Author: Joanne Morreale
Publisher: Wayne State University Press
ISBN: 0814347460
Category : Social Science
Languages : en
Pages : 134
Book Description
Provides a history and criticism of an important disrupting force in early science-fiction television programming. In this TV Milestone, author Joanne Morreale highlights the differences of The Outer Limits (ABC 1963–65) from typical programs on the air in the 1960s. Morreale argues that the show provides insight into changes in the television industry as writers turned to genre fiction—in this case, a hybrid of science fiction and horror—to provide veiled social commentary. The show illustrates the tension between networks who wanted mainstream entertainment and the independent writer-producers, Leslie Stevens and Joseph Stefano, who wanted to use the medium to challenge viewers. In five chapters, The Outer Limitsmakes a case for the show's deployment of gothic melodrama and science fiction tropes, unique televisual characteristics, and creative adaptation of many cultural sources to interrogate the relationship between humans and technology in a way that continues to influence contemporary debate in such shows as Star Trek, The X-Files, and Black Mirror. Underlying the arguments is the eerie notion of The Outer Limitsas a disruptive force on television at the time, purposely making audiences uncomfortable. For example, in its iconic opening credit sequence a disembodied "Control Voice" claims to be taking over the television as images mimic signal interference. Other themes convey Cold War paranoia, ambivalence about the Kennedy era "New Frontier," and anxiety about the burgeoning military-industrial-governmental complex. The book points out that The Outer Limits presaged what came to be known as "quality" television. While most episodes followed the lowbrow tradition of televised science fiction by adapting previously published stories and films, the series elevated the genre by rearticulating it through themes and images drawn from myth, literature, and the art film. The Outer Limits is lucid yet accessible, well researched and argued, with enlightening discussions of specific episodes even as it gives attention to broader television history and theory. It will be of special interest to scholars and students of television and media studies, as well as fans of science fiction.
The Outer Limits
Author: Joanne Morreale
Publisher: Wayne State University Press
ISBN: 0814347460
Category : Social Science
Languages : en
Pages : 134
Book Description
Provides a history and criticism of an important disrupting force in early science-fiction television programming. In this TV Milestone, author Joanne Morreale highlights the differences of The Outer Limits (ABC 1963–65) from typical programs on the air in the 1960s. Morreale argues that the show provides insight into changes in the television industry as writers turned to genre fiction—in this case, a hybrid of science fiction and horror—to provide veiled social commentary. The show illustrates the tension between networks who wanted mainstream entertainment and the independent writer-producers, Leslie Stevens and Joseph Stefano, who wanted to use the medium to challenge viewers. In five chapters, The Outer Limitsmakes a case for the show's deployment of gothic melodrama and science fiction tropes, unique televisual characteristics, and creative adaptation of many cultural sources to interrogate the relationship between humans and technology in a way that continues to influence contemporary debate in such shows as Star Trek, The X-Files, and Black Mirror. Underlying the arguments is the eerie notion of The Outer Limitsas a disruptive force on television at the time, purposely making audiences uncomfortable. For example, in its iconic opening credit sequence a disembodied "Control Voice" claims to be taking over the television as images mimic signal interference. Other themes convey Cold War paranoia, ambivalence about the Kennedy era "New Frontier," and anxiety about the burgeoning military-industrial-governmental complex. The book points out that The Outer Limits presaged what came to be known as "quality" television. While most episodes followed the lowbrow tradition of televised science fiction by adapting previously published stories and films, the series elevated the genre by rearticulating it through themes and images drawn from myth, literature, and the art film. The Outer Limits is lucid yet accessible, well researched and argued, with enlightening discussions of specific episodes even as it gives attention to broader television history and theory. It will be of special interest to scholars and students of television and media studies, as well as fans of science fiction.
