
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Book Description
Offers entries on the life and times of the British painter, the landscapes depicted in his works, his patrons and associates, and the value of his work on the art market, along with studies of individual paintings.
Author: Luke Herrmann
Publisher: OUP Oxford
ISBN: 0199217556
Category : Art
Languages : en
Pages : 122
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Book Description
Definitive, concise, and very interesting... From William Shakespeare to Winston Churchill, the Very Interesting People series provides authoritative bite-sized biographies of Britain's most fascinating historical figures - people whose influence and importance have stood the test of time. Each book in the series is based upon the biographical entry from the world-famous Oxford Dictionary of National Biography. The Very Interesting People series includes the following titles: 1.William Shakespeare by Peter Holland 2. George Eliot by Rosemary Ashton 3. Charles Dickens by Michael Slater 4. Charles Darwin by Adrian Desmond, James Moore, and Janet Browne 5. Isaac Newton by Richard S.Westfall 6. Elizabeth I by Patrick Collinson 7. George III by John Cannon 8. Benjamin Disraeli by Jonathan Parry 9. Christopher Wren by Kerry Downes 10. John Ruskin by Robert Hewison 11. James Joyce by Bruce Stewart 12. John Milton by Gordon Campbell 13. Jane Austen by Marilyn Butler 14. Henry VIII by Eric Ives 15. Queen Victoria by K. D. Reynolds and H. C. G. Matthew 16. Winston Churchill by Paul Addison 17. Oliver Cromwell by John Morrill 18. Thomas Paine by Mark Philp 19. J. M. W. Turner by Luke Herrmann 20. William and Mary by Tony Claydon and W. A. Speck -
Author: Leo Costello
Publisher: Routledge
ISBN: 1351561855
Category : Art
Languages : en
Pages : 280
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Book Description
J.M.W. Turner and the Subject of History is an in-depth consideration of the artist's complex response to the challenge of creating history paintings in the early nineteenth century. Structured around the linked themes of making and unmaking, of creation and destruction, this book examines how Turner's history paintings reveal changing notions of individual and collective identity at a time when the British Empire was simultaneously developing and fragmenting. Turner similarly emerges as a conflicted subject, one whose artistic modernism emerged out of a desire to both continue and exceed his eighteenth-century aesthetic background by responding to the altered political and historical circumstances of the nineteenth century.
Author: Eric Shanes
Publisher: Parkstone International
ISBN: 1780429592
Category : Art
Languages : en
Pages : 256
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Book Description
At fifteen, Turner was already exhibiting View of Lambeth. He soon acquired the reputation of an immensely clever watercolourist. A disciple of Girtin and Cozens, he showed in his choice and presentation of theme a picturesque imagination which seemed to mark him out for a brilliant career as an illustrator. He travelled, first in his native land and then on several occasions in France, the Rhine Valley, Switzerland and Italy. He soon began to look beyond illustration. However, even in works in which we are tempted to see only picturesque imagination, there appears his dominant and guiding ideal of lyric landscape. His choice of a single master from the past is an eloquent witness for he studied profoundly such canvases of Claude as he could find in England, copying and imitating them with a marvellous degree of perfection. His cult for the great painter never failed. He desired his Sun Rising through Vapour and Dido Building Carthage to be placed in the National Gallery side by side with two of Claude’s masterpieces. And, there, we may still see them and judge how legitimate was this proud and splendid homage. It was only in 1819 that Turner went to Italy, to go again in 1829 and 1840. Certainly Turner experienced emotions and found subjects for reverie which he later translated in terms of his own genius into symphonies of light and colour. Ardour is tempered with melancholy, as shadow strives with light. Melancholy, even as it appears in the enigmatic and profound creation of Albrecht Dürer, finds no home in Turner’s protean fairyland – what place could it have in a cosmic dream? Humanity does not appear there, except perhaps as stage characters at whom we hardly glance. Turner’s pictures fascinate us and yet we think of nothing precise, nothing human, only unforgettable colours and phantoms that lay hold on our imaginations. Humanity really only inspires him when linked with the idea of death – a strange death, more a lyrical dissolution – like the finale of an opera.
Author: Graham Reynolds
Publisher: Thames & Hudson
ISBN: 0500775893
Category : Art
Languages : en
Pages : 294
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Book Description
Few British artists have ever achieved such a wide range of style in oil painting, watercolour, drawing and engraving as J. M. W. Turner. He had a precocious gift that was developed over a lifetime of experiment and innovation. This classic book in the World of Art series traces the artists career from youthful pictureseque views and watercolours of Gothic ruins to the romantic landscape and historical compositions of his maturity, and the astonishing art of his later years. In these late paintings Turners tragic sense of life is stated most profoundly and the work was unintelligible to his contemporaries but his reputation as the greatest British painter now rests on our understanding of these as pioneering explorations of abstraction, prefiguring the art of the 20th century. Graham Reynolds weaves together the artists biography with sensitive criticism of his work, through all phases of his career, in this classic work first published in 1969 that has long served as an outstanding introduction to Turners life and art. It has now been revised and updated by the curator of the Turner Bequest at Tate, David Blayney Brown, to reflect recent discoveries and interpretations, and the illustrations are in full colour for the first time. It will serve as the best available study of this perennially popular artist for a new generation of readers.
