The New Art of the Fifteenth Century: Faith and Art in Florance and The Netherlands PDF Download
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Author: Shirley Neilsen Blum
Publisher: WW Norton
ISBN: 0789260506
Category : Art
Languages : en
Pages : 622
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Book Description
A fresh look at the early Renaissance, considering Florentine and Netherlandish art as a single phenomenon, at once deeply spiritual and entirely new. Adam and Eve are driven from the Garden of Eden into a rocky landscape, their naked bodies lit by a cold sun, their gestures and expressions a study in shame and anguish. A serious man, well attired, kneels in prayer before the Virgin and Child, close enough to touch them almost, his furrowed brow setting off the saintly perfection of their features. In fifteenth-century Florence and Flanders, painters were using an arsenal of new techniques—including perspective, anatomy, and the accurate treatment of light and shade—to present traditional religious subjects with an unprecedented immediacy and emotional power. Their art was the product of a shared Christian culture, and their patrons included not only nobles and churchmen but also the middle classes of these thriving commercial centers. Shirley Neilsen Blum offers a new synthesis of this remarkable period in Western art—between the refinements of the Gothic and the classicism of the High Renaissance—when the mystical was made to seem real. In the first part of her text, Blum traces the emergence of a new naturalism in the sculpture of Claus Sluter and Donatello, and then in the painting of Van Eyck and Masaccio. In the second part, she compares scenes from the Infancy and Passion of Christ as rendered by artists from North and South. Exploring both the images themselves and the theological concepts that lie behind them, she re-creates, as far as possible, the experience of the contemporary fifteenth-century viewer. Abundantly illustrated with color plates of masterworks by Fra Angelico, Botticelli, Rogier van der Weyden, and others, this thought-provoking volume will appeal equally to general readers and students of art history.
Author: Shirley Neilsen Blum
Publisher: WW Norton
ISBN: 0789260506
Category : Art
Languages : en
Pages : 622
Get Book Here
Book Description
A fresh look at the early Renaissance, considering Florentine and Netherlandish art as a single phenomenon, at once deeply spiritual and entirely new. Adam and Eve are driven from the Garden of Eden into a rocky landscape, their naked bodies lit by a cold sun, their gestures and expressions a study in shame and anguish. A serious man, well attired, kneels in prayer before the Virgin and Child, close enough to touch them almost, his furrowed brow setting off the saintly perfection of their features. In fifteenth-century Florence and Flanders, painters were using an arsenal of new techniques—including perspective, anatomy, and the accurate treatment of light and shade—to present traditional religious subjects with an unprecedented immediacy and emotional power. Their art was the product of a shared Christian culture, and their patrons included not only nobles and churchmen but also the middle classes of these thriving commercial centers. Shirley Neilsen Blum offers a new synthesis of this remarkable period in Western art—between the refinements of the Gothic and the classicism of the High Renaissance—when the mystical was made to seem real. In the first part of her text, Blum traces the emergence of a new naturalism in the sculpture of Claus Sluter and Donatello, and then in the painting of Van Eyck and Masaccio. In the second part, she compares scenes from the Infancy and Passion of Christ as rendered by artists from North and South. Exploring both the images themselves and the theological concepts that lie behind them, she re-creates, as far as possible, the experience of the contemporary fifteenth-century viewer. Abundantly illustrated with color plates of masterworks by Fra Angelico, Botticelli, Rogier van der Weyden, and others, this thought-provoking volume will appeal equally to general readers and students of art history.
Author: Lilian H. Zirpolo
Publisher: Rowman & Littlefield
ISBN: 1442264675
Category : Art
Languages : en
Pages : 633
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Book Description
The art of the Renaissance is usually the most familiar to non-specialists, and for good reason. This was the era that produced some of the icons of civilization, including Leonardo da Vinci’s Mona Lisa and Last Supper and Michelangelo’s Sistine Ceiling, Pietà, and David. Marked as one of the greatest moments in history, the outburst of creativity of the era resulted in the most influential artistic revolution ever to have taken place. The period produced a substantial number of notable masters, among them Donatello, Filippo Brunelleschi, Masaccio, Sandro Botticelli, Raphael, Titian, and Tintoretto. This second edition of Historical Dictionary of Renaissance Art contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on artists from Italy, Flanders, the Netherlands, Germany, Spain, and Portugal, historical figures and events that impacted the production of Renaissance art. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Renaissance art.
