The Negro's Or Ethiopian's Contribution to Art PDF Download
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Author: Charles C. Seifert
Publisher: Black Classic Press
ISBN: 9780933121119
Category : Art
Languages : en
Pages : 40
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Book Description
Author: Charles C. Seifert
Publisher: Black Classic Press
ISBN: 9780933121119
Category : Art
Languages : en
Pages : 40
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Book Description
Author: Sam Fogg Rare Books & Manuscripts (Firm)
Publisher: Gower Publishing Company, Limited
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
The unique character of Ethiopian art is the legacy of its situation high in the mountains, on the Horn of Africa. Though remote and often isolated it evolved a tradition in response to contacts with Byzantine, European, and Islamic cultures. Beginning in the twelfth century, elaborate crosses were cast and engraved in iron and bronze. Painted and carved icons were produced in a tradition that reached its peak at the end of the seventeenth century. Above all it is richly illustrated manuscripts which have provided the most defining expression of Ethiopian Christianity.
Author: Nadia Nurhussein
Publisher: Princeton University Press
ISBN: 0691234620
Category : Social Science
Languages : en
Pages : 280
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Book Description
The first book to explore how African American writing and art engaged with visions of Ethiopia during the late nineteenth and early twentieth centuries As the only African nation, with the exception of Liberia, to remain independent during the colonization of the continent, Ethiopia has long held significance for and captivated the imaginations of African Americans. In Black Land, Nadia Nurhussein delves into nineteenth- and twentieth-century African American artistic and journalistic depictions of Ethiopia, illuminating the increasing tensions and ironies behind cultural celebrations of an African country asserting itself as an imperial power. Nurhussein navigates texts by Walt Whitman, Paul Laurence Dunbar, Pauline Hopkins, Harry Dean, Langston Hughes, Claude McKay, George Schuyler, and others, alongside images and performances that show the intersection of African America with Ethiopia during historic political shifts. From a description of a notorious 1920 Star Order of Ethiopia flag-burning demonstration in Chicago to a discussion of the Ethiopian emperor Haile Selassie as Time magazine’s Man of the Year for 1935, Nurhussein illuminates the growing complications that modern Ethiopia posed for American writers and activists. American media coverage of the African nation exposed a clear contrast between the Pan-African ideal and the modern reality of Ethiopia as an antidemocratic imperialist state: Did Ethiopia represent the black nation of the future, or one of an inert and static past? Revising current understandings of black transnationalism, Black Land presents a well-rounded exploration of an era when Ethiopia’s presence in African American culture was at its height.
Author: Natalie Zemon Davis
Publisher: Walters Art Gallery
ISBN: 9780911886788
Category : Africans in art
Languages : en
Pages : 143
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Book Description
"This publication accompanies the exhibition Revealing the African Presence in Renaissance Europe, held at the Walters Art Museum from October 14, 2012, to January 21, 2013, and at the Princeton University Art Museum from February 16 to June 9, 2013."
Author: Klaus Benesch
Publisher: Rodopi
ISBN: 9789042008809
Category : History
Languages : en
Pages : 384
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Book Description
In the humanities, the term 'diaspora' recently emerged as a promising and powerful heuristic concept. It challenged traditional ways of thinking and invited reconsiderations of theoretical assumptions about the unfolding of cross-cultural and multi-ethnic societies, about power relations, frontiers and boundaries, about cultural transmission, communication and translation. The present collection of essays by renowned writers and scholars addresses these issues and helps to ground the ongoing debate about the African diaspora in a more solid theoretical framework. Part I is dedicated to a general discussion of the concept of African diaspora, its origins and historical development. Part II examines the complex cultural dimensions of African diasporas in relation to significant sites and figures, including the modes and modalities of creative expression from the perspective of both artists/writers and their audiences; finally, Part III focusses on the resources (collections and archives) and iconographies that are available today. As most authors argue, the African diaspora should not be seen merely as a historical phenomenon, but also as an idea or ideology and an object of representation. By exploring this new ground, the essays assembled here provide important new insights for scholars in American and African-American Studies, Cultural Studies, Ethnic Studies, and African Studies. The collection is rounded off by an annotated listing of black autobiographies.
Author: Frank M. Snowden
Publisher: Harvard University Press
ISBN: 9780674076266
Category : History
Languages : en
Pages : 396
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Book Description
Investigates the participation of black Africans, usually referred to as "Ethiopians," by the Greek and Romans, in classical civilization, concluding that they were accepted by pagans and Christians without prejudice.
Author: David Murphy
Publisher: Oxford University Press
ISBN: 1781383162
Category : Art
Languages : en
Pages : 246
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Book Description
In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.
Author: Akili Tommasino
Publisher: The Metropolitan Museum of Art
ISBN: 1588397858
Category : Art
Languages : en
Pages : 272
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Book Description
From the late nineteenth century onward, Black Americans looked to ancient Egypt as evidence of a preeminent ancient culture from the African continent. Flight into Egypt traces ancient Egypt’s influence on artists, from Edmonia Lewis’s sculpture The Death of Cleopatra (1876) to the efflorescence of Afrocentric visual art during the Harlem Renaissance, the Black Arts Movement of the 1960s and 1970s, and artistic tendencies of the ensuing decades. This volume explores how Black artists, writers, and musicians—and modern and contemporary Egyptian artists—have employed ancient Egyptian imagery to craft a unifying identity. Authors bring to light the overlooked contributions of Black scholars to the study of ancient Egypt, while statements by contemporary Black and Egyptian artists illuminate ancient Egypt’s continued hold on the creative imagination.
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 910
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Book Description
Author: G. A. Hoskins
Publisher:
ISBN:
Category :
Languages : en
Pages : 524
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Book Description