Author: Dinah Birch
Publisher: OUP Oxford
ISBN: 0191030848
Category : Literary Criticism
Languages : en
Pages : 2022
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Book Description
The Oxford Companion to English Literature has long been established as the leading reference resource for students, teachers, scholars, and general readers of English literature. It provides unrivalled coverage of all aspects of English literature - from writers, their works, and the historical and cultural context in which they wrote, to critics, literary theory, and allusions. For the seventh edition, the Companion has been thoroughly revised and updated to meet the needs and concerns of today's students and general readers. Over 1,000 new entries have been added, ranging from new writers - Chimamanda Ngozi Adichie, Patrick Marber, David Mitchell, Arundhati Roy - to increased coverage of writers and literary movements from around the world. Coverage of American literature has been substantially increased, with new entries on writers such as Cormac McCarthy and Amy Tan and on movements and publications. Contextual and historical coverage has also been expanded, with new entries on European history and culture, post-colonial literature, as well as writers and literary movements from around the world that have influenced English literature. The Companion has always been a quick and dependable source of reference for students, and the new edition confirms its pre-eminent role as the go-to resource of first choice. All entries have been reviewed, and details of new works, biographies, and criticism have been brought right up to date. So also has coverage of the themes, approaches and concepts encountered by students today, from terms to articles on literary theory and theorists. There is increased coverage of writers from around the world, as well as from Ireland, Scotland, and Wales, and of contextual topics, including film and television, music, and art. Cross-referencing has been thoroughly updated, with stronger linking from writers to thematic and conceptual entries. Meanwhile coverage of popular genres such as children's literature, science fiction, biography, reportage, crime fiction, fantasy or travel literature has been increased substantially, with new entries on writers from Philip Pullman to Anne Frank and from Anais Nin to Douglas Adams. The seventh edition of this classic Companion - now under the editorship of Dinah Birch, assisted by a team of 28 distinguished associate editors, and over 150 contributors - ensures that it retains its status as the most authoritative, informative, and accessible guide to literature available.
Author: Franny Moyle
Publisher: Penguin
ISBN: 073522093X
Category : Biography & Autobiography
Languages : en
Pages : 592
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Book Description
The life of one of Western art's most admired and misunderstood painters J.M.W. Turner is one of the most important figures in Western art, and his visionary work paved the way for a revolution in landscape painting. Over the course of his lifetime, Turner strove to liberate painting from an antiquated system of patronage. Bringing a new level of expression and color to his canvases, he paved the way for the modern artist. Turner was very much a man of his changing era. In his lifetime, he saw Britain ravaged by Napoleonic wars, revived by the Industrial Revolution, and embarked upon a new moment of Imperial glory with the ascendancy of Queen Victoria. His own life embodied astonishing transformation. Born the son of a barber in Covent Garden, he was buried amid pomp and ceremony in St. Paul's Cathedral. Turner was accepted into the prestigious Royal Academy at the height of the French Revolution when a climate of fear dominated Britain. Unable to travel abroad he explored at home, reimagining the landscape to create some of the most iconic scenes of his country. But his work always had a profound human element. When a moment of peace allowed travel into Europe, Turner was one of the first artists to capture the beauty of the Alps, to revive Venice as a subject, and to follow in Byron’s footsteps through the Rhine country. While he was commercially successful for most of his career, Turner's personal life remained fraught. His mother suffered from mental illness and was committed to Bedlam. Turner never married but had several long-term mistresses and illegitimate daughters. His erotic drawings were numerous but were covered up by prurient Victorians after his death. Turner's late, impressionistic work was held up by his Victorian detractors as example of a creeping madness. Affection for the artist’s work soured. John Ruskin, the greatest of all 19th century art critics, did what he could to rescue Turner’s reputation, but Turner’s very last works confounded even his greatest defender. TURNER humanizes this surprising genius while placing him in his fascinating historical context. Franny Moyle brilliantly tells the story of the man to give us an astonishing portrait of the artist and a vivid evocation of Britain and Europe in flux.
Author: Andrew Wilton
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754600268
Category : Art
Languages : en
Pages : 196
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Book Description
Turner as Draughtsman looks at the artist's practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner's work which has hitherto received very little attention. Andrew Wilton shows that, while Turner's art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results. An important section of the book is devoted to the vexed question of Turner's drawing of the human figure, and the crucial role played by the figure both in his conception of landscape and in his ambitious attempts to master all the genres of fashionable contemporary art.
Author: Christopher John Murray
Publisher: Taylor & Francis
ISBN: 9781579584221
Category : Art
Languages : en
Pages : 664
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Book Description
Review: "Written to stress the crosscurrent of ideas, this cultural encyclopedia provides clearly written and authoritative articles. Thoughts, themes, people, and nations that define the Romantic Era, as well as some frequently overlooked topics, receive their first encyclopedic treatments in 850 signed articles, with bibliographies and coverage of historical antecedents and lingering influences of romanticism. Even casual browsers will discover much to enjoy here."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004.