Author: Rachel Fulton Brown
Publisher: Columbia University Press
ISBN: 0231543719
Category : Religion
Languages : en
Pages : 710
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Book Description
Would you like to learn to pray like a medieval Christian? In Mary and the Art of Prayer, Rachel Fulton Brown traces the history of the medieval practice of praising Mary through the complex of prayers known as the Hours of the Virgin. More than just a work of comprehensive historical scholarship, the book asks readers to immerse themselves in the experience of believing in and praying to Mary. Mary and the Art of Prayer crosses the boundaries that modern scholars typically place between observation and experience, between the world of provable facts and the world of imagination, suggesting what it would have been like for medieval Christians to encounter Mary in prayer. Mary and the Art of Prayer opens with a history of the devotion of the Hours or “Little Office” of the Virgin. It then guides readers in the practice of saying this Office, including its invitatory (Ave Maria), antiphons, psalms, lessons, and prayers. The book works on several levels at once. It provides a new methodology for thinking about devotion and prayer; a new appreciation of the scope of and audience for the Hours of the Virgin; a new understanding of how Mary functions theologically and devotionally; and a new reading of sources not previously taken into account. A courageous and moving work, it will transform our ideas of what scholarship is and what it can accomplish.
Author: Alfred Thomas
Publisher: Boydell & Brewer
ISBN: 1843845660
Category : History
Languages : en
Pages : 246
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Book Description
First detailed exploration of the role played by Bohemian tradition and customs on the court of Richard II.
Author: Stanislava Kuzmova
Publisher: Trivent Publishing
ISBN: 6158179302
Category : Art
Languages : en
Pages : 236
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Book Description
This volume presents a timely contribution to the growing body of scholarship on the apocryphal writings and their reception in the Middle Ages, especially in connection with visual representation. It aims to bridge what often remains disconnected, the visual art and the written text, the early Christian roots and medieval reception, the East and the West, as well as methodologies of various disciplines. The studies in this volume firstly investigate issues related to the Virgin Mary, and through them, also the status, function, and identity of women. Mary and the female element thus represent significant models and/or background figures in fields pertaining to theology, religious studies, textual studies, manuscript studies, and art history in a trans-disciplinary perspective. Secondly, the studies focus on the apostles and the Last Judgment, their visual representations and the use of apocryphal sources. The volume is divided in two parts according to two major topics: Part I dealing with Mary in the Apocrypha, and Part II focusing on the Apostles and the Last Judgment.
Author: J. Paul Getty Museum
Publisher: J Paul Getty Museum Publications
ISBN: 9781606061268
Category : Art
Languages : en
Pages : 426
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Book Description
Florence and the Renaissance have become virtually synonymous, bringing to mind names like Dante, Giotto, Petrarch, Boccaccio, and many others whose creativity thrived during a time of unprecedented prosperity, urban expansion, and intellectual innovation. With more than 200 illustrations, Florence at the Dawn of the Renaissance reveals the full complexity and enduring beauty of the art of this period, including panel paintings, illuminated manuscripts, and stained glass panels. The book considers not only the work of Giotto and other influential artists, including Bernardo Daddi, Taddeo Gaddi, and Pacino di Bonaguida, but also that of the larger community of illuminators and panel painters who collectively contributed to Florence's artistic legacy. It places particular emphasis on those artists who worked in both panel painting and manuscript illumination, and presents new conservation research and scientific analyses that shed light on artists' techniques and workshop practices of the times. Reunited here for the first time are twenty-six leaves of the most important illuminated manuscript commission of the period: the Laudario of Sant' Agnese. The splendor of this book of hymns exemplifies the spiritual and artistic aspirations of early Renaissance Florence. A major exhibition on this subject will be on view at the J. Paul Getty Museum November 13, 2012, through February 10, 2013, and at the Art Gallery of Ontario March 16, 2013, through June 16, 2013. Contributors to this volume include Roy S. Berns, Eve Borsook, Bryan Keene, Francesca Pasut, Catherine Schmidt Patterson, Alan Phenix, Laura Rivers, Victor M. Schmidt, Alexandra Suda, Yvonne Szafran, Karen Trentelman, and Nancy Turner.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Maria DePrano
Publisher:
ISBN: 1108416055
Category : Art
Languages : en
Pages : 453
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Book Description
This book examines a Renaissance Florentine family's art patronage, even for women, inspired by literature, music, love, loss, and religion.
Author: David Freedberg
Publisher: Getty Publications
ISBN: 0892362014
Category : Art
Languages : en
Pages : 458
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Book Description
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
Author: Alexander Nagel
Publisher: Princeton University Press
ISBN: 1942130449
Category : Art
Languages : en
Pages : 456
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Book Description
In this widely anticipated book, two leading contemporary art historians present a stunning reconsideration of the problem of time in the Renaissance. With intellectual brilliance, Alexander Nagel and Christopher S. Wood reexamine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists, a landscape obscured by art history’s disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals addressed in this book were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be early Christian antiquities, the acheiropoeton or image made without hands, the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. The authors show how the complex and layered temporalities of images offered a counterpoint to the linear chronologies that increasingly structured commerce, politics, travel, and everyday life in the fourteenth and fifteenth centuries. While a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. The authors conclude with an analysis of Roman episodes and projects of the decades around 1500, culminating in Raphael’s Stanza della Segnatura. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories. Clearly, Anachronic Renaissance will be essential reading for historians of Western art and all those concerned with the historiography of material culture.
