The Operas of André-Ernest-Modeste Grétry

The Operas of André-Ernest-Modeste Grétry PDF Author: Robert DeRoy Jobe
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The Operas of André-Ernest-Modeste Grétry

The Operas of André-Ernest-Modeste Grétry PDF Author: Robert DeRoy Jobe
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The operas lof André-Ernest-Modeste Grétry

The operas lof André-Ernest-Modeste Grétry PDF Author: Robert DeRoy Jobe
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The Operas of André-Ernest-Modeste Grétry

The Operas of André-Ernest-Modeste Grétry PDF Author: Robert DeRoy Jobe
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 0

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The Operas of Andre-Ernest-Modeste Gretry

The Operas of Andre-Ernest-Modeste Gretry PDF Author: Robert DeRoy Jobe
Publisher:
ISBN:
Category :
Languages : en
Pages : 614

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The operas of André-Ernest-Modeste Grétry

The operas of André-Ernest-Modeste Grétry PDF Author: Robert D. Jobe
Publisher:
ISBN:
Category :
Languages : en
Pages : 614

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Grétry's Operas and the French Public

Grétry's Operas and the French Public PDF Author: R.J. Arnold
Publisher: Taylor & Francis
ISBN: 1134803699
Category : Music
Languages : en
Pages : 245

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Book Description
Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of André Ernest Modeste Grétry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Grétry’s earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Grétry’s appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Grétry’s attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Grétry’s work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.

Grétry and the Growth of Opéra-comique

Grétry and the Growth of Opéra-comique PDF Author: David Charlton
Publisher: Cambridge University Press
ISBN: 052125129X
Category : Biography & Autobiography
Languages : en
Pages : 386

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Book Description
First published in 1986, this major study in English explores Grétry and opéra-comique between 1768 and 1791.

TheOperas of Andre-Ernest-Modest Gretry

TheOperas of Andre-Ernest-Modest Gretry PDF Author: Robert DeRoy Jobe
Publisher:
ISBN:
Category :
Languages : en
Pages : 307

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The Operas of Giuseppe Verdi

The Operas of Giuseppe Verdi PDF Author: Abramo Basevi
Publisher: University of Chicago Press
ISBN: 022609507X
Category : Music
Languages : en
Pages : 311

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Book Description
Abramo Basevi published his study of Verdi’s operas in Florence in 1859, in the middle of the composer’s career. The first thorough, systematic examination of Verdi’s operas, it covered the twenty works produced between 1842 and 1857—from Nabucco and Macbeth to Il trovatore, La traviata, and Aroldo. But while Basevi’s work is still widely cited and discussed—and nowhere more so than in the English-speaking world—no translation of the entire volume has previously been available. The Operas of Giuseppe Verdi fills this gap, at the same time providing an invaluable critical apparatus and commentary on Basevi’s work. As a contemporary of Verdi and a trained musician, erudite scholar, and critic conversant with current and past operatic repertories, Basevi presented pointed discussion of the operas and their historical context, offering today’s readers a unique window into many aspects of operatic culture, and culture in general, in Verdi’s Italy. He wrote with precision on formal aspects, use of melody and orchestration, and other compositional features, which made his study an acknowledged model for the growing field of music criticism. Carefully annotated and with an engaging introduction and detailed glossary by editor Stefano Castelvecchi, this translation illuminates Basevi’s musical and historical references as well as aspects of his language that remain difficult to grasp even for Italian readers. Making Basevi’s important contribution to our understanding of Verdi and his operas available to a broad audience for the first time, The Operas of Giuseppe Verdi will delight scholars and opera enthusiasts alike.

The Operas of Rameau

The Operas of Rameau PDF Author: Graham Sadler
Publisher: Routledge
ISBN: 1317022297
Category : Music
Languages : en
Pages : 373

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Book Description
In recent years, interest in Rameau’s operas has grown enormously. These works are no longer regarded as peripheral by performers and audiences but are increasingly staged in the world’s major opera houses and festivals, while the production of first-rate recordings on CD and DVD continues to flourish. Such welcome developments have gone hand in hand with an upsurge in research on Rameau and his period. The present volume, devoted solely to the composer’s operas, reflects this scholarly activity. It brings together a substantial group of essays by an international team of scholars on a wide range of aspects of Rameau’s operas. The individual essays are informed by a variety of disciplines or sub-disciplines including literature, archival studies, musical analysis, gender studies, ballet and choreography, dramaturgy and staging. The contents are addressed to a wide readership, including not only scholars but also practical musicians, stage directors, dancers and choreographers.