Author:
Publisher:
ISBN:
Category : Guy of Warwick (Legendary character)
Languages : en
Pages : 176
Book Description
The Noble and Renowned History of Guy Earl of Warwick
Author:
Publisher:
ISBN:
Category : Guy of Warwick (Legendary character)
Languages : en
Pages : 176
Book Description
Publisher:
ISBN:
Category : Guy of Warwick (Legendary character)
Languages : en
Pages : 176
Book Description
The noble and renowned history of Guy earl of Warwick
Author: Guy (earl of Warwick.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
Book Description
The Noble and Renowned History of Guy Earl of Warwick. Containing a Full and True Account of His Many Famous and Valiant Actions, Remarkable and Brave Exploits, and Noble and Renowned Victories
Author:
Publisher:
ISBN:
Category : Guy of Warwick (Legendary character)
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category : Guy of Warwick (Legendary character)
Languages : en
Pages : 106
Book Description
The Noble and Renowned History of Guy Earl of Warwick ... Illustrated with Cuts ... The Sixth Edition. [The Dedication Signed: G. L.]
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
Book Description
The Vogue of Guy of Warwick from the Close of the Middle Ages to the Romantic Revival
Author: Ronald Salmon Crane
Publisher:
ISBN:
Category : Guy of Warwick (Romance)
Languages : en
Pages : 78
Book Description
Publisher:
ISBN:
Category : Guy of Warwick (Romance)
Languages : en
Pages : 78
Book Description
The Legend of Guy of Warwick
Author: Velma Bourgeois Richmond
Publisher: Routledge
ISBN: 1000525570
Category : Literary Criticism
Languages : en
Pages : 397
Book Description
First published in 1996. This lavishly illustrated study is a comprehensive literary and social history which offers a record of changing genres, manuscript/book production, and cultural, political, and religious emphases by examining one of the most long lived popular legends in England. Guy of Warwick became part of history when he was named in chronicles and heraldic rolls. The power of the Earls of Warwick, especially Richard de Beauchamp, inspired the spread of the legend, but Guy's highest fame came in the Renaissance as one of the Nine Worthies. Widely praised in texts and allusions, Guy's feats were sung in ballads and celebrated on the stage in England and France. The first Anglo-Norman romance of Gui de Warewic, a Saxon hero of the tenth century was written in the early 13th century; the latest retellings of the legend are contemporary. Examples of Guy's legend can be found in two English translations that survived the Middle Ages, a new French prose romance, a didactic tale in the Gesta Romanorum, and late medieval versions in Celtic, German, and Catalan, as well as English. Guy remained a favorite Edwardian children's story and was featured in the Warwick Pageant, an historical extravaganza of 1906. The patriotism of World War II sparked a resurgence of interest that produced several new versions, mostly folkloric.
Publisher: Routledge
ISBN: 1000525570
Category : Literary Criticism
Languages : en
Pages : 397
Book Description
First published in 1996. This lavishly illustrated study is a comprehensive literary and social history which offers a record of changing genres, manuscript/book production, and cultural, political, and religious emphases by examining one of the most long lived popular legends in England. Guy of Warwick became part of history when he was named in chronicles and heraldic rolls. The power of the Earls of Warwick, especially Richard de Beauchamp, inspired the spread of the legend, but Guy's highest fame came in the Renaissance as one of the Nine Worthies. Widely praised in texts and allusions, Guy's feats were sung in ballads and celebrated on the stage in England and France. The first Anglo-Norman romance of Gui de Warewic, a Saxon hero of the tenth century was written in the early 13th century; the latest retellings of the legend are contemporary. Examples of Guy's legend can be found in two English translations that survived the Middle Ages, a new French prose romance, a didactic tale in the Gesta Romanorum, and late medieval versions in Celtic, German, and Catalan, as well as English. Guy remained a favorite Edwardian children's story and was featured in the Warwick Pageant, an historical extravaganza of 1906. The patriotism of World War II sparked a resurgence of interest that produced several new versions, mostly folkloric.