Publisher: Wayne State University Press
ISBN: 0814347460
Category : Social Science
Languages : en
Pages : 134
Book Description
Provides a history and criticism of an important disrupting force in early science-fiction television programming. In this TV Milestone, author Joanne Morreale highlights the differences of The Outer Limits (ABC 1963–65) from typical programs on the air in the 1960s. Morreale argues that the show provides insight into changes in the television industry as writers turned to genre fiction—in this case, a hybrid of science fiction and horror—to provide veiled social commentary. The show illustrates the tension between networks who wanted mainstream entertainment and the independent writer-producers, Leslie Stevens and Joseph Stefano, who wanted to use the medium to challenge viewers. In five chapters, The Outer Limitsmakes a case for the show's deployment of gothic melodrama and science fiction tropes, unique televisual characteristics, and creative adaptation of many cultural sources to interrogate the relationship between humans and technology in a way that continues to influence contemporary debate in such shows as Star Trek, The X-Files, and Black Mirror. Underlying the arguments is the eerie notion of The Outer Limitsas a disruptive force on television at the time, purposely making audiences uncomfortable. For example, in its iconic opening credit sequence a disembodied "Control Voice" claims to be taking over the television as images mimic signal interference. Other themes convey Cold War paranoia, ambivalence about the Kennedy era "New Frontier," and anxiety about the burgeoning military-industrial-governmental complex. The book points out that The Outer Limits presaged what came to be known as "quality" television. While most episodes followed the lowbrow tradition of televised science fiction by adapting previously published stories and films, the series elevated the genre by rearticulating it through themes and images drawn from myth, literature, and the art film. The Outer Limits is lucid yet accessible, well researched and argued, with enlightening discussions of specific episodes even as it gives attention to broader television history and theory. It will be of special interest to scholars and students of television and media studies, as well as fans of science fiction.
Stalking the Nightmare
Author: Harlan Ellison
Publisher: Open Road Media
ISBN: 1497604265
Category : Literary Collections
Languages : en
Pages : 337
Book Description
With a foreword by Stephen King: Provocative and entertaining pieces from the multiple award-winning author. Pure, hundred‐proof distillation of Ellison. A righteous verbal high. Here you will find twenty of his very best stories and essays, including the four‐part ‘Scenes from the Real World,” an anecdotal history of the doomed TV series, The Starlost, that he created for NBC; “Tales from the Mountains of Madness”; and his hilariously brutal reportage on the three most important things in life, sex, violence, and labor relations. With an absolutely killer foreword by Stephen King.
Publisher: Open Road Media
ISBN: 1497604265
Category : Literary Collections
Languages : en
Pages : 337
Book Description
With a foreword by Stephen King: Provocative and entertaining pieces from the multiple award-winning author. Pure, hundred‐proof distillation of Ellison. A righteous verbal high. Here you will find twenty of his very best stories and essays, including the four‐part ‘Scenes from the Real World,” an anecdotal history of the doomed TV series, The Starlost, that he created for NBC; “Tales from the Mountains of Madness”; and his hilariously brutal reportage on the three most important things in life, sex, violence, and labor relations. With an absolutely killer foreword by Stephen King.
The Outer Limits Companion
Author: David J. Schow
Publisher:
ISBN: 9780966516906
Category : Outer limits (Television program : 1963-1965)
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780966516906
Category : Outer limits (Television program : 1963-1965)
Languages : en
Pages : 0
Book Description
"Repent, Harlequin!" Said the Ticktockman
Author: Harlan Ellison
Publisher: Open Road Media
ISBN: 150403824X
Category : Fiction
Languages : en
Pages : 37
Book Description
Winner of the Hugo and Nebula Awards: A science fiction classic about an antiestablishment rebel set on overthrowing the totalitarian society of the future. One of science fiction’s most antiestablishment authors rails against the accepted order while questioning blind obedience to the state in this unique pairing of short story and essay. “‘Repent, Harlequin!’ Said the Ticktockman” is set in a dystopian future society in which time is regulated by a heavy bureaucratic hand known as the Ticktockman. The rebellious Everett C. Marm flouts convention, masquerading as the anarchic Harlequin, disrupting the precise schedule with bullhorns and jellybeans in a world where being late is nothing short of a crime. But when his love, Pretty Alice, betrays Everett out of a desire to return to the punctuality to which she is programmed, he is forced to face the Ticktockman and his gauntlet of consequences. The bonus essay included in this volume, “Stealing Tomorrow,” is a hard-to-find Harlan Ellison masterwork, an exploration of the rebellious nature of the writer’s soul. Waxing poetic on humankind’s intellectual capabilities versus its emotional shortcomings, the author depicts an inner self that guides his words against the established bureaucracies, assuring us that the intent of his soul is to “come lumbering into town on a pink-and-yellow elephant, fast as Pegasus, and throw down on the established order.” Winner of the Prometheus Hall of Fame Award, “‘Repent, Harlequin!’ Said the Ticktockman” has become one of the most reprinted short stories in the English language. Fans of George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World will delight in this antiestablishment vision of a Big Brother society and the rebel determined to take it down. The perfect complement, “Stealing Tomorrow” is a hidden gem that reinforces Ellison’s belief in humankind’s inner nobility and the necessity to buck totalitarian forces that hamper our steady evolution.
