The Origin of the Serif PDF Download
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Author: Edward M. Catich
Publisher:
ISBN: 9780962974021
Category : Alphabet
Languages : en
Pages : 310
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Book Description
Author: Edward M. Catich
Publisher:
ISBN: 9780962974021
Category : Alphabet
Languages : en
Pages : 310
Get Book Here
Book Description
Author: Edward M. Catich
Publisher: St Ambrose Univ
ISBN: 9780962974007
Category : Alphabet
Languages : en
Pages : 310
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Book Description
This handsomely illustrated book goes beyond a discussion of the serif. Here you will find a new approach to the history, lineage, & development of our alphabet, a detailed explanation of letter cutting in stone, the manner in which the brush differs from all other writing tools, & the role it played in the shaping of our classic Roman alphabet, with a wealth of other information pertinent to the graphic arts. During four years (1935-1939) of intensive paleographic & epigraphic research, in Rome, Italy, Fr. Catich saw & formulated the kinesthetic linkage between the inscription letter-making of Imperial Rome & his own familiar Chicago sign writing. The serif is the short cross stroke at the beginning & end of letter parts. Its origin in Roman inscription letters is one of the uncharted areas of paleography. In this book the author questions accepted theories as to the serif's origin, & advances his own theory with skillful reasoning, detailed illustration, & epigraphic proof.
Author: Simon Garfield
Publisher: Profile Books
ISBN: 1847652921
Category : Reference
Languages : en
Pages : 352
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Book Description
Just My Type is not just a font book, but a book of stories. About how Helvetica and Comic Sans took over the world. About why Barack Obama opted for Gotham, while Amy Winehouse found her soul in 30s Art Deco. About the great originators of type, from Baskerville to Zapf, or people like Neville Brody who threw out the rulebook, or Margaret Calvert, who invented the motorway signs that are used from Watford Gap to Abu Dhabi. About the pivotal moment when fonts left the world of Letraset and were loaded onto computers ... and typefaces became something we realised we all have an opinion about. As the Sunday Times review put it, the book is 'a kind of Eats, Shoots and Leaves for letters, revealing the extent to which fonts are not only shaped by but also define the world in which we live.' This edition is available with both black and silver covers.
Author: John Boardley
Publisher:
ISBN: 9781851244737
Category : Design
Languages : en
Pages : 0
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Book Description
From the practical challenges of polychromatic printing or printing music staves and notes to the techniques for illustrating books with woodcuts, producing books for children and the design of the first fonts, these stories chart the invention of the printed book, the world's first means of mass communication.
Author: Keith Houston
Publisher: W. W. Norton & Company
ISBN: 0393064425
Category : Design
Languages : en
Pages : 353
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Book Description
Revealing the secret history of punctuation, this tour of two thousand years of the written word, from ancient Greece to the Internet, explores the parallel histories of language and typography throughout the world and across time.
Author: Serif Mardin
Publisher: Syracuse University Press
ISBN: 9780815628101
Category : History
Languages : en
Pages : 416
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Book Description
This book collects Serif Mardin’s seminal essays written throughout the span of his prolific career. Comprising some of the author’s finest and most incisive writings, these essays deal with the historical background, political travails, and socioeconomic metamorphosis of Turkey during a century of modernization. With his characteristic sophistication and breadth of vision, Mardin provides readers with a remarkably objective analysis of ideology, civil society, religion, urban life, and violence in late Ottoman and Republican Turkey. Mardin moves easily from sociological topics on violence and class-consciousness to the history of the Ottoman Empire, and the philosophy and culture of modern Turkey within the greater Middle East. These influential pieces—collected for the first time in one volume—represent an invaluable addition to the field of Middle East studies.
Author: Tamye Riggs
Publisher: Springer
ISBN:
Category : Architecture
Languages : en
Pages : 260
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Book Description
"Typeface: Classic Typography for Contemporary Design is a unique sourcebook featuring forty-six classic typefaces that continue to resonate with today's most influential graphic designers."--Inside cover.
Author: Laurent Pflughaupt
Publisher: Princeton Architectural Press
ISBN: 9781568987378
Category : Architecture
Languages : en
Pages : 164
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Book Description
Contains twenty-six alphabetically arranged entries describing each letter of the Roman alphabet individually, providing facts about each letter while tracing its history, evolution, and form.
Author: Jenny Hval
Publisher: Verso Books
ISBN: 178663385X
Category : Fiction
Languages : en
Pages : 119
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Book Description
Jo is in a strange new country for university and having a more peculiar time than most. In a house with no walls, shared with a woman who has no boundaries, she finds her strange home coming to life in unimaginable ways. Jo's sensitivity and all her senses become increasingly heightened and fraught, as the lines between bodies and plants, dreaming and wakefulness, blur and mesh. This debut novel from critically acclaimed artist and musician Jenny Hval presents a heady and hyper-sensual portrayal of sexual awakening and queer desire.
Author: Douglas Thomas
Publisher: Chronicle Books
ISBN: 1616896663
Category : Design
Languages : en
Pages : 209
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Book Description
It's everywhere, including the moon (on the commemorative plaque left by Apollo 11 astronauts), Nike sneakers, the artworks of Barbara Kruger, Ed Ruscha, and Jenny Holzer, 2001: A Space Odyssey credits, Domino's Pizza boxes, Absolut Vodka bottles, and Red Bull cans. Richard Nixon used it for his presidential campaign, as did Hillary Clinton. Indeed, Futura is one of the most used fonts in the world today—the typeface of modern design—more so even than Helvetica. This fascinating book explores the cultural history and uses of a face that's so common you might not notice, until you start looking, and then you can't escape it. Douglas Thomas traces Futura from its Bauhaus-inspired origin in Paul Renner's 1924 design, to its current role as the go-to choice for corporate work, logos, motion pictures, and advertisements. Never Use Futura is illuminating, sometimes playful, reading, not just for type nerds, but for anyone interested in how typefaces are used, take on meaning, and become a language of their own.