The Making of the Middle Ages
Author: Marios Costambeys
Publisher: Liverpool University Press
ISBN: 1846310687
Category : Literary Collections
Languages : en
Pages : 263
Book Description
Liverpool was founded in the Middle Ages, and as the city approaches its eight-hundredth anniversary, this book takes stock of Liverpool’s scholarly contributions to modern understanding of the period. From the eighteenth century to the twenty-first, scholars from Liverpool have made pioneering advances in fields as diverse as Celtic philology and manuscript collecting. By focusing on a local perspective, this volume presents a microcosmic view of the different building blocks of the modern construction of the Middle Ages while offering fresh insights into more universal elements of medieval culture such as pageantry and mystery plays.
Publisher: Liverpool University Press
ISBN: 1846310687
Category : Literary Collections
Languages : en
Pages : 263
Book Description
Liverpool was founded in the Middle Ages, and as the city approaches its eight-hundredth anniversary, this book takes stock of Liverpool’s scholarly contributions to modern understanding of the period. From the eighteenth century to the twenty-first, scholars from Liverpool have made pioneering advances in fields as diverse as Celtic philology and manuscript collecting. By focusing on a local perspective, this volume presents a microcosmic view of the different building blocks of the modern construction of the Middle Ages while offering fresh insights into more universal elements of medieval culture such as pageantry and mystery plays.
Publications of the Modern Language Association of America
Author: Modern Language Association of America
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 1054
Book Description
Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography.
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 1054
Book Description
Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography.
Northamptonshire Notes and Queries
Author: Walter Debenham Sweeting
Publisher:
ISBN:
Category : Northampton (England)
Languages : en
Pages : 794
Book Description
Publisher:
ISBN:
Category : Northampton (England)
Languages : en
Pages : 794
Book Description
Printing the Middle Ages
Author: Sian Echard
Publisher: University of Pennsylvania Press
ISBN: 0812201841
Category : Design
Languages : en
Pages : 334
Book Description
In Printing the Middle Ages Siân Echard looks to the postmedieval, postmanuscript lives of medieval texts, seeking to understand the lasting impact on both the popular and the scholarly imaginations of the physical objects that transmitted the Middle Ages to the English-speaking world. Beneath and behind the foundational works of recovery that established the canon of medieval literature, she argues, was a vast terrain of books, scholarly or popular, grubby or beautiful, widely disseminated or privately printed. By turning to these, we are able to chart the differing reception histories of the literary texts of the British Middle Ages. For Echard, any reading of a medieval text, whether past or present, amateur or academic, floats on the surface of a complex sea of expectations and desires made up of the books that mediate those readings. Each chapter of Printing the Middle Ages focuses on a central textual object and tells its story in order to reveal the history of its reception and transmission. Moving from the first age of print into the early twenty-first century, Echard examines the special fonts created in the Elizabethan period to reproduce Old English, the hand-drawn facsimiles of the nineteenth century, and today's experiments with the digital reproduction of medieval objects; she explores the illustrations in eighteenth-century versions of Guy of Warwick and Bevis of Hampton; she discusses nineteenth-century children's versions of the Canterbury Tales and the aristocratic transmission history of John Gower's Confessio Amantis; and she touches on fine press printings of Dante, Froissart, and Langland.
Publisher: University of Pennsylvania Press
ISBN: 0812201841
Category : Design
Languages : en
Pages : 334
Book Description
In Printing the Middle Ages Siân Echard looks to the postmedieval, postmanuscript lives of medieval texts, seeking to understand the lasting impact on both the popular and the scholarly imaginations of the physical objects that transmitted the Middle Ages to the English-speaking world. Beneath and behind the foundational works of recovery that established the canon of medieval literature, she argues, was a vast terrain of books, scholarly or popular, grubby or beautiful, widely disseminated or privately printed. By turning to these, we are able to chart the differing reception histories of the literary texts of the British Middle Ages. For Echard, any reading of a medieval text, whether past or present, amateur or academic, floats on the surface of a complex sea of expectations and desires made up of the books that mediate those readings. Each chapter of Printing the Middle Ages focuses on a central textual object and tells its story in order to reveal the history of its reception and transmission. Moving from the first age of print into the early twenty-first century, Echard examines the special fonts created in the Elizabethan period to reproduce Old English, the hand-drawn facsimiles of the nineteenth century, and today's experiments with the digital reproduction of medieval objects; she explores the illustrations in eighteenth-century versions of Guy of Warwick and Bevis of Hampton; she discusses nineteenth-century children's versions of the Canterbury Tales and the aristocratic transmission history of John Gower's Confessio Amantis; and she touches on fine press printings of Dante, Froissart, and Langland.