Publisher: Open Road Media
ISBN: 150403824X
Category : Fiction
Languages : en
Pages : 37
Book Description
Winner of the Hugo and Nebula Awards: A science fiction classic about an antiestablishment rebel set on overthrowing the totalitarian society of the future. One of science fiction’s most antiestablishment authors rails against the accepted order while questioning blind obedience to the state in this unique pairing of short story and essay. “‘Repent, Harlequin!’ Said the Ticktockman” is set in a dystopian future society in which time is regulated by a heavy bureaucratic hand known as the Ticktockman. The rebellious Everett C. Marm flouts convention, masquerading as the anarchic Harlequin, disrupting the precise schedule with bullhorns and jellybeans in a world where being late is nothing short of a crime. But when his love, Pretty Alice, betrays Everett out of a desire to return to the punctuality to which she is programmed, he is forced to face the Ticktockman and his gauntlet of consequences. The bonus essay included in this volume, “Stealing Tomorrow,” is a hard-to-find Harlan Ellison masterwork, an exploration of the rebellious nature of the writer’s soul. Waxing poetic on humankind’s intellectual capabilities versus its emotional shortcomings, the author depicts an inner self that guides his words against the established bureaucracies, assuring us that the intent of his soul is to “come lumbering into town on a pink-and-yellow elephant, fast as Pegasus, and throw down on the established order.” Winner of the Prometheus Hall of Fame Award, “‘Repent, Harlequin!’ Said the Ticktockman” has become one of the most reprinted short stories in the English language. Fans of George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World will delight in this antiestablishment vision of a Big Brother society and the rebel determined to take it down. The perfect complement, “Stealing Tomorrow” is a hidden gem that reinforces Ellison’s belief in humankind’s inner nobility and the necessity to buck totalitarian forces that hamper our steady evolution.
The Zanti Misfits
Author: John Peel
Publisher: Tor Books
ISBN: 9780812590630
Category : Children's stories
Languages : en
Pages : 130
Book Description
An exciting series of six original digest-sized novels based on the hit-TV series "The Outer Limits". The rulers of the planet Zanti have found a solution to the problem of what to do with undesirable misfits and dangerous malcontents who threaten their society--exile them to Earth! The leaders of Earth are powerless to object. Teenagers Ben Garth and Lisa Lawrence are outcasts, too. Now they're on the run and headed towards a terrifying showdown with the Zanti misfits.
Publisher: Tor Books
ISBN: 9780812590630
Category : Children's stories
Languages : en
Pages : 130
Book Description
An exciting series of six original digest-sized novels based on the hit-TV series "The Outer Limits". The rulers of the planet Zanti have found a solution to the problem of what to do with undesirable misfits and dangerous malcontents who threaten their society--exile them to Earth! The leaders of Earth are powerless to object. Teenagers Ben Garth and Lisa Lawrence are outcasts, too. Now they're on the run and headed towards a terrifying showdown with the Zanti misfits.
