The Oeconomy of Human Life. Translated from an Indian manuscript, written by an ancient Brahmin or rather, written by Robert Dodsley. To which is prefixed, an account of the manner in which the said manuscript was discover'd. In a letter from an English gentleman, now residing in China, to the Earl of ****. (The Oeconomy of Human Life. Part the second. Translated from an Indian manuscript, found soon after that which contain'd the original of the first part, etc. By John Hill, M.D.? ) PDF Download
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Author: ECONOMY.
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
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Author: ECONOMY.
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
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Author: Robert Dodsley
Publisher:
ISBN:
Category : Conduct of life
Languages : en
Pages : 254
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Author: Philip Dormer Stanhope Earl of Chesterfield
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
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![The library of ... sir George Grey, K.C.B. [a catalogue, compiled by W.H.I. Bleek, sir G. Grey and J. Cameron]. PDF](https://books.google.com/books/content/images/frontcover/xqAIAAAAQAAJ?fife=w80-h100)
Author: Wilhelm Heinrich I. Bleek
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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Author: Robert Dodsley
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
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Author: Anderson Galleries, Inc
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1210
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Author: Robert Dodsley
Publisher:
ISBN:
Category : Conduct of life
Languages : en
Pages : 162
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 660
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Author: Geoff Quilley
Publisher: Boydell & Brewer
ISBN: 1783275103
Category : Art
Languages : en
Pages : 371
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Examines the role of the East India Company in the production and development of British art, demonstrating how art and related forms of culture were closely tied to commerce and the rise of the commercial state. This book examines the role of the East India Company in the production and development of British art during the eighteenth and early nineteenth centuries, when a new "school" of British art was in its formative stages with the foundation of exhibiting societies and the Royal Academy in 1768. It focuses on the Company's patronage, promotion and uses of art, both in Britain and in India and the Far East, and how the Company and its trade with the East were represented visually, through maritime imagery, landscape, genre painting and print-making. It also considers how, for artists such as William Hodges and Arthur William Devis, the East India Company, and its provision of a wealthy market in British India, provided opportunities for career advancement, through alignment with Company commercial principles. In this light, the book's main concern is to address the conflicted and ambiguous nature of art produced in the service of a corporation that was the "scandal of empire" for most of its existence, and how this has shaped and distorted our understanding of the history of British art in relation to the concomitant rise of Britain as a self-consciously commercial and maritime nation, whose prosperity relied upon global expansion, increasing colonialism and the development of mercantile organisations.
Author: George Grey
Publisher:
ISBN:
Category : African languages
Languages : en
Pages : 282
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