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Author: John Lear
Publisher: U of Nebraska Press
ISBN: 9780803279971
Category : History
Languages : en
Pages : 474
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Book Description
Workers, Neighbors, and Citizens examines the mobilization of workers and the urban poor in Mexico City from the eve of the 1910 revolution through the early 1920s, producing for the first time a nuanced illumination of groups that have long been discounted by historians. John Lear addresses a basic paradox: During one of the great social upheavals of the twentieth century, urban workers and masses had a limited military role, yet they emerged from the revolution with considerable combativeness and a new significance in the power structure. Lear identifies a significant and largely underestimated tradition of resistance and independent organization among working people that resulted in part from the changes in the structure of class and community in Mexico City during the last decades of Porfirio Diaz's rule (1876?1910). This tradition of resistance helped to join skilled workers and the urban poor as they embraced organizational opportunities and faced crises in wages and access to food and housing as the revolution escalated. Emblematic of these ties was the role of women in political agitation, street mobilizations, strikes, and riots. Lear suggests that the prominence of labor after the revolution was neither a product of opportunism nor one of revolutionary consciousness, but rather the result of the ongoing organizational efforts and cultural transformations of working people that coincided with the revolution.
Author: John Lear
Publisher: U of Nebraska Press
ISBN: 9780803279971
Category : History
Languages : en
Pages : 474
Get Book Here
Book Description
Workers, Neighbors, and Citizens examines the mobilization of workers and the urban poor in Mexico City from the eve of the 1910 revolution through the early 1920s, producing for the first time a nuanced illumination of groups that have long been discounted by historians. John Lear addresses a basic paradox: During one of the great social upheavals of the twentieth century, urban workers and masses had a limited military role, yet they emerged from the revolution with considerable combativeness and a new significance in the power structure. Lear identifies a significant and largely underestimated tradition of resistance and independent organization among working people that resulted in part from the changes in the structure of class and community in Mexico City during the last decades of Porfirio Diaz's rule (1876?1910). This tradition of resistance helped to join skilled workers and the urban poor as they embraced organizational opportunities and faced crises in wages and access to food and housing as the revolution escalated. Emblematic of these ties was the role of women in political agitation, street mobilizations, strikes, and riots. Lear suggests that the prominence of labor after the revolution was neither a product of opportunism nor one of revolutionary consciousness, but rather the result of the ongoing organizational efforts and cultural transformations of working people that coincided with the revolution.
Author: Sean Campbell
Publisher: McFarland
ISBN: 1476602557
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
Archie Bunker, George Jefferson, Maude--the television sitcom world of the 1970s was peopled by the creations of Norman Lear. Beginning in 1971 with the premier of All in the Family, Lear's work gave sitcoms a new face and a new style. No longer were families perfect and lives in order. Mostly blue-collar workers and their families, Lear's characters argued, struggled, uttered sometimes shocking opinions and had no problem contributing to--or at least, acknowledging--the turmoil so shunned by 1960s television. Significantly, not only did Lear address difficult issues, but he did so through successful programming. Week after week, Americans tuned in to see the family adventures of the Bunkers, the Jeffersons, and Sanford and Son. With a thorough analysis of his sitcoms, this volume explores Norman Lear's memorable production career during the 1970s. It emphasizes how Lear's shows reflected the political and cultural milieu, and how they addressed societal issues including racism, child abuse and gun control. The casting, production and behind-the-screen difficulties of All in the Family, Sanford & Son, Maude, Good Times, The Jeffersons and One Day at a Time are discussed. Each show is examined from inception through series finale. Interviews with some of the actors and actresses such as Rue McClanahan of Maude and Marla Gibbs from The Jeffersons are included.