Nightmare
Author: Doug Murray
Publisher:
ISBN: 9780809581221
Category : Outer limits (Television program : 1963-1965)
Languages : en
Pages : 53
Book Description
Describes the plots, themes, and production crew of the science fiction television show, "The Outer Limits." Profiles the show's producer, Tony Stefano.
Publisher:
ISBN: 9780809581221
Category : Outer limits (Television program : 1963-1965)
Languages : en
Pages : 53
Book Description
Describes the plots, themes, and production crew of the science fiction television show, "The Outer Limits." Profiles the show's producer, Tony Stefano.
My 1st Nightmare
Author: Crystal Connor
Publisher:
ISBN: 9781495277665
Category :
Languages : en
Pages : 328
Book Description
Waking up from his 1st Nightmare, Four-year old Tashaun seeks the protection and comfort of his big brother.Seven-year old Rodney reassures him and then reveals a family secret. They are the descendants of a long line of monster hunters!This is the sign that rest of the family has been waiting for; Tashaun's 1st nightmare signaling that he is ready to join the family business.Join the boys as they embark on a journey of knowledge and imagination as Rodney teaches Tashaun the ABCs of actual monsters, myths, and legends hailing from all around the world!
Publisher:
ISBN: 9781495277665
Category :
Languages : en
Pages : 328
Book Description
Waking up from his 1st Nightmare, Four-year old Tashaun seeks the protection and comfort of his big brother.Seven-year old Rodney reassures him and then reveals a family secret. They are the descendants of a long line of monster hunters!This is the sign that rest of the family has been waiting for; Tashaun's 1st nightmare signaling that he is ready to join the family business.Join the boys as they embark on a journey of knowledge and imagination as Rodney teaches Tashaun the ABCs of actual monsters, myths, and legends hailing from all around the world!
Bowker's Complete Video Directory
Author:
Publisher:
ISBN:
Category : Home video systems industry
Languages : en
Pages : 1974
Book Description
Publisher:
ISBN:
Category : Home video systems industry
Languages : en
Pages : 1974
Book Description
Author:
Publisher: McFarland
ISBN: 1476652864
Category :
Languages : en
Pages : 328
Book Description
Publisher: McFarland
ISBN: 1476652864
Category :
Languages : en
Pages : 328
Book Description
Irwin Allen Television Productions, 1964-1970
Author: Jon Abbott
Publisher: McFarland
ISBN: 0786486627
Category : Performing Arts
Languages : en
Pages : 353
Book Description
Before establishing himself as the "master of disaster" with the 1970s films The Poseidon Adventure and The Towering Inferno, Irwin Allen created four of television's most exciting and enduring science-fiction series: Voyage to the Bottom of the Sea, Lost in Space, The Time Tunnel and Land of the Giants. These 1960s series were full of Allen's favorite tricks, techniques and characteristic touches, and influenced other productions from the original Star Trek forward. Every science-fiction show owes something to Allen, yet none has equaled his series' pace, excitement, or originality. This detailed examination and documentation of the premise and origin of the four shows offers an objective evaluation of every episode--and demonstrates that when Irwin Allen's television episodes were good, they were great, and when they were bad, they were still terrific fun.
Publisher: McFarland
ISBN: 0786486627
Category : Performing Arts
Languages : en
Pages : 353
Book Description
Before establishing himself as the "master of disaster" with the 1970s films The Poseidon Adventure and The Towering Inferno, Irwin Allen created four of television's most exciting and enduring science-fiction series: Voyage to the Bottom of the Sea, Lost in Space, The Time Tunnel and Land of the Giants. These 1960s series were full of Allen's favorite tricks, techniques and characteristic touches, and influenced other productions from the original Star Trek forward. Every science-fiction show owes something to Allen, yet none has equaled his series' pace, excitement, or originality. This detailed examination and documentation of the premise and origin of the four shows offers an objective evaluation of every episode--and demonstrates that when Irwin Allen's television episodes were good, they were great, and when they were bad, they were still terrific fun.