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Author: Sue Ann Prince
Publisher: University of Chicago Press
ISBN: 9780226682846
Category : Art
Languages : en
Pages : 344
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Book Description
"The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940 brings together the history and the critical reaction to the new developments in art and design, places them in the context of conservative yet innovative Chicago at the turn of the century, and explores the tensions between tradition and innovation. The individual essays present the best in specialized current research, yet one can clearly understand the impact of modernism on the broader intellectual and cultural life of the city. I eagerly await as cohesive and thorough an analysis of the subject for New York."—David Sokol, University of Chicago "This is fresh and fascinating research about the ups and downs of modernism in Chicago, a city where art students reportedly once hung Matisse in effigy. Regional studies like this one broaden our understanding of how the art world has worked outside of New York and gives depth to a story we know too narrowly. Applause all the way around."—Wanda M. Corn, Stanford University
Author: Sue Ann Prince
Publisher: University of Chicago Press
ISBN: 9780226682846
Category : Art
Languages : en
Pages : 344
Get Book Here
Book Description
"The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940 brings together the history and the critical reaction to the new developments in art and design, places them in the context of conservative yet innovative Chicago at the turn of the century, and explores the tensions between tradition and innovation. The individual essays present the best in specialized current research, yet one can clearly understand the impact of modernism on the broader intellectual and cultural life of the city. I eagerly await as cohesive and thorough an analysis of the subject for New York."—David Sokol, University of Chicago "This is fresh and fascinating research about the ups and downs of modernism in Chicago, a city where art students reportedly once hung Matisse in effigy. Regional studies like this one broaden our understanding of how the art world has worked outside of New York and gives depth to a story we know too narrowly. Applause all the way around."—Wanda M. Corn, Stanford University
Author: Lyle Rexer
Publisher: Abradale Press
ISBN:
Category : Photography
Languages : en
Pages : 166
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Book Description
And now, for the first time in book form, Photography's Antiquarian Avant-Garde charts this full-blown rebellion of contemporary photographers against the advent of digital technology and their reversion to photographic methods used in the nineteenth century.".
Author: Paul Atkinson
Publisher: Rowman Altamira
ISBN: 0585463883
Category : Reference
Languages : en
Pages : 248
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Book Description
Key Themes in Qualitative Research is an attempt by three well-respected ethnographic researchers to present a balanced view of qualitative methodology and research. The book is structured around classic texts, written by methodological pioneers, which comprise the basic foundation of modern qualitative research. The authors examine key premises in these texts, such as intimacy, advocacy, and validity, and how they may be supported, redesigned, or made problematic in today's field. This allows for a critical analysis of Old Guard vs. Avant-Garde ideas and provides for the reader a guide to wade through the proliferation of texts and theories available since the postmodern turn. While not designed as a primer in qualitative research methods, anyone with modest experience in the field should find this book extremely useful.
Author: James D. Moore
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110753049
Category : Religion
Languages : en
Pages : 222
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Book Description
In der Reihe Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft (BZAW) erscheinen Arbeiten zu sämtlichen Gebieten der alttestamentlichen Wissenschaft. Im Zentrum steht die Hebräische Bibel, ihr Vor- und Nachleben im antiken Judentum sowie ihre vielfache Verzweigung in die benachbarten Kulturen der altorientalischen und hellenistisch-römischen Welt. Die BZAW akzeptiert Manuskriptvorschläge, die einen innovativen und signifikanten Beitrag zu Erforschung des Alten Testaments und seiner Umwelt leisten, sich intensiv mit der bestehenden Forschungsliteratur auseinandersetzen, stringent aufgebaut und flüssig geschrieben sind.
Author: Steven Watson
Publisher: Univ of California Press
ISBN: 9780520223530
Category : Literary Criticism
Languages : en
Pages : 390
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Book Description
A cultural history of a famous collaboration, Virgil Thomson's and Gertrude Stein's making of the modernist opera, Four Saints in Three Acts. Watson explores the transatlantic, commercial, racial, gay, and artistic aspects of this story (NewYork/Paris, with Kansas City thrown in for fun; Thomson's score echoes the very American rhythms of his youth). Juicy, smart, and sophisticated writing and analysis.
Author: Thomas Burkhalter
Publisher: Wesleyan University Press
ISBN: 0819573876
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
The first in-depth study of diverse and radical innovation in Arab music From jazz trumpeters drawing on the noises of warfare in Beirut to female heavy metallers in Alexandria, the Arab culture offers a wealth of exciting, challenging, and diverse musics. The essays in this collection investigate the plethora of compositional and improvisational techniques, performance styles, political motivations, professional trainings, and inter-continental collaborations that claim the mantle of "innovation" within Arab and Arab diaspora music. While most books on Middle Eastern music-making focus on notions of tradition and regionally specific genres, The Arab Avant Garde presents a radically hybrid and globally dialectic set of practices. Engaging the "avant-garde"—a term with Eurocentric resonances—this anthology disturbs that presumed exclusivity, drawing on and challenging a growing body of literature about alternative modernities. Chapters delve into genres and modes as diverse as jazz, musical theatre, improvisation, hip hop, and heavy metal as performed in countries like Iraq, Egypt, Lebanon, Syria, Palestine, and the United States. Focusing on multiple ways in which the "Arab avant-garde" becomes manifest, this anthology brings together international writers with eclectic disciplinary trainings—practicing musicians, area studies specialists, ethnomusicologists, and scholars of popular culture and media. Contributors include Sami W. Asmar, Michael Khoury, Saed Muhssin, Marina Peterson, Kamran Rastegar, Caroline Rooney, and Shayna Silverstein, as well as the editors.
Author: Marius Deshumbert
Publisher:
ISBN:
Category : French language
Languages : en
Pages : 220
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Book Description
Author: Margaret Diane Stetz
Publisher:
ISBN:
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 158
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Book Description
Author: Esther Leslie
Publisher: Verso
ISBN: 9781844675043
Category : Art
Languages : en
Pages : 372
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Book Description
Brings to light the links between animation, avant-garde art and modernist criticism.
Author: Michael Harry Levenson
Publisher: Cambridge University Press
ISBN: 9780521338004
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
A Geneology of Modernism is a study of literary transition in the first two decades of the twentieth-century, a period of extraordinary ferment and great accomplishment, during which the avant-garde gradually consolidated a secure place within English culture. Michael Levenson analyses that complex process by following the successive phases of a literary movement - Impressionist, Imagist, Vorticist, Classicist - as it attempted to formulate the principles on which a new aesthetic might be founded. The emphasis here falls on the ideology of modernism, but throughout the book the ideological question is tied on the one hand to specific literary works and on the other to general movements in philosophy and the fine arts. The major figures under discussion, Joseph Conrad, Ford Madox Ford, Ezra Pound, Wyndham Lewis, and T. S. Elliot, are placed in relation to thinkers who have been largely neglected in the history of modernism: Max Stirner, Wilhelm Worringer, Pierre Lasserre, Allen Upward, and Hilaire Belloc. Levenson thus situates the emergence of a modernist aesthetic within the context of literary theory, literary practice, and cultural history.