Author: Caty Borum
Publisher: NYU Press
ISBN: 1479810851
Category : Social Science
Languages : en
Pages : 175
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Book Description
An insider’s look at the power of comedy to effect social change From Trevor Noah’s The Daily Show and Hasan Minhaj’s Patriot Act, to Issa Rae’s Insecure and Corey Ryan Forrester’s Twitter feed, today’s multi-platform comedy refuses to shy away from the social issues that define our time.As more comedians lean into social justice activism, they help reshape the entertainment industry and offer creative, dynamic avenues for social change. The Revolution Will Be Hilarious offers a compelling insider’s look at how comedy and social justice activists are working together in a revolutionary media moment. Caty Borum invites readers into an expanding, enterprising arena of participatory culture and politics through in-depth interviews with comedians, social justice leaders, and Hollywood players. Their insights shed light on questions such as: What role does comedy play in helping communities engage the public with challenging social issues? How do social justice organizations and comedians co-create entertaining comedy designed to build the civic power of marginalized groups? And how are entertainment industry leaders working with social justice organizations to launch new comedy as both entertainment and inspiration for social change? Through this exploration, Borum argues that building creative power is crucial for marginalized groups to build civic power. The Revolution Will Be Hilarious positions the rise of social justice comedy as creative, disruptive storytelling that hilariously invites us to agitate the status quo and re-imagine social realities to come closer to the promise of equity and justice in America.
Author: Tripp Whetsell
Publisher: Rowman & Littlefield
ISBN: 1493068415
Category : Biography & Autobiography
Languages : en
Pages : 369
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Book Description
An in-depth telling of the Norman Lear's seven-decade career that Publishers Weekly calls a "lovingly detailed portrait" and "a fitting tribute to a consequential figure in television history.” Beginning in the 1970s, writer and producer Norman Lear forever altered the television landscape with such groundbreaking situation comedies as All in the Family, Maude, Good Times, Sanford and Son, The Jeffersons, and One Day at a Time. For over half a century his body of work boldly tackled race, class, sexuality, politics, and religion—topics previously considered too taboo to be the subject of comedy on the small screen. Norman Lear: His Life and Times is the unforgettable story of an extraordinary seven-decade career. Veteran author and entertainment journalist Tripp Whetsell offers an intimate portrait of Lear that is the product of years of research and numerous interviews. Whetsell shows how Lear created the gold standard for television comedies, producing shows that were the first to give underrepresented members of society an authentic prime-time voice, while encouraging audiences to confront their own humanity and shortcomings. In the process, he explores one of television’s most transformative periods, detailing Lear’s legacy as one of its chief architects and catalysts. This affectionate and candid tribute combines show-business history with an illuminating consideration of the inner workings of “the man in the white hat”—a figure who singlehandedly redefined an entire medium by reflecting the world around him.
Author: Cedric Johnson
Publisher: U of Minnesota Press
ISBN: 1452913455
Category :
Languages : en
Pages : 337
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Book Description
The Black Power movement represented a key turning point in American politics. Disenchanted by the hollow progress of federal desegregation during the 1960s, many black citizens and leaders across the United States demanded meaningful self-determination. The popular movement they created was marked by a vigorous artistic renaissance, militant political action, and fierce ideological debate. Exploring the major political and intellectual currents from the Black Power era to the present, Cedric Johnson reveals how black political life gradually conformed to liberal democratic capitalism and how the movement’s most radical aims—the rejection of white aesthetic standards, redefinition of black identity, solidarity with the Third World, and anticapitalist revolution—were gradually eclipsed by more moderate aspirations. Although Black Power activists transformed the face of American government, Johnson contends that the evolution of the movement as a form of ethnic politics restricted the struggle for social justice to the world of formal politics. Johnson offers a compelling and theoretically sophisticated critique of the rhetoric and strategies that emerged in this period. Drawing on extensive archival research, he reinterprets the place of key intellectual figures, such as Harold Cruse and Amiri Baraka, and influential organizations, including the African Liberation Support Committee, the National Black Political Assembly, and the National Black Independent Political Party in postsegregation black politics, while at the same time identifying the contradictions of Black Power radicalism itself. Documenting the historical retreat from radical, democratic struggle, Revolutionaries to Race Leaders ultimately calls for the renewal of popular struggle and class-conscious politics. Cedric Johnson is assistant professor of political science at Hobart and William Smith Colleges.
