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Author: Edwin M. Ripin
Publisher: W. W. Norton & Company
ISBN: 9780393305180
Category : Pianists
Languages : en
Pages : 212
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Book Description
The New Grove Musical Instruments Series, a companion to the much acclaimed New Grove Composer Biography Series, presents in book form many of the lengthy and informative articles published in The New Grove Dictionary of Musical Instruments.
Author: Edwin M. Ripin
Publisher: W. W. Norton & Company
ISBN: 9780393305180
Category : Pianists
Languages : en
Pages : 212
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Book Description
The New Grove Musical Instruments Series, a companion to the much acclaimed New Grove Composer Biography Series, presents in book form many of the lengthy and informative articles published in The New Grove Dictionary of Musical Instruments.
Author: James Webster
Publisher: Oxford University Press
ISBN: 0195169042
Category : Biography & Autobiography
Languages : en
Pages : 196
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Book Description
An in-depth look at the great 18th century Austrian composer, derived and adapted from the second edition of The New Grove Dictionary of Music and Musicians.
Author: Robert Palmieri
Publisher: Routledge
ISBN: 1135949638
Category : Music
Languages : en
Pages : 964
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Book Description
The Encyclopedia of the Piano was selected in its first edition as a Choice Outstanding Book and remains a fascinating and unparalleled reference work. The instrument has been at the center of music history with even composers of large symphonic work asserting that they do not write anything without sketching it out first on a piano; its limitations and expressive capacity have done much to shape the contours of the western musical idiom. Within the scope of this user-friendly guide is everything from the acoustics and construction of the piano to the history of the companies that have built them. The piano-lover might also be surprised to find an entry for Thomas Jefferson, and will no doubt read intently the passages about the changing history of the piano's place in the home. Uniformly well-written and authoritative, this guide will channel anyone's love for the instrument, through social, intellectual, art history and beyond into the electronic age.
Author: David Rowland
Publisher: Cambridge University Press
ISBN: 1139825291
Category : Music
Languages : en
Pages : 268
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Book Description
This collection of specially commissioned essays offers an accessible introduction to the history of the piano, performance styles, and its vast repertoire. Part 1 reviews the evolution of the piano, from its earliest forms up to the most recent developments, including the acoustics of the instrument. Part 2 explores the varied repertory in its social and stylistic contexts, including contemporary music, with a final chapter on jazz, blues and ragtime. The Companion also contains a glossary of important terms and will be a valuable source for the piano performer, student and enthusiast.
Author: Graham Griffiths
Publisher: Cambridge University Press
ISBN: 1107310474
Category : Music
Languages : en
Pages : 355
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Book Description
Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of his whole output - viewed from the unprecedented perspective of his relationship with the piano. Graham Griffiths assesses Stravinsky's musical upbringing in St Petersburg with emphasis on his education at the hands of two extraordinary teachers whom he later either ignored or denounced: Leokadiya Kashperova, for piano and Rimsky-Korsakov, for instrumentation. Their message, Griffiths argues, enabled Stravinsky to formulate from that intensely Russian experience an internationalist brand of neoclassicism founded upon the premises of objectivity and craft. Drawing directly on the composer's manuscripts, Griffiths addresses Stravinsky's lifelong fascination with counterpoint and with pianism's constructive processes. Stravinsky's Piano presents both of these as recurring features of the compositional attitudes that Stravinsky consistently applied to his works, whether Russian, neoclassical or serial, and regardless of idiom and genre.
Author: Maurice Hinson
Publisher: Indiana University Press
ISBN: 9780253339539
Category : Concerto (Piano)
Languages : en
Pages : 390
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Book Description
Suitable for all admirers of the piano, this work brings together more than 3,000 works for piano and orchestra. It comes with a supplement containing over 200 new entries.
Author: Martha Novak Clinkscale
Publisher: Clarendon Press
ISBN: 9780198166252
Category : Music
Languages : en
Pages : 520
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Book Description
This book continues the overview of early pianos begun in Clinkscale's Makers of the Piano 1700-1820 (OUP, 1993). Although a few of the biographies overlap, the majority of the makers are completely new. Approximately 2,400 makers and manufacturers and about 2,200 pianos are listed. Of this total, about 645 are English, the majority of whom were active in London; more than 200 of the London makers have not been discussed in previous publications.
Author: Stanley Sadie
Publisher:
ISBN: 9780195221862
Category : Opera
Languages : en
Pages :
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Book Description
Author: Gilles Comeau
Publisher: Routledge
ISBN: 1135914842
Category : Music
Languages : en
Pages : 282
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Book Description
Piano Pedagogy: A Research and Information Guide provides a detailed outline of resources available for research and/or training in piano pedagogy. Like its companion volumes in the Routledge Music Bibliographies series, it serves beginning and advanced students and scholars as a basic guide to current research in the field. The book will includes bibliographies, research guides, encyclopedias, works from other disciplines that are related to piano pedagogy, current sources spanning all formats, including books, journals, audio and video recordings, and electronic sources.
Author: Derek Carew
Publisher: Routledge
ISBN: 1351542672
Category : Music
Languages : en
Pages : 728
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Book Description
This book charts the piano's accession from musical curiosity to cultural icon, examining the instrument itself in its various guises as well as the music written for it. Both the piano and piano music were very much the product of the intellectual, cultural and social environments of the period and both were subject to many influences, directly and indirectly. These included character (individualism), the vernacular ('folk/popular') and creativity (improvisation), all of which are discussed generally and with respect to the music itself. Derek Carew surveys the most important pianistic genres of the period (variations, rondos, and so on), showing how these changed from their received forms into vehicles of Romantic expressiveness. The piano is also looked at in its role as an accompanying instrument. The Mechanical Muse will be of interest to anyone who loves the piano or the period, from the non-specialist to the music postgraduate.
