The Origins of French Art Criticism

The Origins of French Art Criticism PDF Author: Richard Wrigley
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 456

Get Book Here

Book Description
The study traces the development of art criticism in the context of the dynamic political changes of the period. Particular attention is given to the Salon exhibitions which provided a focus for both official and dissenting estimations of the state of French art.

The Origins of French Art Criticism

The Origins of French Art Criticism PDF Author: Richard Wrigley
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 456

Get Book Here

Book Description
The study traces the development of art criticism in the context of the dynamic political changes of the period. Particular attention is given to the Salon exhibitions which provided a focus for both official and dissenting estimations of the state of French art.

Women Art Critics in Nineteenth-Century France

Women Art Critics in Nineteenth-Century France PDF Author: Wendelin Guentner
Publisher: University of Delaware
ISBN: 1611494478
Category : Art
Languages : en
Pages : 384

Get Book Here

Book Description
Over the past years, studies have begun not only to identify the factors that impeded the full participation of women artists in French cultural life, such as women’s limited access to professional art education, but also to bring to light the considerable artistic accomplishments of women occluded by historians for over a century. A similar effort at historical revision has been under way for French women writers. Works of fiction that enjoyed many editions in the nineteenth-century receded from our field of vision for almost a century before being rediscovered and reissued during the last decades of the twentieth century. Such efforts have resulted in scholarship that has helped revise the history of both artistic and literary expression in nineteenth-century France. Similarly, many women in nineteenth-century France had their art criticism published both in journal reviews and in book form, often for decades, in a number of the most influential venues of their day. However, it is perplexing that they remain almost totally invisible in histories of French culture. Women Art Critics in Nineteenth-Century France: Vanishing Acts is the first sustained effort to bring these prolific and influential critics out from the shadows. Although each of the chapters in this volume results from an interdisciplinary approach, the fact that they are written by scholars in art history and in literature means that there will be inevitable differences in approach and methodology. Thus, we study the women’s reception of specific artworks and aesthetic movements, discuss intersections of aesthetics and politics in their essays and the literary styles and rhetorical strategies of individual critics, explore the social conditions that allowed or impeded their successes, and suggest reasons for their all but disappearance in the twentieth century. In bringing to light for twenty-first-century readers the “vanished” writings of heretofore unrecognized or underrecognized women art critics, the authors hope to contribute to the ongoing revision of women’s role in cultural history. The multifaceted approaches to word/image studies modeled in this book, and the many avenues for further research it identifies, will inspire scholars in a number of disciplines to continue the work of reinscribing women in the history of cultural life.

The Salon of 1846

The Salon of 1846 PDF Author: Charles Baudelaire
Publisher: David Zwirner Books
ISBN: 9781644230534
Category : Art
Languages : en
Pages : 112

Get Book Here

Book Description
In his introduction to Charles Baudelaire’s Salon of 1846, the renowned art historian Michael Fried presents a new take on the French poet and critic’s ideas on art, criticism, romanticism, and the paintings of Delacroix. Charles Baudelaire, considered a father of modern poetry, wrote some of the most daring and influential prose of the nineteenth century. Prior to publishing international bestseller Les Fleurs du mal (1857), he was already notable as a forthright and witty critic of art and literature. Captivated by the Salons in Paris, Baudelaire took to writing to express his theories on modern art and art philosophy. The Salon of 1846 expands upon the tenets of Romanticism as Baudelaire methodically takes his reader through paintings by Delecroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that time. Baudelaire’s text proves to be a useful lens for understanding art criticism in mid-nineteenth-century France, as well as the changing opinions regarding the essential nature of Romanticism and the artist as creative genius. Acclaimed art historian and art critic Michael Fried’s introduction offers a new reading of Baudelaire’s seminal text and highlights the importance of his writing and its relevance to today’s audience.

Valenciennes, Daubigny, and the Origins of French Landscape Painting

Valenciennes, Daubigny, and the Origins of French Landscape Painting PDF Author: Michael Andrew Marlais
Publisher: Mount Holyoke College Art
ISBN:
Category : Art
Languages : en
Pages : 68

Get Book Here

Book Description
This volume traces the history of French painters' engagement with nature from the late Renaissance, when landscape painting first emerged from the background of narrative representation, up to the eve of Impressionism in the 19th century.

The Academy and the Limits of Painting in Seventeenth-century France

The Academy and the Limits of Painting in Seventeenth-century France PDF Author: Paul Duro
Publisher:
ISBN: 9780521495011
Category : Art
Languages : en
Pages : 300

Get Book Here

Book Description
The Academy and the Limits of Painting in Seventeenth-Century France is the first study in over a century devoted to the creation of one of the most important European institutions of art, the French Académie Royale. Founded in the mid-1660s, the Academy institutionalised the discourse around painting and thus had an immediate impact on the making of art in France, becoming a decisive influence on painting until the close of the nineteenth century. In the process of forging an identity for itself, the Academy redefined almost every aspect of art - the nature of art training, the sources of patronage, the social standing of the artist, and the place of the arts in national life.

Art Criticism and Its Institutions in Nineteenth-century France

Art Criticism and Its Institutions in Nineteenth-century France PDF Author: Michael R. Orwicz
Publisher: Manchester University Press
ISBN: 9780719038600
Category : Art criticism
Languages : en
Pages : 212

Get Book Here

Book Description
This book explores a range of social, institutional and discursive conditions in and through which criticism emerged and functioned in 19th-century France, and goes on to develop broader theoretical questions drawn from historical case studies.

Jules Michelet

Jules Michelet PDF Author: Michèle Hannoosh
Publisher: Penn State University Press
ISBN: 9780271083575
Category :
Languages : en
Pages : 248

Get Book Here

Book Description
Demonstrates the crucial role that art-writing played as a tool of historical analysis in the work of the Romantic historian Jules Michelet's work, decisively influencing his most important historical concepts, his idea of history, and his view of the practice of the historian.

"Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism "

Author: KimberlyMorse Jones
Publisher: Routledge
ISBN: 1351568442
Category : Art
Languages : en
Pages : 372

Get Book Here

Book Description
Mining various archives and newspaper repositories, Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism provides the first full-length study of a remarkable woman and heretofore neglected art critic. Pennell, a prolific 'New Art Critic', helped formulate and develop formalist methodology in Britain at the end of the nineteenth century, which she applied to her mostly anonymous or pseudonymous reviews published in numerous American and British newspapers and periodicals between 1883 and 1923. A bibliography of her art criticism is included as an appendix. In addition to advocating an advanced way in which to view art, Pennell used her platform to promote the work of ?new? artists, including ?ouard Manet and Edgar Degas, which had only recently been introduced to British audiences. In particular, Pennell championed the work of James McNeill Whistler for whom she, along with her husband, the artist Joseph Pennell, wrote a biography. Examination of her contributions to the late Victorian art world also highlights the pivotal role of criticism in the production and consumption of art in general, a point which is often ignored.

Judgment and Contemporary Art Criticism

Judgment and Contemporary Art Criticism PDF Author: Jeff Khonsary
Publisher: Fillip Editions
ISBN: 9780973813364
Category : Art criticism
Languages : en
Pages : 0

Get Book Here

Book Description
This collection of essays and discussions examines the role of judgment in art writing within the context of a renewed interest in the efficacy and function of contemporary art criticism.

Public Access to Art in Paris: A Documentary History from the Middle Ages to 1800

Public Access to Art in Paris: A Documentary History from the Middle Ages to 1800 PDF Author:
Publisher: Penn State Press
ISBN: 9780271044347
Category : Art
Languages : en
Pages : 332

Get Book Here

Book Description