Author: Carlen Lavigne
Publisher: Lexington Books
ISBN: 0739146742
Category : Social Science
Languages : en
Pages : 259
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Book Description
Ever since Norman Lear remade the BBC series Till Death Us Do Part into All in the Family, American remakes of British television shows have become part of the American cultural fabric. Indeed, some of the programs currently said to exemplify American tastes and attitudes, from reality programs like American Idol and What Not to Wear to the mock-documentary approach of The Office, are adaptations of successful British shows. Carlen Lavigne and Heather Marcovitch's American Remakes of British Television: Transformations and Mistranslations is a multidisciplinary collection of essays that focuses on questions raised when a foreign show is adapted for the American market. What does it mean to remake a television program? What does the process of 'Americanization' entail? What might the success or failure of a remade series tell us about the differences between American and British producers and audiences? This volume examines British-to-American television remakes from 1971 to the present. The American remakes in this volume do not share a common genre, format, or even level of critical or popular acclaim. What these programs do have in common, however, is the sense that something in the original has been significantly changed in order to make the program appealing or accessible to American audiences. The contributors display a multitude of perspectives in their essays. British-to-American television remakes as a whole are explained in terms of the market forces and international trade that make these productions financially desirable. Sanford and Son is examined in terms of race and class issues. Essays on Life on Mars and Doctor Who stress television's role in shaping collective cultural memories. An essay on Queer as Folk explores the romance genre and also talks about differences in national sexual politics. An examination of The Office discusses how the American remake actually endorses the bureaucracy that the British original satirizes; alternatively, another approach breaks down The Office's bumbling boss figures in terms of contemporary psychological theory. An essay on What Not to Wear discusses how a reality show about everyday fashion conceals the construction of an ideal national subject; a second essay explains the show in terms of each country's discourses surrounding femininity. The success of American Idol is explained by analyzing the role of amateur music in American culture. The issue of translation itself is interrogated by examining specific episodes of Cracker, and also by asking why a successful series in the U.K., Blackpool, was a dismal failure as an American remake. This collection provides a rich and multifaceted overview of approaches to international television studies.
Author: Emily Nussbaum
Publisher:
ISBN: 0525508961
Category : Art
Languages : en
Pages : 386
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Book Description
The big picture : how Buffy the vampire slayer turned me into a TV critic -- The long con ("The Sopranos") -- The great divide : Norman Lear, Archie Bunker, and the rise of the bad fan -- Difficult women ("Sex and the city") -- Cool story, bro ("True detective," "Top of the lake" and "The fall") -- Last girl in Larchmont : the legacy of Joan Rivers -- Girls girls girls : "Girls," "Vanderpump rules," "House of cards and Scandal," "The Amy Schumer show," "Transparent" -- Confessions of the human shield -- How jokes won the election -- In praise of sex and violence : "Hannibal," "Law et order : SVU," "Jessica Jones," -- "The jinx," "The Americans" -- The price is right : what advertising does to TV -- In living color : Kenya Barris' -- Breaking the box : "Jane the virgin," "The comeback," "The good wife," "The newsroom," "Adventure time," "The leftovers," "High maintenance." -- Riot girl : Jenji Kohan's hot provocations -- A disappointed fan is still a fan ("Lost") -- Mr. big : how Ryan Murphy became the most powerful man in television.
Author: Gaius Marcus Brumbaugh
Publisher:
ISBN:
Category : History
Languages : en
Pages : 714
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Book Description
Author: Christine Acham
Publisher: U of Minnesota Press
ISBN: 1452907072
Category :
Languages : en
Pages : 256
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Book Description
Offers a complex reading of African Americans appearing on television in the 1960s and 1970s, finding within these programs opposition to white construction of African-American identity and the potential of television to effect social change and limitations.
Author: Pat Thomas
Publisher: Fantagraphics Books
ISBN: 1606998927
Category : Biography & Autobiography
Languages : en
Pages : 270
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Book Description
This is a coffee table art book and biography of Yippie Jerry Rubin. This overstuffed coffee table book is not only the first biography of the infamous and ubiquitous Jerry Rubin―co-founder of the Yippies, Anti-Vietnam War activist, Chicago 8 defendant, social-networking pioneer, and a proponent of the Yuppie era―but a visual retrospective, with countless candid photos, personal diaries, and lost newspaper clippings. It includes correspondence with Abbie Hoffman, Norman Mailer, John Lennon & Yoko Ono, Eldridge Cleaver, the Weathermen, and interviews with more than 75 of Rubin’s friends, foes, and comrades. It reveals Rubins' and the Yippies’ historical-and-bizarre personal interactions with the likes of Allen Ginsberg, Bob Dylan, Charles Manson, Mick Jagger, and other iconic figures of the era.
